A Stockholm cop returns again to his hometown in the northern wilderness to investigate a murder.A Stockholm cop returns again to his hometown in the northern wilderness to investigate a murder.A Stockholm cop returns again to his hometown in the northern wilderness to investigate a murder.
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FALSE TRAIL, a Swedish slice of crime noir, is a follow up to 1996's THE HUNTERS, and sees returning protagonist Erik Backstrom (Rolf Lassgard) back to solve more crimes in the chilly Scandinavian wilderness. Well, it took them fifteen years to make a sequel, but the wait was worth it: I find this to be a superior follow up in terms of excitement, thriller aspects, and pacing.
THE HUNTERS was a similarly-plotted story but had a different style of execution: it was darker, more of a family tragedy, and rather depressing. FALSE TRAIL is equally dark but has more of a conventional detective feel to it, a battle of wits between good and evil. Some viewers will find it the lesser piece, but I preferred it. It helps that Peter Stormare (FARGO) has a huge and complex role and is absolutely fantastic in it, the best work yet I've seen from the actor.
Inevitably, the taciturn and grumpy Backstrom is the film's guiding force, and Lassgard is a delight to watch as ever. The production values are better than ever, and Kjell Sundvall seems to have really grown as a director, crafting a well-polished and exciting thriller in which the stakes are never less than high. Unpredictable, involving, and harrowing, FALSE TRAIL is one to watch.
THE HUNTERS was a similarly-plotted story but had a different style of execution: it was darker, more of a family tragedy, and rather depressing. FALSE TRAIL is equally dark but has more of a conventional detective feel to it, a battle of wits between good and evil. Some viewers will find it the lesser piece, but I preferred it. It helps that Peter Stormare (FARGO) has a huge and complex role and is absolutely fantastic in it, the best work yet I've seen from the actor.
Inevitably, the taciturn and grumpy Backstrom is the film's guiding force, and Lassgard is a delight to watch as ever. The production values are better than ever, and Kjell Sundvall seems to have really grown as a director, crafting a well-polished and exciting thriller in which the stakes are never less than high. Unpredictable, involving, and harrowing, FALSE TRAIL is one to watch.
This is a masterpiece of nail-biting intensity. It is a sequel to a film made as long ago as 1996 by the same director, Kjell Sundvall, with the same actor, Rolf Lassgard, called THE HUNTERS (JÄGARNA, 1996). Lassgard in both films plays Stockholm detective Erik Bäckström, who returns to his roots in the wild and remote northern part of Sweden, a land of vast conifer forests, hunters, and small introverted settlements where everybody knows everybody else far too well. In this sequel of many years later, there are a few wistful flashbacks lasting only a few flickering moments, but otherwise the story is full-on and right-now. The characters portrayed in this film are the Swedish version of 'hicks in the sticks'. and there is more than a whiff of DELIVERANCE (1972) about the atmosphere. All those men going out in gangs with guns to murder elk! There is an unpleasant scene in the film where a female elk is standing twitching her ears and looking with curiosity at the humans, and she is then shot in the forehead and falls over dead. There are a few gruesome scenes which are even more unpleasant. Everyone in this film carries guns frequently, and you would think they had all run for Vice President with John McCain. Rolf Lassgard is marvellous as the central character. He exudes so much gravitas, it could sink a battleship. He is one of those Scandinavians who doesn't have to say anything, he just makes a slight expression in his rather dour face, and you get the message. One can imagine him communicating with Sarah Lund by microscopic twitches of his facial muscles, and no words need pass between them. This is such a nail-biter that unless you wrap your hands in towels you won't have any fingernails left. As to who killed the girl Elin, when, and how, and with which rifle, well that would be telling. But this film is about far more than a murder mystery. It is about searing family tensions, battered wives and children, hypocrisy, cover-ups, psychotic obsessions, criminal ingenuity, corrupt police, desperate danger, and throughout it all, there is the pervasive atmosphere of fear and intimidation of a small community which dare not face its own devils. There is also sadness and redemption. It's all there, you just have to be strong. You will be totally mesmerised by this drama, which is unrelenting, and is what is called 'character-driven' rather than 'plot-driven'. It is about people, some of whom you would definitely not want to meet. But Rolf Lassgard gets my vote for best cop of the year, and also for Mr. Nice Guy of the Frozen North.
"Jägarna 2" is a really powerful swedish crime thriller.
This film really shows how a good script can make up for minor editing and/or directorial mistakes. And even though that might sound harsh, altogether this was a great experience which gets the viewer hooked pretty much right from the start.
It not only uses the classical suspense a lá Hitchcock, but also makes one deal with feelings of injustice, tension and a need for gratification.
Also, compared to all the "cheap" crime thrillers out there, this one combines a good crime story with real characters, who have emotions and more importantly goals.
I'd definitely recommend this picture to everyone who wants to widen their horizon when it comes to films and stories of this particular genre.
This film really shows how a good script can make up for minor editing and/or directorial mistakes. And even though that might sound harsh, altogether this was a great experience which gets the viewer hooked pretty much right from the start.
It not only uses the classical suspense a lá Hitchcock, but also makes one deal with feelings of injustice, tension and a need for gratification.
Also, compared to all the "cheap" crime thrillers out there, this one combines a good crime story with real characters, who have emotions and more importantly goals.
I'd definitely recommend this picture to everyone who wants to widen their horizon when it comes to films and stories of this particular genre.
This Swedish detective mystery is a film which is a sequel to a 90's movie I haven't actually seen, so I can't say how this one measures up against the original. Nevertheless, what can be said with certainty is this is another Scandinavian film which falls comfortably under the Nordic noir bracket. Like other north European thrillers, this one covers some dark and disturbing territory. A Stockholm police detective is sent to a small rural community to help solve the case of a missing girl, presumed murdered. He finds his more methodical methods at odds with the style of the lead police officer assigned to the case, a man who happens to be married to his widowed sister-in-law and who is now the father to his nephew.
This is another solid bit of Nordic noir, yet I would classify it as a lesser example of the sub-genre. While it is undoubtedly a compelling enough crime story, the resolution to the mystery isn't perhaps very surprising and revealed quite early at that. This is compounded further by the film being a little overlong at two hours plus, given its quite basic and relatively straightforward narrative, while the final confrontation sequence was a bit too much in standard thriller territory and felt like a bit of a let-down for me. I did think the acting was very good though and the sense of place a strong point typical for these types of features. I could just have done with a little more meat to the mystery. Still, my criticisms are still only relative to the generally high quality of recent Scandinavian crime films overall, as this remains a pretty solid mystery-thriller nevertheless. Aside from the crime story, there are family and city versus small town complications added to the mix and which do expand the drama. Overall, I would classify this as a good film as opposed to being a great one though.
This is another solid bit of Nordic noir, yet I would classify it as a lesser example of the sub-genre. While it is undoubtedly a compelling enough crime story, the resolution to the mystery isn't perhaps very surprising and revealed quite early at that. This is compounded further by the film being a little overlong at two hours plus, given its quite basic and relatively straightforward narrative, while the final confrontation sequence was a bit too much in standard thriller territory and felt like a bit of a let-down for me. I did think the acting was very good though and the sense of place a strong point typical for these types of features. I could just have done with a little more meat to the mystery. Still, my criticisms are still only relative to the generally high quality of recent Scandinavian crime films overall, as this remains a pretty solid mystery-thriller nevertheless. Aside from the crime story, there are family and city versus small town complications added to the mix and which do expand the drama. Overall, I would classify this as a good film as opposed to being a great one though.
This movie should not be considered a sequel ,but the second part of the story released fifteen years before .If you are going to enjoy
"Jägarna 2",you have got to see the first effort first.
Even if Erik's brother is absent (and for a good reason) ,his shadows hangs over the whole movie:two brief flashbacks (the two brother's last hug;Leif's singing on the banks of the lake);the CD Erik gives to his nephew.
This is a thriller in disguise:the subject is the reconstruction of a family.Apparently,Peter,his mother Karin (scene of the dinner)and her new companion seem the perfect family.But cracks in the mirror will not be long in coming:Peter's hip is black and blue ,and during the funeral where he is supposed to sing ,a lump comes to his throat and tears flows on his face.
The killer's identity is known well before the ending ,but it does not matter.what's really absorbing is Erik's Relationship with Peter,his remorse "I did not do all that I could to save Leif.I knew our father treated him badly ".Like Torsten is doing with his "son" .Peter is a sensitive self-conscious tormented young man who longs for a father figure ,who wants to know more about this father who disappeared at such an early age in mysterious circumstances ,this father who,like him,loved singing -the second part sheds a new light on him,he was a criminal ,but a victim too.That's why the last sentence is such a relief for the viewer.
I find this second part even better than the first one ,more moving,more endearing .The forest landscapes are superbly filmed ,with an extraordinary sense of space ,and some scenes are so intense that the viewer feels like shouting "no!" ,particularly when Torsten treats Peter as a moving target.
Not to be missed,but definitely after watching the first episode .
"Jägarna 2",you have got to see the first effort first.
Even if Erik's brother is absent (and for a good reason) ,his shadows hangs over the whole movie:two brief flashbacks (the two brother's last hug;Leif's singing on the banks of the lake);the CD Erik gives to his nephew.
This is a thriller in disguise:the subject is the reconstruction of a family.Apparently,Peter,his mother Karin (scene of the dinner)and her new companion seem the perfect family.But cracks in the mirror will not be long in coming:Peter's hip is black and blue ,and during the funeral where he is supposed to sing ,a lump comes to his throat and tears flows on his face.
The killer's identity is known well before the ending ,but it does not matter.what's really absorbing is Erik's Relationship with Peter,his remorse "I did not do all that I could to save Leif.I knew our father treated him badly ".Like Torsten is doing with his "son" .Peter is a sensitive self-conscious tormented young man who longs for a father figure ,who wants to know more about this father who disappeared at such an early age in mysterious circumstances ,this father who,like him,loved singing -the second part sheds a new light on him,he was a criminal ,but a victim too.That's why the last sentence is such a relief for the viewer.
I find this second part even better than the first one ,more moving,more endearing .The forest landscapes are superbly filmed ,with an extraordinary sense of space ,and some scenes are so intense that the viewer feels like shouting "no!" ,particularly when Torsten treats Peter as a moving target.
Not to be missed,but definitely after watching the first episode .
Did you know
- ConnectionsFollowed by Jägarna (2018)
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Details
Box office
- Gross worldwide
- $7,780,071
- Runtime
- 2h 9m(129 min)
- Color
- Aspect ratio
- 2.35 : 1
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