A man turns to a mysterious pair and a shackled mental patient for help in combating an ancient family curse.A man turns to a mysterious pair and a shackled mental patient for help in combating an ancient family curse.A man turns to a mysterious pair and a shackled mental patient for help in combating an ancient family curse.
Chris LaCentra
- Police Officer #2
- (as Chris Lacentra)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Tedious vanity project
I got a free ticket to see this, and spent too much. The credits did not appear until the end of the movie, and that made it much clearer what was going on: There were a few names and surnames repeated several times in the credits, none of them well known as filmmakers. The director was listed as a main designer for the car that was featured, at length -- not that it was particularly interesting as a car. Or a movie; the whole thing is padded absurdly. There might be a decent half-hour TV show buried in this mess, but the fact that there's almost a half hour of setup before anything really happens is a giveaway of the pace of this thing. And once things start happening, they look like something from the 80's -- at best. Nothing happens fast, and almost nothing happens only once; the director liked some of his shots so much we see them several times. Even the scene after the credits is pointless.
Don't get me wrong -- I like outsider films. The original Gone in 60 Seconds, for example, is a classic. This has none of the pacing or wit of that movie, or any other decent one.
Don't get me wrong -- I like outsider films. The original Gone in 60 Seconds, for example, is a classic. This has none of the pacing or wit of that movie, or any other decent one.
An interesting perspective
Having read a lot about the topic of Jinns, I was not completely disappointed by the movie although it could have been made even better.
Story took of well and was entertaining and subject was well researched. Good job showing the 'chillah'. Have read about it in my curious readings so could make a connection.
Not many could show this perspective of Jinns in mainstream cinema. It may be a new thing for all to understand the significance of the Holy Zamzam water or of the incantations.
The camera work and direction was flawless. Although at times the background score was a bit misplaced. Acting was passable too. Hopefully when the Jinn returns with a sequel (if any) it may improve to get a better viewership.
Good try on this movie.
Story took of well and was entertaining and subject was well researched. Good job showing the 'chillah'. Have read about it in my curious readings so could make a connection.
Not many could show this perspective of Jinns in mainstream cinema. It may be a new thing for all to understand the significance of the Holy Zamzam water or of the incantations.
The camera work and direction was flawless. Although at times the background score was a bit misplaced. Acting was passable too. Hopefully when the Jinn returns with a sequel (if any) it may improve to get a better viewership.
Good try on this movie.
A horribly lackluster, under developed movie that doesn't deserve your money.
This potentially intriguing movie ruined my whole day for a vast number of reasons. I had come across the trailer for this, and being a fan of atmospheric supernatural thrillers, it looked appealing. Thus, I planned a whole day around going out to see this film theatrically in its limited release. Sadly, it failed on so many levels that I literally stopped caring about it halfway through, which made for a horrendously difficult sit for the next 50 minutes.
"Jinn" apparently has its mythology based on Middle Eastern folklore, but provides the most bare minimum exposition to get any of its ideas across. Thus, concepts and characters are poorly defined. It has concepts that are mentioned in relation to man, jinn, and angels - yet introduces nothing regarding angels anywhere in its narrative. As it goes along, you get the idea that Ray Park's character could potentially be an angel from the abilities he demonstrates, but nope, that potentially interesting idea never comes to be. The Jinn themselves are not well explained in the supposed mythology this film is attempting to setup and utilize. This film ultimately fails to flesh out or develop anything on a compelling level. The characters are not explored, leaving them as very two dimensional people despite having some potentially good quality talents here like William Atherton. It was at the point, nestled in the second act, where characters typically are fleshed out and given more depth and focus that I realized this film had no intention of caring at all about its characters. Everyone is given a shallow setup with no further development beyond that, and instead, the film throws a lot of flashy imagery and effects to use its sleek appearance mask its shortcomings.
"Jinn" also heavily lacks in excitement until well passed the point where I stopped giving a damn about it. The talents of Ray Park are grossly wasted here with a very tame and very brief martial arts showing, and a super slow motion fight scene that amounts to one of the most boring sequences of the film. The filmmakers also surely had no intention of building up legitimate scares or suspense. Jump scares are all it has to offer in that regard, and as I said, the action fails to excite at all. It also features some suped up concept car that the director clearly put far more effort and energy into integrating into this film than he did anything else.
I honestly stopped giving a damn about halfway through the film because the makers of this film never bothered to give me anything worth giving a damn about. You have to establish, develop, and build up your characters primarily, and that's exactly what this film never takes the time to do. Thus, it's exactly why I lost all interest in this, and felt embarrassed walking out of the theatre at the end of it. Also, despite the Jinn being a threat to the entire whole of humanity, the scope of this film is extremely narrow, and feels a lot like a forgettable late 1990's direct-to-video movie. It just lacks ambition, originality, intelligence, and scope to make it succeed on any creative level at all.
"Jinn" does have a very moody look to it with good quality cinematography, and the CGI effects work is quite high grade. However, good visuals and some nice effects cannot make-up for a lackluster script and lazy storytelling. The acting isn't poor, but it fails to compel an audience's interest. Do not bother paying to see this movie. There is a vast catalog of far superior works in this genre to watch and enjoy thoroughly than this such as The Prophecy, Constantine, Solomon Kane, or any episode of Supernatural. Don't waste your time, and don't encourage a sequel to a well below average movie like this because its end credits literally are asking you to do so.
"Jinn" apparently has its mythology based on Middle Eastern folklore, but provides the most bare minimum exposition to get any of its ideas across. Thus, concepts and characters are poorly defined. It has concepts that are mentioned in relation to man, jinn, and angels - yet introduces nothing regarding angels anywhere in its narrative. As it goes along, you get the idea that Ray Park's character could potentially be an angel from the abilities he demonstrates, but nope, that potentially interesting idea never comes to be. The Jinn themselves are not well explained in the supposed mythology this film is attempting to setup and utilize. This film ultimately fails to flesh out or develop anything on a compelling level. The characters are not explored, leaving them as very two dimensional people despite having some potentially good quality talents here like William Atherton. It was at the point, nestled in the second act, where characters typically are fleshed out and given more depth and focus that I realized this film had no intention of caring at all about its characters. Everyone is given a shallow setup with no further development beyond that, and instead, the film throws a lot of flashy imagery and effects to use its sleek appearance mask its shortcomings.
"Jinn" also heavily lacks in excitement until well passed the point where I stopped giving a damn about it. The talents of Ray Park are grossly wasted here with a very tame and very brief martial arts showing, and a super slow motion fight scene that amounts to one of the most boring sequences of the film. The filmmakers also surely had no intention of building up legitimate scares or suspense. Jump scares are all it has to offer in that regard, and as I said, the action fails to excite at all. It also features some suped up concept car that the director clearly put far more effort and energy into integrating into this film than he did anything else.
I honestly stopped giving a damn about halfway through the film because the makers of this film never bothered to give me anything worth giving a damn about. You have to establish, develop, and build up your characters primarily, and that's exactly what this film never takes the time to do. Thus, it's exactly why I lost all interest in this, and felt embarrassed walking out of the theatre at the end of it. Also, despite the Jinn being a threat to the entire whole of humanity, the scope of this film is extremely narrow, and feels a lot like a forgettable late 1990's direct-to-video movie. It just lacks ambition, originality, intelligence, and scope to make it succeed on any creative level at all.
"Jinn" does have a very moody look to it with good quality cinematography, and the CGI effects work is quite high grade. However, good visuals and some nice effects cannot make-up for a lackluster script and lazy storytelling. The acting isn't poor, but it fails to compel an audience's interest. Do not bother paying to see this movie. There is a vast catalog of far superior works in this genre to watch and enjoy thoroughly than this such as The Prophecy, Constantine, Solomon Kane, or any episode of Supernatural. Don't waste your time, and don't encourage a sequel to a well below average movie like this because its end credits literally are asking you to do so.
confussing is mind
They give a simple but good intro and then, it goes all the tracks. Suddenly, the movie conflicts its own intro, the world must speak English even outside America, because well the whole world only uses English. (Unless in the intro, for a part) And I had even hopes because there are some actors I like in this one. There are things to like, but then skip the intro, I would say. Enjoy.
Slow Jinn
This is a standard "looks like a pilot for a series" movie. It is quite Jinneric.
The grandfather, Jehangir Amin (Dominic Rains), thinks the only good Jinn is a dead Jinn and, in an attempt, to recover his girl, the ancient Indian Jehangir upsets a Jinn that just wants the earth back from those clay made humans.
So, the Jinn in retaliation decides to disrupt the lives of all of Jehangir Amin's decedents which just happens to include the unsuspecting Shawn Walker (also Dominic Rains.) but Shawn does not believe he is the toughie that will save the world and future offspring from the Jinn? Or will we have to suffer through a series?
This is more of a Jinn fizzle.
The grandfather, Jehangir Amin (Dominic Rains), thinks the only good Jinn is a dead Jinn and, in an attempt, to recover his girl, the ancient Indian Jehangir upsets a Jinn that just wants the earth back from those clay made humans.
So, the Jinn in retaliation decides to disrupt the lives of all of Jehangir Amin's decedents which just happens to include the unsuspecting Shawn Walker (also Dominic Rains.) but Shawn does not believe he is the toughie that will save the world and future offspring from the Jinn? Or will we have to suffer through a series?
This is more of a Jinn fizzle.
Did you know
- TriviaSibylla Deen's debut.
- Crazy creditsThere's a scene after first few closing credits roll and another scene after all the credits have rolled.
- ConnectionsReferences Aladdin (1992)
- SoundtracksTere Bin Nahi Lagda
by Nusrat Fathed Ali Khan
- How long is Jinn?Powered by Alexa
Details
Box office
- Gross US & Canada
- $202,348
- Opening weekend US & Canada
- $149,337
- Apr 6, 2014
- Gross worldwide
- $552,698
- Runtime
- 1h 37m(97 min)
- Color
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