The Skeleton Twins

Make no bones about it, the indie comedy-drama "The Skeleton Twins" is a nice little picture about two depressed siblings who reunite after not seeing each other for 10 years, and let's just say that the skeletons soon start coming out of their closets as they reveal much about themselves. The film stars SNL alumnus Bill Hader and Kristen Wiig as Milo and Maggie. Milo is a struggling actor in Los Angeles who unsuccessfully attempts suicide in the film's opening scene. That near death experience brings him to reunite with his estranged sister Maggie who takes Milo to her hometown New York, so he could be in a New York state of mind. Anyways, Maggie is no bright chip of the old block either. She is unhappy in her marriage with a caring, devoted husband. She cheats on her husband and is taking birth control pills behind her husband's back. Maggie is one skeleton twin that is bad to the bone. The performances from Hader and Wiig were outstanding, and it was what brought the film to life. I also thought Luke Wilson was brilliant as Maggie's husband Lance. However, I was not too enamored with Craig Johnson's direction and screenplay of the movie. Too me it was a bit uneven and it might have needed some bare bones exuberance to the filmmaking of "The Skeleton Twins". But I am still recommending this movie as a solid viewing, and no joints are even required to get a semi-cinematic high watching "The Skeleton Twins". *** Average

Kristen Wiig and Bill Hader are such comedy wunderkinds that a dramatic role sounds like a waste. We can picture Wiig screwing around a room with the pizazz of Carol Burnett, with Hader, alongside her, spitting out wicked lines in a wacky voice. Though The Skeleton Twins has a handful of funny moments, it is first and foremost a gloomy drama; we may all love Wiig and Hader's antics on Saturday Night Live, but they are blessed with some serious acting talent. It's the Double Indemnity to their Ball of Fire, the War and Peace to their Sabrina.

Twins Maggie (Wiig) and Milo (Hader) have been estranged for 10 years. They're reacquainted, however, when Maggie receives a call from an unknown number; she is informed that Milo has attempted suicide. In one hand, she holds the phone. In the other is a smattering of pills. It's a coincidence that seems as though God set it up just for them. Maggie immediately invites Milo to stay with her and her picture perfect husband, Lance (Luke Wilson), in their suburban New York home; but just as they begin to reconnect, they are forced to face their innermost demons.

Milo has been living in Los Angeles for a decade, desperate to become a famous actor. He's seen little success, his life marred with constant disappointment. Maggie knows that she has married a good man, but she is bored with her comfortable, predictable marriage; she's partaken in several affairs and has purposely destroyed any chances of having a baby, something Lance dreams of.

The people in The Skeleton Twins aren't unstable in a melodramatic fashion. They are disappointed with their lives, ready to do something drastic just to inject meaning into their veins. Milo thought he'd be the bullied outsider that could, one day, come to a class reunion and laugh at his balding, middling tormentors. Maggie thought that she could live in domestic bliss and stay within that bliss. But it doesn't happen.

The film explores several relationships, going back and forth between Milo and Maggie, Milo and his ex-lover, Rich (Ty Burrell), who destroyed his teenage years, and the siblings and their flighty mother (Joanna Gleason). The conversations glide over and under sheer wit and blood- letting, the characters are written with hundreds of layers. They hit close to home, making us question our own self-confidence and achievements.

But it's one of those films in which the biggest successes come from the actors. If they didn't have chemistry, The Skeleton Twins would never work. Yet the emotional bonds (good or bad) between the actors in the film are so instantaneously genuine that there is a fluidity that makes the anguish all the more real. The laughs are quick, but they are consistently overtaken by the somber sequences that follow them. Because, in real life, a joke can be thrown off a roof if you open up an old wound.

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No masterpiece here, just a really nice heart-touching story and some great acting.

Twins Milo and Maggie have not seen each other for ten years then Maggie gets a call to say her estranged brother is in hospital after a failed suicide attempt.

She goes to see him out in L.A. and brings him back to New York. There he gets to confront his past, their joint histories and whatever the future may hold. This is essentially them getting to know each other again after such a long hiatus and in doing so holding up a metaphoric mirror to each other.

Now this started out a bit slow but once it picked up it is really engaging. Bill Hader as Milo manages to capture the complexities of some one full of life's disappointment but still with reserves of joy that just need tapping. Kristen Wiig plays his sister who has more layers than an onion in terms of how she juggles her various needs. In other words they are both just really human with the same frailties we all have. This is a comedy but it is somewhat dark and often wry but I still found this to be extremely enjoyable for all that – recommended to those who like an offbeat comedy.

Greetings again from the darkness. Kristen Wiig, Bill Hader, Ty Burrell and Luke Wilson ... prepare yourself for 90 minutes of side-splitting laughter! OK, well you can prepare all you want, but you should know that while there are some funny moments, this is one of the bleakest films of the year. Bleak as in achingly painful to watch at times due to the emotional pain most every character experiences.

Hopefully no one stopped reading after "side-splitting laughter" because here is a sampling of thematic elements covered in the film: attempted suicide, suicide of a parent, adultery, sexual abuse of a minor, rampant lying, depression, horrific parenting, drug use, animal cruelty.

If Bill Hader and Kristen Wiig of SNL fame don't spring to mind when considering those elements, please keep an open mind. Both are extremely good (and believable) in their roles as twins estranged for a decade, forced back together after a near tragedy. See, after a miserable childhood, their time apart has prevented both from establishing a strong personal relationship with anyone else. Hader plays a self-professed "gay cliché", while Wiig is pretending to have the perfect suburban life with her gung-ho, always "up", good guy husband (Luke Wilson).

The film's best humor is produced in small moments thanks to the connection between Wiig and Hader. It's definitely not in the almost shameful attempts at crowd-pleasing offered in the SNL-ish scenes of lip-synching to Starship, and over-indulging on Nitrous Oxide at the dental office.

Real emotional turmoil exists in the scenes between Hader and Ty Burrell, and the unnecessary and inexplicable reunion between Hader, Wiig and their mother (Joanna Gleason). Burrell, known for his outstanding "Modern Family" role, is intriguing as a dramatic actor. Looking forward to more of this from him.

The script, co-written by director Craig Johnson and Mark Heyman, really does capture some poignant and dramatic moments, and certainly benefits from the extremely talented cast. Just don't expect that side-splitting laughter ... unless you are susceptible to lip-synching and/or nitrous oxide.