IMDb RATING
5.8/10
6.3K
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Victor is new to Montreal and attempts to make friends with the wheelchair-bound Spencer and the cat-loving Louise, but everybody is on edge with a serial killer terrorizing the neighborhood... Read allVictor is new to Montreal and attempts to make friends with the wheelchair-bound Spencer and the cat-loving Louise, but everybody is on edge with a serial killer terrorizing the neighborhood.Victor is new to Montreal and attempts to make friends with the wheelchair-bound Spencer and the cat-loving Louise, but everybody is on edge with a serial killer terrorizing the neighborhood.
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It reminds many thrillers, crime and dark comedies. And it does well that. Proposing a simple story, good actors, few spices and a serial killer, young people, cats, fish tanks, some Hitchcock, Woody Allen and Tarantino, few drops of "Delicious" and a fine end. A real nice film. And, not less, a smart one.
The basic problem can be the status of salad. In some measure, too much ingredients.
The basic problem can be the status of salad. In some measure, too much ingredients.
It's October 1995 Montreal. There is a serial killer out on the loose. Victor (Jay Baruchel) is moving into a 4th floor walkup. His neighbours are cat lady Louise (Emily Hampshire) and wheelchair bound Spencer (Scott Speedman). Louise is working at a local Chinese restaurant where waitress Johanne (Kaniehtiio Horn) is killed one night in the streets. Victor walks Louise home from the restaurant every night. Spencer turns out to be able to walk and somebody poisons Louise's cat.
Director Jacob Tierney is able to get an offbeat eerie vibe sort of like 'Shallow Grave' except nothing so cool and thrilling. It's a serial killer thriller that lives on its atmosphere for the most part. Baruchel is quirky cute. Hampshire is a quirky adoring cat lady. Speedman is good as Spencer hiding a secret. The three of them form a very compelling trio. The movie does need more tension. It would probably help to condense the timeline. It's good creepy throughout with an underlining low key dark humor.
Director Jacob Tierney is able to get an offbeat eerie vibe sort of like 'Shallow Grave' except nothing so cool and thrilling. It's a serial killer thriller that lives on its atmosphere for the most part. Baruchel is quirky cute. Hampshire is a quirky adoring cat lady. Speedman is good as Spencer hiding a secret. The three of them form a very compelling trio. The movie does need more tension. It would probably help to condense the timeline. It's good creepy throughout with an underlining low key dark humor.
I saw this film recently partly based on the other review above. I did not agree with the general thrust of that review and so I've contributed one based on my own impressions. As a whodunit the culprit was fairly obvious taking away any possibility of plot tension. The general lack of action, drama (or blood) was actually disappointing.
The film did not hit any low notes to be fair and was watchable enough but it failed to hit any high ones (for me) either.It was well professionally acted and with workmanlike direction, the scenes were well shot including the slightly unpleasant one alluded to in the previous review but the only emotional connect I felt with the film was some twinges of embarrassment at a couple of points. Sunday evening filler.
The film did not hit any low notes to be fair and was watchable enough but it failed to hit any high ones (for me) either.It was well professionally acted and with workmanlike direction, the scenes were well shot including the slightly unpleasant one alluded to in the previous review but the only emotional connect I felt with the film was some twinges of embarrassment at a couple of points. Sunday evening filler.
It's the story of three strange friendships, with a serial killer lurking in the background. Lives of the three single people, two guys and a gal, all under age 30, become intertwined over a five-month period as a result of living in close proximity in a Montreal apartment building. The film is less a whodunit than a play of mind games, as unlikely events collide, to force the three to question each others motives, then plot ways to a self-interested outcome.
The three characters are mildly interesting, though the Victor character is so neurotic, and dense to others' cues, he quickly becomes grating. I see that as a script problem. There are also a couple of significant plot holes. And the ending I find less than satisfying, as it leaves viewers wondering, and questions unanswered.
Casting is acceptable. Acting is fine given the subdued story line. Visuals trend a bit dark. Most of the plot is set indoors. "Good Neighbors" is a low-budget film, and uses a minimal cast and minimal sets. Overall, the film has a pleasantly European look and feel, with interspersed French dialogue, Canadian accents, musty interiors, and cold climate exteriors.
If you're looking for a whodunit, or an extravagant production, or a film of great thematic depth, look elsewhere. Notwithstanding weakness previously described, "Good Neighbors" excels at character drama, with a touch of low-key quirkiness; a cozy, intimate little film worth a one-time watch on a cold winter night.
The three characters are mildly interesting, though the Victor character is so neurotic, and dense to others' cues, he quickly becomes grating. I see that as a script problem. There are also a couple of significant plot holes. And the ending I find less than satisfying, as it leaves viewers wondering, and questions unanswered.
Casting is acceptable. Acting is fine given the subdued story line. Visuals trend a bit dark. Most of the plot is set indoors. "Good Neighbors" is a low-budget film, and uses a minimal cast and minimal sets. Overall, the film has a pleasantly European look and feel, with interspersed French dialogue, Canadian accents, musty interiors, and cold climate exteriors.
If you're looking for a whodunit, or an extravagant production, or a film of great thematic depth, look elsewhere. Notwithstanding weakness previously described, "Good Neighbors" excels at character drama, with a touch of low-key quirkiness; a cozy, intimate little film worth a one-time watch on a cold winter night.
Turned my TV on and this was running on HBO, in the middle, so I looked up the rating & storyline here to see if I was interested in restarting it...and stumbled across the spoiler IMDB choose to use for a quote.
Umm, why???
Umm, why???
Did you know
- TriviaEmily Hampshire appeared in each of the first four movies directed by Jacob Tierney: the short film, Dad (2002); Twist (2003); The Trotsky (2009), and Good Neighbours (2010).
- GoofsWhen Louis thought she was being followed by the big black guy, she turned around and there was no dog in sight, not even a leash. She then stopped to let him pass, and all of a sudden there is a leash in his hand with a dog attached to it. How could this have been missed.
- Crazy creditsAt the very end of the credits it says "No animals were harmed in the production of this movie, not sure about the fish."
- ConnectionsFeatures The Dog Who Stopped the War (1984)
- SoundtracksSow Some Lonesome Corners So Many Flowers Bloom
Written by Efrim Menuck, Sophie Trudeau, Thierry Amar, Ian Ilavsky, Beckie Foon and Jessica Moss
Performed by Thee Silver Mt Zion (as Thee Silver Mt. Zion Memorial Orchestra)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Good Neighbors
- Filming locations
- 3412 Av Harvard, Montreal, Québec, Canada(The apartment complex)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $7,072
- Opening weekend US & Canada
- $2,953
- Jul 31, 2011
- Gross worldwide
- $7,072
- Runtime
- 1h 39m(99 min)
- Color
- Sound mix
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