Everything Must Go

I really enjoyed Stranger than Fiction and, since I had heard Will Ferrell's performance in that movie compared favorably to the one in Everything Must Go, was excited to see EMG. I walked away after seeing EMG a little unsure of whether I truly enjoyed the movie or just merely appreciated the quality of the director's vision and execution. Everything Must Go is the story of Nick Halsey (Ferrell), a struggling alcoholic who, in the first 10 minutes of the movie, has been laid of from his job and kicked out of his house by his wife, all within the same day. The rest of the movie looks at Halsey's attempt to manage the tension between wanting what he once had and trying to pursue a life that he desires, even though he isn't entirely sure of what that looks like. I will start by saying I thought the acting of everyone involved, especially Will Ferrell and Christopher Jordan Wallace, was superb and a highlight of the movie. I thought the music and visuals added significantly to the feel of the movie, especially how so much of the movie occurred in the front yard with the records of his father occasionally playing in the background. Now I knew to expect a story that was not a happy-go-lucky comedy (is there one about an alcoholic struggling with sobriety), but was hoping for some more lightheartedness. I did particularly enjoy watching the relationship between Nick Halsey and Wallace's "Kenny Loftus", and thought that the filmmakers did a good job pairing the two actors up. A couple of things with which I walked away: first, I found it interesting how the director decided to show Halsey's eventual growth in the way that he let go of certain things, and to whom he left them. Afterwards, a friend of mine and I discussed how difficult these acts would have been, but thought it appropriate for someone trying to move beyond such a serious issue as alcoholism. I also found it interesting that such a pivotal character, like Halsey's wife, has no screen time at all, save for her voice in one scene. It is as if the filmmakers want us to see how much damage one person has managed to do by simply stepping out of another's life. Overall, I do believe that the movie was well made, with an interesting story and fantastic acting, but the mood of the film was a little heavier than what I was looking for.

It's a touching, and beautiful character study on real people, with real problems. You can go anywhere - and you'll find someone who's faced an alcoholic - and the effects it has on their personality, their relationships, and ultimately their life. Now, ask three people about divorce - statistics show that over 50% of couples end in separation. Since you've covered two dramatic issues, go take a look at the unemployment rate - or even worse, about the people who've been laid off from their job because of the recession. Finally, imagine facing all three devastating predicaments, in one day. "Everything Must Go", is loosely adapted from the Raymond Carver story "Why Don't You Dance?"--a portrait of a man in collapse.

After Nick (Will Farrell) is fired from his sales job, mostly because of his alcoholism, he comes home and finds that his wife has kicked him --and all of his stuff out of the house and onto the front lawn. She's also canceled their co-owned credit cards and pretty much set him adrift with nowhere, literally, to go. So he pulls up his La-Z-Boy, He cracks a perpetual 12-pack, and drops out of normal life entirely.

Ferrell's work is impressive; there are comic moments scattered throughout the film, but he downplays them until they become moments of desperation. He slowly starts making friends with a neighborhood kid Kenny (Christopher Walace), who also does a fine job, who needs something to do. Two women enter Nick's new anti-life: a new neighbor pregnant Samantha (Rebecca Hall), awaiting the arrival of an absent husband, and an old high school classmate Delilah, played by Laura Dern. Eventually, Nick then finds himself eventually--ready to move on--and selling all his possessions to do so.

This is all accomplished by first time writer/director Dan Rush. He shows us a simplistic story, harnesses it into his own, and produces a deeply moving motion picture. It never feels clichéd or forced--Rush lets his film transcend nicely by not creating plot points for sentiment or lines of dialect for pity. Sure, there's a transformation in Nick's character - but all of it is done with nuance and genuine compassion.

"Everything Must Go" isn't a comedy, but it's not entirely a tragedy, either, It straddles this line with a deeply nuanced confidence. Unconventional, but heart-felt and nonetheless satisfying. "Everything Must Go" leaves on a somewhat melancholy note. We see Nick finally paying his dues,--respecting and giving back to those who've helped him through this dark time. The Band's "I Shall Be Released" starts playing in the background-- and the film morphs from engaging to moving.

Will Ferrell plays Nick Halsey, who arrives home from being fired from his job to find all his belongings on his front lawn. Nick finds a note on his door from his wife letting him know that she has decided to leave him.

Rapt with despair Nick, who is a recovering alcoholic, starts drinking heavily and camps out on his front with all his possessions. Eventually, Nick befriends one of the kids in his neighborhood, and together they hold a yard sale on his front lawn to sell off everything that he owns.

This is really a story about hitting rock bottom and figuring out a way to start over again. Nick selling off all his belongings becomes cathartic for him as he lets go of his past.

Will Ferrell shows some excellent depth in this film. This was huge departure from his normal roles. He may not have nailed it but I admire the fact that he took so much risk with this role. The movie could worth checking out for that alone.

I really enjoyed Rebecca Hall as the next door neighbor that helps Nick on his path to redemption. She impressed me in Vicky Christina Barcelona and The Town and she does an excellent job on this film as well. I look forward to seeing some of the movies she has coming out next year.

This movie is far from perfect, The pacing is pretty slow, the ending is too abrupt and it lacked some of the emotional punch that it seemed to be striving for. It was an interesting watch however and its worth checking out.

Everything Must Go is an art movie. Maybe that wasn't the director's intention but that's how I'll classify it.

I give it 3 stars out of 4.

Just a very simple, and ultimately touching, story about a man who's life is falling apart and it is purely his own fault.

It is nice to see Will Ferrell ACT and not play his normal over the top persona in comedies.

This is a QUIET movie. Just a mellow ride with some humor, some drama, a pleasant setting, good cinematography and production values and interesting characters. One of the better films I've seen this year! I might even be tempted to give it 3 and 1/2 stars! It is like hanging out in a museum for the day or a quiet afternoon enjoying a good bottle of wine. Not something you'd want to do everyday but for an afternoon it is a nice diversion from the mad, mad, crazy world we live in.

And no, it is NOT a guilty pleasure. It is a good film but not for everyone. Somehow I think this might have worked better as a UK or French film.

I love a slam bang movie like Kick-Ass or Inglourious Basterds or Oldboy as much as the next cat. But this isn't that movie.

Like I said, it is a quiet art movie. Like The Music of Chance starring James Spader from back in the 90s.

Writer-director Dan Rush did a very good job. Especially since this is his FIRST film and first Internet Movie Database credit! It is almost like something Hal Hartley might have done but less quirky.

Everything Must Go is probably Will Ferrell's first truly well done film in years. The Other Guys was pretty good, Step Brothers was funny in parts, but this one totally takes the cake for being a great drama, and schools anyone who thinks Will Ferrell can't do anything but comedy. Though I doubt fans of Old School will think highly of this.

The plot isn't too much, but it sustains a film. Will Ferrell is Nick Halsey, an alcoholic who has had one too many alcohol-related episodes and has finally lost his job. He returns home to find out his wife has changed all the locks on the house, and has moved all of his belongings to the front yard. Frustrated and hopeless, he decides to life on his front lawn, and make the best out of a horrible situation.

He spends his day sucking down Blue Ribbons beers, until he is met by a chubby adolescent named Kenny (Christopher Jordan Wallace, the son of the late rapper Notorious B.I.G.). Kenny's mom takes care of an elderly woman, leaving him free to roam the streets on his bike. Kenny and Nick strike up an odd, but warm relationship with each other and when Nick is informed by his AA sponsor (Pena) that he must move all his stuff off his lawn in three days, he works with Kenny to help them hold a big yard sale.

A sub-plot involves Nick getting acquainted with the woman across the street who has just moved to the neighborhood and is awaiting her husband's arrival. The relationship isn't as strong or as well-crafted as the relationship between Nick and Kenny, but it is still a solid one.

It's also noteworthy that we never see Nick's wife or the woman's husband anywhere in the film. We don't need to, though. The plot works fine without them, and I believe that if we saw Nick's wife in the film we'd get too many arguments between the two which may result in (a) believability being low and (b) a possibility for Ferrell's comedy side to sneak in. We don't need comedy here. We get it, but in tiny, miniscule doses. There is almost nothing funny about this situation.

Once again, this proves that Will Ferrell is a great character actor, and doesn't have to get drunk, shout his lines, or get in goofy fights to be successful. Unfortunately, Everything Must Go's overall performance wasn't impressive, and it may be a long time before Ferrell does something like this ever again.

Not everything here is perfect. The worst flaw is the ending because there is no emotional payoff, and nothing to make our experience anymore than just enjoyable. I wanted more than enjoyable. I haven't read the short story "Why Don't You Dance?" by Raymond Carver, so I'm not sure of any similarities both this and the story share. Everything Must Go is a good film in general, but a great film in terms of Ferrell, who is essentially putting on a one-man-show for more than half the film.

Starring: Will Ferrell, Christopher Jordan Wallace, Laura Dern, and Michael Pena. Directed by: Dan Rush.