Captain Phillips

It's fair to say that the movies which have been walking away with Box Office numbers this year have been either big superhero movies or big sci-fi movies. If you're wondering whether or not you should go and see this film because it looks like something a little different DO IT! This is a film, regardless if you already know the story, which delivers excellent acting, excellent moments of tension and excellent use of emotion which ,when you leave the theatre, won't be difficult to feel at all. Now if you're still considering whether or not you should go and see this film, let's address the rumours you might have already heard: 1.There's been a lot of talk about Tom Hanks potentially claiming another Oscar - yes he simply HAS to be up for contention after this. True in the first half of the film he doesn't necessarily have to be all out emotional, but he does enough so that when we reach the second half and ultimately the final act, we are in as much shock and awe as the character of Richard Phillips through watching his performance. 2. A few people have said "too much Tom Hanks." There's two sides to this: Obviously he's going to be in the story a lot because he is the star BUT he doesn't give the only good performance here; the Somali pirates are truly terrifying, not just because of what they are but because their characters have a lot of uncertainty making them very unpredictable. 3. Some people are saying it's overrated and we've seen it all before. I'm not claiming its the greatest movie ever made, but what I am saying is its definitely worth a look. So if you're worried about wasting some cash don't be, it's definitely a film you won't regret paying for.

Paul Greengrass has proved his talents with two fantastic Bourne films, The Bourne Supremacy and The Bourne Ultimatum, and two impressive real-life dramas, Bloody Sunday and United 93. Green Zone, while being a little like Bourne in Baghdad, was also a worthy thriller. Captain Phillips sees Greengrass deliver another true story to the big screen, proving that he is indeed the current king of cinematic re-enactments.

Tom Hanks gives one of his finest performances in a long time. His Captain Phillips is a professional, serious man that keeps his emotions in check while sternly ensuring his crew understands his expectations. As the situation escalates, his emotions begin to creep through. Leading towards a final release that is both heartbreaking and relieving. Hanks' character isn't explored too deeply, but we are nevertheless with him every step of the way.

In a fantastic casting choice, Tom Hanks is more than matched by Barkhad Abdi, who truly shines as the lead pirate. We're given more access than expected to this character – to all four pirates for that matter. Abdi manages to evoke empathy from a character that could have easily succumbed to stereotypical villainy. His performance provides a complex level of emotion to the proceedings. He knows that the situation has easily ran away from him, yet he naively decides to re-assure himself – and Captain Phillips – every chance he gets.

This is no-nonsense filmmaking of the highest order. Paul Greengrass' kinetic camera rises above the sometimes dizzying approach from some of his last films. The hand-held factor works beautifully here, ensuring the you-are-there level of realism is cranked to a ten at every second. As the events escalate, we are always kept aware of what is happening. While skipper jargon and navy terms are exclaimed every which way, care is placed on making sure we still know exactly what is going on. Billy Ray (Breach, State of Play, The Hunger Games) constructs a taut and clear screenplay that compliments Greengrass' filmmaking style.

To call this tense is an understatement. Henry Jackman's score pushes every sequence to an almost unbearable level of tension, Barry Ackroyd's cinematography beautifully captures the sweat and intensity of every moment, and Christopher Rouse's masterful editing brings it all home.

Exhausting and thrilling, Captain Phillips is all the more powerful with the knowledge that you're witnessing a true story. Paul Greengrass and co. have crafted an experiential film that you won't be forgetting in a hurry.

• thereelword.net

Captain Phillips is a biographical drama thriller movie directed by Paul Greengrass and stars Tom Hanks, Barkhad Abdi, Michael Chernus and Faysal Ahmed.

The best thing particularly I liked the most was the authenticity and realistic approach by the director and it will be like that you are watching a real abduction scene.

Tom Hanks again did a commendable job in the role of an abducted captain. Support cast was also impressive. Background music is another strong aspect of the movie and supports the screenplay.

Screenplay is gripping and will keep you on the edge of your seats. Direction is good. Another strong point of the movie is it's beautifully cinematography.

The movie should be on the list of every movie lovers. In my opinion one of the movie with very close to the reality.

"Captain Phillips" is the Hollywood retelling of the true-to-life 2009 harrowing story of an American container vessel Maersk Alabama (with Captain Richard Phillips at the helm) being held hostage by Somali pirates. The screenplay by Billy Ray was based on the novel "A Captain's Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea" written by Captain Richard Phillips himself.

Playing the titular character, Tom Hanks is what this film is all about. He starts off simply, playing Capt. Phillips as a family man and seasoned seaman on a routine delivery. However when the pirates came, you see him transform into a cool-under-pressure leader and shrewd tactician, matching wits with these desperate aggressors. In the last five minutes, Hanks would give us an unexpected display of emotion which may well deliver him another Oscar for Best Actor.

The four Somali-American first-time actors playing the pirates are a very realistic bunch. They play with wild-eyed and feral intensity, really scary. Barkhad Abdi plays their skinny foolhardy leader Muse, engaging Phillips in a deadly chess game, toe-to-toe. Faysal Ahmed plays the hot-headed Najee, who was the loose cannon of the group. Barkhad Abdirahman plays the young recruit Bilal, getting himself a baptism of fire on his first time out.

When I saw the name director Paul Greengrass in the credits, I understood why the sense of tension and urgency were so well-conveyed. This was that familiar sense of excitement we felt in his previous films, like the last two Jason Bourne films or that suspenseful 9/11 drama "United 93". He really knows how to make military operations exciting on screen, as he did for the Army in "Green Zone" and the Navy SEALS in this film.

I have to admit I was on the verge of getting seasick with the shakiness of the camera, but luckily I held on despite the two-hour length of the film set at sea.

Overall, this is a different sort of adventure drama, with a topic not too commonly tackled in a mainstream film. We hear of these events on the news, but this film brings us right in the middle of one. We will feel the tension building as the pirates were approaching. We will feel the fear when the pirates were on board. We will feel the desperation and the frustration of being trapped in the middle of the open ocean with no help immediately forthcoming. If you are up for such a realistic experience, then this film is for you.

What a stunning film - the imminent threat of deadly violence tempered with the tragic circumstances that drive people to such desperate actions made for a very human story.

If Hanks is nominated for an Oscar for this, then Barkhad Abdi deserves a nomination too, because their scenes together were electric - never once did Abdi appear the junior party, every bit Hank's equal as two cunning foes trying to outfox one another.

The best lines in the film were perhaps when Phillips beseeched of Muse: "Surely there's something other than fishing and kidnapping people you could do?"

To which Muse replied, sombrely: "In America, maybe".

It's a must see, the best film I've seen this year.