A young cop is assigned to a precinct in the working class neighborhood where he grew up, and an old secret threatens to destroy his life and his family.A young cop is assigned to a precinct in the working class neighborhood where he grew up, and an old secret threatens to destroy his life and his family.A young cop is assigned to a precinct in the working class neighborhood where he grew up, and an old secret threatens to destroy his life and his family.
- Awards
- 1 nomination total
Simone Joy Jones
- Young Vicky
- (as Simone Jones)
Lemon Andersen
- Geronimo
- (as Lemon Anderson)
Peter Anthony Tambakis
- Dispatcher Numnuts
- (as Peter Tambakis)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The best part of the movie is the cast: both adults and children are great , although it seems to me Channing Tatum has had better roles than this. I liked most Al Pacino as Detective Stanford and Jake Cherry as young Jonathan "Milk" White, but the others were also equal to their task.
Directing and especially plot leave a lot to be desired. Background obsessing/pestering is always there, but some turns are strange and illogical. The solution scene is good (although nothing special), but the very ending is rather disappointing. When the credits appeared I just realized that I had seen another oppressive movie with the aim to let the viewers ponder upon guilt, forgiveness, remorse and other differently perceived feelings.
Directing and especially plot leave a lot to be desired. Background obsessing/pestering is always there, but some turns are strange and illogical. The solution scene is good (although nothing special), but the very ending is rather disappointing. When the credits appeared I just realized that I had seen another oppressive movie with the aim to let the viewers ponder upon guilt, forgiveness, remorse and other differently perceived feelings.
"You can hate me all you want, but your a free man." When rookie officer Jonathan White (Tatum) is assigned to the precinct where he grew up letters start showing up that mention two unsolved murders. When the letters remind White of his past he is stuck between trying to uncover who is sending them and covering up his involvement. I am a huge Pacino fan and that is the reason I wanted to watch this. The trailer looked OK but anything with him I will watch. He was great in this. That about it. The movie was very slow and had a 5 minute idea that they kept repeating over and over until you either struggle through or end up finishing just to see the ending. I will admit that the last ten minutes makes it worth watching, but getting to that part is a real struggle. Any scene without Pacino or Liotta lacks emotion and you have a hard time caring for White at all. Tracy Morgan is actually not bad in a dramatic performance but overall this is one of the biggest disappointments of the year. I give it a C-.
I'm surprised it received so many bad reviews. I think it is a great movie, very well acted, strong and realistic, no sugar coating here. Tension builds up so well and the ending is very powerful. It's not an action movie ,is more a drama , dark thriller, I don't now how to describe it . Very New York The plot is original. I really liked it
A young cop (Channing Tatum) is assigned to a precinct in the working class neighborhood where he grew up, and an old secret threatens to destroy his life and his family.
The basic story here is pretty good, and with Al Pacino and Ray Liotta on board, it should be hard to fail. But this film just comes up short. It has a few too many flashbacks, too many clichés about corrupt cops. And it makes a much bigger deal out of a situation than need be. It conflates the word "murder".
Maybe a fine-tuning of the script would have made this film a winner. And probably casting anyone else in the world besides Katie Holmes would have helped.
The basic story here is pretty good, and with Al Pacino and Ray Liotta on board, it should be hard to fail. But this film just comes up short. It has a few too many flashbacks, too many clichés about corrupt cops. And it makes a much bigger deal out of a situation than need be. It conflates the word "murder".
Maybe a fine-tuning of the script would have made this film a winner. And probably casting anyone else in the world besides Katie Holmes would have helped.
All I can say is, what a waste of good talent. The pacing is brutally slow.
The actors are good, but the script is... uh lackluster, to be charitable. Juliette Binoche is horribly miscast, however, and the lighting make her and Katie Holmes look ghoulish.
Ray Liotta looks swollen, pockmarked and perpetually astonished.
The best acting is delivered by two eleven year olds, which doesn't say much for the rest of the cast. More entertaining than watching paint dry, albeit marginally.
You want a great cop action thriller?
Try Training Day.
The actors are good, but the script is... uh lackluster, to be charitable. Juliette Binoche is horribly miscast, however, and the lighting make her and Katie Holmes look ghoulish.
Ray Liotta looks swollen, pockmarked and perpetually astonished.
The best acting is delivered by two eleven year olds, which doesn't say much for the rest of the cast. More entertaining than watching paint dry, albeit marginally.
You want a great cop action thriller?
Try Training Day.
Did you know
- TriviaRobert De Niro was cast as Detective Stanford, but was replaced by Al Pacino.
- Quotes
Loren Bridges: Tampered evidence is wasted evidence
Officer Thomas Prudenti: Yeah... You realize it's not actually evidence untill someone gives a fuck about this?
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #2.16 (2011)
- SoundtracksMy Maria
Written by Louis C. Stevenson, Daniel Joseph Moore
Performed by B W Stevenson
Published by Universal Music Publishing Group (ASCAP)
Courtesy of Warner Bros. Records Inc.
by arrangement with Warner Music Group Film & TV Licensing
- How long is The Son of No One?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Đứa Con Bị Bỏ Rơi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $30,680
- Opening weekend US & Canada
- $18,015
- Nov 6, 2011
- Gross worldwide
- $1,091,132
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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