Laura's personal life consists of one affair after another. She meets Arturo and the pair enter into an intense, violent sexual relationship. As days go by, Laura crosses out the days on a c... Read allLaura's personal life consists of one affair after another. She meets Arturo and the pair enter into an intense, violent sexual relationship. As days go by, Laura crosses out the days on a calendar, revealing her secret past to her lover.Laura's personal life consists of one affair after another. She meets Arturo and the pair enter into an intense, violent sexual relationship. As days go by, Laura crosses out the days on a calendar, revealing her secret past to her lover.
- Director
- Writers
- Stars
- Awards
- 3 wins & 4 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A bleak study of loneliness set in a claustrophobic apartment in Mexico City featuring a fearless performance, or a masochistic one, take your pick, by Monica Del Carmen as Laura. Laura spends most of her days and nights in her joyless apartment spying on her neighbors and inventing relationships with them in her mind. She occasionally goes out to clubs and brings home men for unrewarding sex. They invariably leave her lonelier than before. She meets Arturo (Armando Hernandez) who brings a sado-masochistic satisfaction to her sexual life. Meanwhile she ominously checks off the dates of her calendar toward the end of the month marked in red. This film is as explicit as it needs to be and Laura's world is not easy to view. Director Michael Rowe has achieved the film he sat out to make, I'm sure, and the totality of the realism can be uncomfortable as it should be. By setting the movie entirely in the small apartment and by the astonishingly natural performance of Ms. Del Carmen, you feel, smell, and know this movie like it was a fever dream. You want to give Laura a big hug at the end. Not for the squeamish or near squeamish.
Watched this last night with my wife and we both agreed it is perhaps the most accurate depiction of modern life of young adulthood that either of us have ever seen. This film is to that lonely time of self discovery in the mid to late 20's that Apocaplyse Now is to the Vietnam War. Not only is the depiction of sex graphic and frank but it isn't sexy. And there is about the best explanation for U.S. Mexico relations -and the Mexican gov. in general (or lack thereof)- in this film that I have ever heard: i.e. the monetization of security. If you have seen and liked the films of Carlos Reygadas, Fernando Eimbcke and Arturo Ripstein then you will understand the type of aesthetic at work here. If on the other hand your idea of Mexican cinema is Vicente Fernandez or the Santos lucha libre films you are in for a rude awakening.
Monica del Carmen is Laura Velez, a journalist living alone in an apartment in Mexico. She spends most of her time there writing her stories or cooking for herself.
She also picks up strangers for one night stands much like Diane Keaton in "Looking For Mr. Goodbar" years ago. Del Carmen is short, overweight and plain looking but she does an admirable job portraying a lonely young woman searching for something or someone, we're never quite sure what she wants or needs.
The sex scenes are somewhat explicit for a mainstream movie, so if you are offended by such material, stay away.
This is a technically simple story mostly shot in the apartment where Laura lives. He final partner has a sadistic streak, so be forewarned of some degrading behavior which is fairly unpleasant. That being said, I would like to see what Ms. del Carmen does in the future.
She also picks up strangers for one night stands much like Diane Keaton in "Looking For Mr. Goodbar" years ago. Del Carmen is short, overweight and plain looking but she does an admirable job portraying a lonely young woman searching for something or someone, we're never quite sure what she wants or needs.
The sex scenes are somewhat explicit for a mainstream movie, so if you are offended by such material, stay away.
This is a technically simple story mostly shot in the apartment where Laura lives. He final partner has a sadistic streak, so be forewarned of some degrading behavior which is fairly unpleasant. That being said, I would like to see what Ms. del Carmen does in the future.
This is a frustrating film to watch because it is extremely claustrophobic. After the opening scene, the entire film takes place inside a small apartment. There is little by way of plot. There are many scenes of the young woman talking on the phone with her mother and brother. She also gets visits from her brother. Mostly, however, she gets visited by a man who started as a one night pickup, but the pair starts developing a sado-masochistic relationship that becomes increasingly disturbing. This is an impressive film debut for writer-director Rowe, who favors long takes and a stationary camera, an approach that is effective in conveying the loneliness of the protagonist.
Laura's character is so complex. We see her living a superfluous life when she interacts with other characters, except for her brother Raul and a guy named Arturo. We descend to the darkest levels of the human psyche along with the main character and that exploration is highly successful by the director. The film is linear, with no jumps in time as does Inarritu or Guillermo Arriaga, and also includes sex scenes which are pretty explicit. Although it seems the movie is just porn, it goes beyond sex. The aesthetic is like simple and I think the merit of the movie is the story and how it show us the life of a lonely woman living on a big city. So, after painful and rough journey, perhaps it is possible to find hope and redemption. A great Mexican film.
Did you know
- TriviaDuring editing Óscar Figueroa cut 40 minutes from the film, including most of the explicit sex sequences. Among them, Michael Rowe said that the one he most regretted being taken out was one in which Laura masturbates on the bed with a dildo.
- ConnectionsFeatured in At the Movies: Cannes Film Festival 2010 (2010)
- SoundtracksFlores Para Ti
Performed by Afrodita
Music by Immanuel Miralda
Lyrics by Karin Burnett (as Karin Burnet) & Immanuel Miralda 2009
- How long is Leap Year?Powered by Alexa
Details
Box office
- Gross US & Canada
- $12,979
- Opening weekend US & Canada
- $2,727
- Jun 26, 2011
- Gross worldwide
- $188,242
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content