The Hot Potato

The premise for this so-called 60's style Brit caper sounded intriguing...except that only Ray Winstone has any sort of character or charisma.

Where the likes of Terry Thomas and Peter Sellers had oodles of fizz and bang and entertained us, when the script was a dud, this is just a dud all round. The other characters - and their actors I've already forgotten, ten minutes after it's finished. They might as well been office furniture for all their presence and acting.

The script is obvious and rather boring as we now know all about Plutonium - it has no excitement value whatsoever. The movie seemed to have the budget of a TV pilot 'special' - it's so obviously struggling that it's rather embarrassing. The direction, too, is particularly feeble, without any panache or style whatsoever.

I've been generous with my 3/10. It's not going to be too awful for those that might buy the DVD if they have a good idea of what sort of movie they're getting but for most Hot Potato is a waste of time and effort. And, yes, I do enjoy and own many of the old genuine 60's films on DVD - Too Many Crooks, for example - brilliant! Buy that instead!

The 'official' blurb kinda tells the tale, but I would have said it thus: two London Eastend gobshites acquire a lump of 'hot' (meaning a chattel to which they do not have absolutely clear title of ownership) uranium and decide to 'monetize' it, as our yank cousins would put it.

First they approach Colin Meany's character, the local heavy, Harry - a role just made for Colm! - who takes them to 'the twins' - obviously you should read the psycho 'Cray Bros.' here - after which we meet a succession of weird and wonderful con artists, villains, bullies and a really spooky CIA spook.

And all the time the characters' domestic arrangements are moving ahead, complexifying the action and putting additional demands on the characters.

The action is full of novel ideas and twists and turns, yet never inconsistent - the storyline is well served by script and actors. Worthy of remark is the cinematography in so many European city locations, as well as out in the bush.

Overall it's just a fabulous film, the only way to lose interest during this is to die (laughing or otherwise) during the show. As another commentator remarked, it is not full of the foulmouthedness so usual today, and I must also remark that - unlike Hollywood - it did not leave a death toll to compare with Dachau, as most yank 'entertainments' do.

Buy it, rent it, pirate it - just don't miss it!

An interesting idea played straight in 'City in Fear' (1959) and with tongue in cheek in 'Kiss Me Deadly' (1955), but here with a score that occasionally parodies John Barry's for 'The Ipcress File' (from which it also borrows the black CIA spook with a hat and a pipe) to make sure we know it's being played for laughs; of which there are very few, alas. The very last shot, however (borrowed from 'Kiss Me Deadly'), is worth sitting through the end credits for.

The trailer for this came up as a YouTube recommendation, have to say I'd never even heard of it, but watched the trailer and was intrigued, so purchased the blu ray.

Well, from start to finish, this was an absolute delight, great storyline, fantastic cast, everyone played their part superbly, great cinematography, well recorded sound wise, just brilliant entertainment.

There were twists aplenty, and there wasn't a dull moment throughout its running time.

How is it we can make great films like this, but they don't seem to catch the publics attention or imagination? I just don't get it, like I say I'd never heard of it, so perhaps it wasn't particularly well publicised?

I note some reviewers say they didn't like the music, I completely disagree apart from the end song which mentioned 1972! Whats that all about? It was great to hear The Carnaby's 'Jump and Dance', in there.

Cannot recommend this highly enough. Watch it!

Gorgeously-shot geezer-fest with a lovely colour palette and a soft heart. It tells a simple, quite satisfying story and stars some top British actors - Winstone, Meaney etc. The film is enjoyable and warm- hearted, despite being a bit predictable in its plot. The violence is cartoonish and often funny, and the level of threat is minimal. Self-parodying at times, the film also recalls the Carry On films and sixties classics like Alfie and The Ipcress File (especially in the music - though The Ipcess File is much darker, obviously). The set design is always beautiful, with lots of period detail. There are some nice European locations too. Charming.