The Autobiography of Nicolae Ceausescu
Original title: Autobiografia lui Nicolae Ceausescu
IMDb RATING
7.5/10
1.7K
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The film explores the image of the Romanian dictator Nicolae Ceausescu using unknown official footage from the Romanian National Television and National Film Archives.The film explores the image of the Romanian dictator Nicolae Ceausescu using unknown official footage from the Romanian National Television and National Film Archives.The film explores the image of the Romanian dictator Nicolae Ceausescu using unknown official footage from the Romanian National Television and National Film Archives.
- Awards
- 9 wins & 7 nominations total
Nicolae Ceausescu
- Self
- (archive footage)
Elena Ceausescu
- Self
- (archive footage)
Stefan Andrei
- Self
- (archive footage)
Gheorghe Apostol
- Self
- (archive footage)
Iosif Banc
- Self
- (archive footage)
Eugen Barbu
- Self
- (archive footage)
Elena Barbulescu
- Self
- (archive footage)
Lica Barbulescu
- Self
- (archive footage)
Alexandru Barladeanu
- Self
- (archive footage)
Ion Birlea
- Self
- (archive footage)
Emil Bodnaras
- Self
- (archive footage)
Leonid Brezhnev
- Self
- (archive footage)
Cornel Bulica
- Self
- (archive footage)
Ilie Bulucea
- Self
- (archive footage)
Cornel Burtica
- Self
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Having been born at the end of the 80s, my recollection of communist Romania is negligible. So for me, this wealth of archival footage represents less an excursion into dreary eyed nostalgia, but rather a fascinating, vicarious experience. It is unfathomable to think that this is a part of our human heritage, and the film leaves the impression of being a document of society, culture and politics that's out of this world.
This other-worldliness is achieved through the exclusive use of archival footage, to the detriment of any present-day commentary. The biographical tale of Ceausescu leads us through several decades of communist Romania, and is bound by the trial and execution of the former dictator. Surprisingly, although my knowledge of recent Romanian history is fairly limited, there was little actual information in the the events and moments portrayed which I was unfamiliar with. I'm not sure that's a good thing, for such a long runtime - all it says, to me, is that you should probably not watch this documentary if your aim is solely to gain a straightforward understanding of history.
What it does do very well, is synthesize the essence of what the public frame of mind was at the time. It ebbs and flows beautifully, from the fascination of the Western world with Ceausescu after his stance on the invasion of Prague, to his ultimate isolation within the communist block. In this, as well as in much of the propagandistic materials made for public consumption, there is a strong sense of falsehood meshed together with a (willing) naivety of the everyday folk. The film is at its best when it manages to effectively contain these paradoxes of truth, the double-standards of pre-89 communist dogma, and the absurdity of turning a mildly charismatic, semi-literate individual into an egomaniac with absolute power.
In between all these moments, you've got Ceausescu delving into sheer silliness - with the cherry on top being his speech on how Romania will only return to capitalism when "pigs fly", then joking on the advances of genetics only to realize this is not quite the right thing to say and reinforcing the initial statement with raised pitch and ample gesticulation. There are many scenes like this, of various sizes, that shape Ceausescu as a character and the warped world-view provided by public television. At three hours, one could argue the documentary is overlong, as certain elements become repetitive. One can also argue that in their repetitiveness, these elements bear different meanings, according to the wider context of their occurrence, sort of a seasonal aspect of the biographical story.
Whichever way you look at it, there is so much to see and experience in Andrei Ujica's film, that you are guaranteed to not be left indifferent by it.
This other-worldliness is achieved through the exclusive use of archival footage, to the detriment of any present-day commentary. The biographical tale of Ceausescu leads us through several decades of communist Romania, and is bound by the trial and execution of the former dictator. Surprisingly, although my knowledge of recent Romanian history is fairly limited, there was little actual information in the the events and moments portrayed which I was unfamiliar with. I'm not sure that's a good thing, for such a long runtime - all it says, to me, is that you should probably not watch this documentary if your aim is solely to gain a straightforward understanding of history.
What it does do very well, is synthesize the essence of what the public frame of mind was at the time. It ebbs and flows beautifully, from the fascination of the Western world with Ceausescu after his stance on the invasion of Prague, to his ultimate isolation within the communist block. In this, as well as in much of the propagandistic materials made for public consumption, there is a strong sense of falsehood meshed together with a (willing) naivety of the everyday folk. The film is at its best when it manages to effectively contain these paradoxes of truth, the double-standards of pre-89 communist dogma, and the absurdity of turning a mildly charismatic, semi-literate individual into an egomaniac with absolute power.
In between all these moments, you've got Ceausescu delving into sheer silliness - with the cherry on top being his speech on how Romania will only return to capitalism when "pigs fly", then joking on the advances of genetics only to realize this is not quite the right thing to say and reinforcing the initial statement with raised pitch and ample gesticulation. There are many scenes like this, of various sizes, that shape Ceausescu as a character and the warped world-view provided by public television. At three hours, one could argue the documentary is overlong, as certain elements become repetitive. One can also argue that in their repetitiveness, these elements bear different meanings, according to the wider context of their occurrence, sort of a seasonal aspect of the biographical story.
Whichever way you look at it, there is so much to see and experience in Andrei Ujica's film, that you are guaranteed to not be left indifferent by it.
"The Autobiography of Nicolae Ceausescu" is an audacious, and to my eye very successful, way to tell a story. I should say to show a story, because nothing is told. No context or viewpoint is provided, other than the camera's. The filmmakers have drawn on a rich video archive concerning Ceausescu and Rumania from 1965 to 1989. No opinions are explicitly offered, and no history or explanation provided, beyond what the camera sees. And the camera sees a lot. As with the footage in Leni Riefenstahl's "Olympia," the images are quite arresting, and one really doesn't want to move one's eye away from what the camera is seeing. I would offer three pieces of advice about the film. First, go and be prepared to supply your own context. I'm a historian and fairly wonky in these matters, but even so, it took me a good few minutes to get accustomed to the idea that the film's narrative was going to be simply what the camera was showing. I suspect this will catch many viewers by surprise, and it's better to know it in advance. Second: go with an open mind. Ceausescu is a controversial character. It pays to put your viewpoints aside --not forget them, just suspend them-- while you are seeing the film. And finally, by all means go. This is audacious storytelling and great cinema. The effort you expend on this journey will certainly be rewarded.
Very nice to use some images available at national television, but what else? It is unfortunate because in few years the public might use a real documentary about this subject.
Maybe an explanation of the long duration is this: the duration of the movie is part of the message of the movie. I grew up partly during those times in Romania. Having watched this movie now reminds about the dread of many moments that I lived through, especially of the repetitive propaganda that we all had to listen to every day (2 hours of TV program daily, 90% of the time with his face on the screen). The title of the movie – autobiography – suggests that this is how the title character would have made this movie: in the same egotistic way that he ignored the Romanian population during his dictatorship.
this are the best 3 hours of Romanian communist history, a period of nearly 42 years in video, things that you will never find in history books.I find it objective and a real help to understand that era. For those who are not Romanians or interested by the subject , it might be boring, dull or whatever, but again , nobody can't force you to watch it for 180 min, but for me it was a real help on making an image of the years before i was born and the 7 years after that i lived in communism. Glad someone had the courage to do it, too bad its not as promoted as it should among Romanians especially.The title is an irony, because the dictator never had an autobiography or even the chance to see the movie,it presents the debut of communism in Romania and very soon the debut of Ceausescu in the history if the country. We can't judge actions or reactions of the character but we can pretty easily make and opinion about him, especially by listening all his speeches during the movie, where you can have a certain feeling of nationalism surrounding his position towards Romania. As a dictator , he follows the line of all the dictators in the world, living his life in pure luxury while his people struggles to exist, especially in the last years of his "kingdom".Facing the riot of an entire country his faith is sealed, but his death is not people's decision. So before seeing the movie, don't think as if it's an action movie, it's just a history lesson, and if you are not into history, you will never really have the chance to appreciate the quality of this movie. From me it has a 10.
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Auto biografija Nikolaja Čaušeskua
- Filming locations
- Bucharest Metro, Bucharest, Romania(opening 1979)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $34,023
- Opening weekend US & Canada
- $4,644
- Sep 11, 2011
- Gross worldwide
- $67,093
- Runtime
- 3h(180 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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