A drama that charts ten years in a transgender woman's relationship with her lover.A drama that charts ten years in a transgender woman's relationship with her lover.A drama that charts ten years in a transgender woman's relationship with her lover.
- Awards
- 29 wins & 48 nominations total
Susan Almgren
- Journaliste
- (as Susie Almgren)
Magalie Lépine Blondeau
- Charlotte
- (as Magalie Lépine-Blondeau)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
7.623K
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Featured reviews
Fresh movie
This is one of the most impressed movies that I've ever seen. This movie is about a couple, Laurence and Fred, who love each other and have been together for long time. One day, Laurence opens his heart to her that he wants to be woman. Fred confuses and thinks about their future. Then, Fred decides she becomes Laurence's best friend and she teaches him how to make up, but they are troubled by prejudices of the society. Also, the mood of this movie and camera-work are fresh. Many colors are used and music invites us into story, so we can't be bored in spite of complex story. The director of this movie, Xavier Dolan, became my favorite one after I watched this movie, and this is the most favorite one of his movies. Therefore, I want everyone to see this. I recommend very much, but you will be tired a little because you are dragged very much.
most amazing film i've seen in a long time
this film is one of the most breathtakingly stunning films i've seen in years. it is remarkable not only in its challenging subject matter, its ability to convey true, raw, complex human emotions and relationships, but also its painfully beautiful cinematography and artistic skill. it puts you inside the heads and minds of its truly human characters, the way it was filmed....amazing. it is one of those films that defies expectations, is multi-dimensional, is funny and heartbreaking...
i was riveted at every single moment, unable to tear my eyes away from the film...i needed to go to the bathroom early on in the movie, and yet sat through two more hours of agonizing bladder suffering because my mind was unwilling to let me tear myself from the screen. and afterwards, my friends and i were all shaking from the film. we couldn't stop talking about it.
watch laurence, anyways. it'll change your life.
i was riveted at every single moment, unable to tear my eyes away from the film...i needed to go to the bathroom early on in the movie, and yet sat through two more hours of agonizing bladder suffering because my mind was unwilling to let me tear myself from the screen. and afterwards, my friends and i were all shaking from the film. we couldn't stop talking about it.
watch laurence, anyways. it'll change your life.
Too Many Bells and Whistles
There's quite an amazing singular force that propels the film forward, but in my view there are just too many bells and whistles to distract us from going deeper into the psyches of the characters and the heart of the subject matter. These distractions - stylized images and accompanying melodies - make the film feel more like a music video. The borrowed songs/pieces already have a life on its own, so sometimes they feel like an easy way out to build up emotions/expectations. I know overstimulation is sometimes part of the "style", but perhaps Dolan should sometimes trust that the acting, pacing, environment and diegetic sounds alone can carry a scene, pom-poms are not always necessary.
Dolan was very young when he directed this, and the overambition shows.
Dolan was very young when he directed this, and the overambition shows.
Cinema come back
With this film, Xavier Dolan confirms his excellent style. The starring is incredibly well-chosen (distinction for the actress). A photography without mistake, there are numbers of beautiful shots. And too a good soundtrack, that is very eclectic (french's or qubecois's songs, classical's songs as Brahm or Bethoveen, or rock ballads), and first and foremost an original screenplay. In fact, I found the plot very interesting because I don't know film about the transsexualism. For a discovery, we can't dream a better movie.
So, check out his film (Les amours imaginaires, J'ai tué ma mère are too to discover).
A young film maker watch this space. The Quebecois's cinema too.
So, check out his film (Les amours imaginaires, J'ai tué ma mère are too to discover).
A young film maker watch this space. The Quebecois's cinema too.
Fails utterly in its trans representation, but...
As a trans woman. Seeing this film made me feel very conflicted. I had high hopes for a film that took trans characters seriously and portrayed them delicately. Sadly, it did anything but.
The first part of the film, when Laurence is pre-transition, is very good at depicting Laurence's inner stress of being perceived as a man, and was very powerful. The problem is that the film never really allows Laurence to transition. The way she is depicted, she remains, as the top review says, "a man who wants to be a woman", never a transgender woman. No real change, physical or psychological, occurs with transitioning, except for minor cosmetic alterations and failed attempts at clothes and makeup. This feeds into the classic trope of the "pathetic transsexual" who is doomed to forever remain a man who fails at womanhood.
Much of the problem lies with the decision to cast a cis male actor as Laurence. Melvile Poupaud does not succeed in portraying a trans woman. No trans woman I know is remotely like this. The lack of realism and sensibility to trans life is especially jarring since Laurence is an intelligent and resourceful character whom would be able to learn to navigate the norms of womanhood. Also, the film moves many years into transition, and even if hormones is mentioned at an early point, they don't seem to have any effect on Laurence except for some supposed breasts.
This type of depiction is dangerous. It feeds into a collective imagination of us as essentially men, which is what makes us susceptible to homophobic violence and lack of access to basic material needs, such as bathrooms and proper healthcare.
ALL THAT BEING SAID, the film is otherwise very good. The cinematography is excellent, the colors, the camera work, the locations, the use of sound and music. Except for Laurence, the acting is great. And the love story, that serves as the main plot of the film, is captivating. All in all, there were many parts of the film I could enjoy and where I felt immersed. And while I felt a deep discomfort with the depiction of Laurence as the film progressed, the early parts of pre- and early transition was relatable and emotional and found resonance with my own trans experiences.
The first part of the film, when Laurence is pre-transition, is very good at depicting Laurence's inner stress of being perceived as a man, and was very powerful. The problem is that the film never really allows Laurence to transition. The way she is depicted, she remains, as the top review says, "a man who wants to be a woman", never a transgender woman. No real change, physical or psychological, occurs with transitioning, except for minor cosmetic alterations and failed attempts at clothes and makeup. This feeds into the classic trope of the "pathetic transsexual" who is doomed to forever remain a man who fails at womanhood.
Much of the problem lies with the decision to cast a cis male actor as Laurence. Melvile Poupaud does not succeed in portraying a trans woman. No trans woman I know is remotely like this. The lack of realism and sensibility to trans life is especially jarring since Laurence is an intelligent and resourceful character whom would be able to learn to navigate the norms of womanhood. Also, the film moves many years into transition, and even if hormones is mentioned at an early point, they don't seem to have any effect on Laurence except for some supposed breasts.
This type of depiction is dangerous. It feeds into a collective imagination of us as essentially men, which is what makes us susceptible to homophobic violence and lack of access to basic material needs, such as bathrooms and proper healthcare.
ALL THAT BEING SAID, the film is otherwise very good. The cinematography is excellent, the colors, the camera work, the locations, the use of sound and music. Except for Laurence, the acting is great. And the love story, that serves as the main plot of the film, is captivating. All in all, there were many parts of the film I could enjoy and where I felt immersed. And while I felt a deep discomfort with the depiction of Laurence as the film progressed, the early parts of pre- and early transition was relatable and emotional and found resonance with my own trans experiences.
Did you know
- TriviaThe man who shows the apartment to Laurence is played by Xavier Dolan's father, Manuel Tadros, just like he did in Dolan's first movie.
- Quotes
Julienne Alia: You changed your sex. I changed my address.
- ConnectionsFeatured in Xavier Dolan: Bound to Impossible (2016)
- How long is Laurence Anyways?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- І все ж Лоранс
- Filming locations
- 2600 Rue Ontario, Montréal, Québec, Canada(opening scene: Laurence walking in the street)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- CA$8,000,000 (estimated)
- Gross worldwide
- $399,784
- Runtime
- 2h 48m(168 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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