Freeheld

The movie was inspired by the Oscar winning documentary and several of the real life folks have cameos in the film. Julianne Moore and Ellen Page play a couple that falls in love and then deals with a cancer diagnosis and then a fight for a police pension after twenty three years of service to be granted to her domestic partner. Well done as some of the characters you truly begin to despise over the course of the film. It's always good to be on the right side of history.

This film tells the story of a well respected and very competent police officer in New Jersey, who fights against the county to give her pension to her partner after she is diagnosed with terminal cancer.

It is really beyond me that "Freeheld" is not getting any award nominations. It is way more touching, captivating and engrossing than the other film that is getting a lot of attention. Julianne Moore is superb in the film. Steve Carell is very good as well, he is likable as the flamboyant activist. The story is so touching that I literally kept reaching out for tissues to wipe my tears and blow my nose. I thoroughly enjoyed the film!

One of the things that has always annoyed me about people opposing gay rights laws is the absolute refusal of the opposition especially those religiously based to recognize romantic love. It's not recognized in the holy works of religion therefore it doesn't exist. Even in this film where we are talking about two people in love. Believe the evidence of your own eyes about Laurel Hester and Stacie Andree in the film Freeheld.

I worked for NYS Crime Victims Board and in death I came in contact with a lot of ordinary LGBTQ people who in death had their lives magnified far more than what they did in their lives. Such is the case with Laurel Hester who was a detective with the Ocean County Police in New Jersey. I'm not sure she was closeted, but she certainly was discreet in her male dominated work place.

Discretion went out the window when she meets Stacie Andree a much younger woman at a softball game. The two start living together and while it's not all roses, the commitment is truly there.

And then cancer strikes and what to do about whatever estate Hester might leave. This story illustrates precisely the problem that LGBTQ people had before marriage settled the issue permanently. You could in some places get a domestic partnership certificate and have the relationship recorded. But it wasn't mandated that private industry and government recognize it.

Thus was the issue of the film as the town of Freehold and its governing body would not extend survivor benefits to Ms. Andree. They were not married, but legally they could not get married. At least without a lot of agitation and organizing.

Which is where Steve Carrell as Steven Goldstein comes in, leading the same sex marriage lobbying group. The issue as he says is so neatly encapsulated in the problem that Hester and Andree face.

Two things I liked about Freeheld that make this a special film. One was the chemistry between Julianne Moore and Ellen Page as Laurel and Stacy. They made me believe the love was real.

The second was the scenes among Laurel's police colleagues with her and among themselves. The differing reactions was a sampling of straight and male America, quite nicely documented.

Freeheld is a great film showing the need for same sex marriage as few others have.

Ten years before same sex marriage became legal in this country, a police detective from Ocean County New Jersey (played by Julianne Moore) fights for the rights of her domestic partner (played by Ellen Page) to receive her police pension before she dies of lung cancer.

The movie does have everything, as it goes over the life of Laurel Hester. It starts out as a police drama, as we watch Hester and her partner (on the force)Dane Wells tracked down a murderer. We see how good of a cop she is and how much that means to the community. Then it becomes a romance, as Hester meets Stacie and the two start a lovely relationship, slightly tainted by the fact Hester, a "woman in a man's field" wants and needs to keep her personal life a secret even from the work husband relationship she has with detective Wells. Than it's a political drama as Hester has no choice but to become the poster child for same sex marriage as she fights for what is owed to her and what is best for the one she loves.

Yeah, the movie is laid out perfectly, pushing all the right buttons that get liberals all worked up, and filled with note worthy dialog to try to convince the unconvinced of the cause they are presenting. They show you how the other half feels about the topic, but then they visually beat you over the head with little trivial items that show how old white men are too stubborn and set in their ways (my favorite was one of the Freeholders that would decide about the benefits is wearing a small but noticeable cross as a pin on his suit)

I feel the movie may have depended too much on their facts, and when it came to their opinion, they did a lackluster job of showing emotion. Julianne Moore is a great actress and the movie has that going for it. Ellen Page also gives a nice performance especially when she shares a scene with Moore. Micheal Shannon is a far better actor than this movie gives him credit for. I feel that they could have done more with him, but his only real acting spar was Steve Carrel, who played a Jewish lawyer that herd about the Hester case and brilliantly used it to get the point across for gay marriage.

It's a good movie, but it's only a good movie because they talk about a great topic. I would have like them to have done more with what they had and show more emotion about what's going on.

Greetings again from the darkness. A touching story based on the struggles of two people in love … that description fits, but leaves out the crucial details that make the saga of Laurel and Stacie so poignant and important. Laurel Hester was an Ocean County, New Jersey police officer who, like most non-heterosexual people of the era, went to extremes to conceal that part of her life for fear of personal and professional reprisals.

We catch up with Laurel (Julianne Moore) and her police partner Dane Wells (Michael Shannon) while on a drug bust in 2002. This scene is meant to quickly establish that Laurel is an excellent cop who is fully trusted by other cops. Soon after, we find Laurel and her god-awful volleyball skills flirting with Stacie (Ellen Page), a much younger auto mechanic. The two strike up a romance that leads to buying a house and jumping through the legal hoops required under the Domestic Partnership Act.

When Laurel is diagnosed with late stage lung cancer, the battle for her pension benefits begins as she goes up against the Freeholders who control Ocean County. While Stacie holds out hope for a cure and full recovery, Gay activist Steven Goldstein (Steve Carell) swoops in to generate media attention through protests and chants against the County. His cause is Gay marriage, while Laurel simply wants equality. It's an odd differentiation that the movie dwells on, but never quite explains.

A significant social issue, a stroll on the beach, a pet dog, and a terminal illness … this sounds like the TV Guide synopsis of the latest Lifetime Channel movie. Perhaps that was the goal of screenwriter Ron Nyswaner (Philadelphia, 1993), whose next movie is a sex-change love story. Fortunately, the extremely talented cast elevates the material to an emotional level that allows viewers to connect. Those opposed to the issue include the macho cops from Laurel's own squad room, and the ultra-conservative faction on the County board – who predictably runs and hides when the conflict reaches its peak.

Julianne Moore and Ellen Page do outstanding work in allowing us to accept a romance that at times looks more like a mother/daughter relationship due to the age difference. Humor is injected with a rare drywall joke and possibly the first ever on screen tire-rotation contest. However, this isn't a story for laughs. Rather, director Peter Sollett (Nick and Norah's Infinite Playlist, 2008) shows one of the many personal stories that have led to the legal authorization of gay marriage and rights. We view this acceptance through the eyes of Laurel's partner Dane, and Michael Shannon's low key performance prevents the role from being too clichéd. The film suffers a bit with Steve Carell's over-the-top portrayal of the over-the-top Goldstein, but it does ring true in that desperate times call for desperate measures.

Certainly the film suffers from technical and script issues, yet the true story and the emotional subject matter, along with the fine performances, provide a clear look and reminder of some of the obstacles faced by good people over the years. Be sure to watch the closing credits for photographs of the real Laurel, Stacie, Dane and Goldstein – each (except Laurel, of course) have cameos in the film.