Polisse

Polisse is a documentary style feature film, which follows French police working with child molestation and abuse. We're follow them in a film without a plot, only everyday life and troubles, and through dinners and bar escapades. The cases and the language is really rough stuff, and this is obviously not for everyone. If you're easily offended, keep away.

We're given no explanation, just follow what happens as a fly on the wall. So is the director here, Maiwenn, which uses a small tourist camera, taking pictures all the time. Strange, and looking quite unprofessional, but then she is originally an actor. We're looking at actors, but this is all based upon real life, we're told, at least.

We see some horrific cases of them unveiling child abuse of different kinds, and when they talk in their spare time, the language is very graphic. Maybe this is a work hazard, still I find it strange that these grown ups talk low life language, using all kinds of sexual words when they seem to have a normal conversation. It might be right, but maybe this feels too much for an ordinary viewer. At least I thought so, and I'm not easily offended.

Two more things irritate. First of all Maiwenn, photographing everywhere with her old camera. She looks lame doing this, and ruins the impression of this as a serious movie. Sue's like a misfit, or bimbo in this film. She's acting, and I don't understand her mission in this. But being writer and director, she obviously needed a role as actor as well. With better professional help, the film would have been way better. Still there's lots of stuff which will hit you hard here.

The police acting like this in their spare time makes us also questioning their motives as well as their credibility and them being real professionals, though we really down to earth understand they are well qualified personnel. But from time to other you really wonder...

Interesting, and nice try, but still the film has some troubles impossible to disregard.

The second main problem is we never follow out the interesting things which we see. It's all small fragments. We don't get to know people. Instead we get longer pieces of non-important dancing at night clubs and ridiculous discussions. Still this is interesting, and worth to watch. Just expect to be annoyed, insulted, chocked, bored and disgusted every other minute.

Polisse is a cop movie, but it's that rare cop movie that doesn't seek to glamourize the cops or make them out into heroes. For starters, instead of focusing on the more popular homicide unit, it's about a child protection unit (CPU) in the neighbourhood of Belleville in Paris. The CPU deals with some of the ugliest cases, mostly involving the sexual abuse of children.

Writer/director Maïwenn (who herself has a small role as a bourgeois photojournalist who embeds herself with the police) handles the difficult material well, never shying away from showing the police as the messy imperfect people they are. These are people who care deeply about what they do but also people who screw up, who fight amongst each other, who cheat on their spouses and don't have enough time for their friends and their family. Despite the fact that the movie is about two hours long, the huge ensemble means that there's a lot of ground to cover, but to Maïwenn and the actors credit, they characters all feel fleshed out and real.

The script is very textured and dense, and I'm not sure the subtitles do justice to the sheer volume of words and the difference in class that the dialects play with, but it's a wonderful great film, very epic in scope. Don't go into it expecting a linear simplistic story. Plot lines are introduced, but seldom wrapped up, but this works to the film's advantage, showing that in many cases this is as far as it can go for the police involved.

I had no idea that this film had many nominations at last year's César awards (the french Oscars). I started to see it on cable and immediately got interested in the subject and the way they handle it. It's straight forward but subtle at the same time. It has a good moving pace, there's always something going on. The array of characters is very rich and even though there's no time to get more deeply into their private worlds, you get to understand that they are mere human beings doing their best at their job, which is trying to protect all "minors" from abusive situations. I specially liked the realism of the characters, you end up caring for most of them and wishing them well in their actions.

An authentic gem. A real one. Not a thriller nor a crime movie. Actually, this amazing feature reminds me Xavier Beauvois' LE PETIT LIEUTENANT, released in 2005. The real picture, poignant, terrific life of the daily procedural life of cops. Here, it is the child protection squad; a bunch of men and women who fight against child molesters, people who sometimes rape their own children !!! Policemen and women who have to face the ugliness, the most disgusting side of the real life. In this film, you cry, laugh, feel your heart under pressure when watching this wonderful performance given by the actors, so close to reality. Yes, the characters, and not only the cops, look real ones. A powerful, vivid movie that may give you the feeling to be hit by an express train.

The ending is really awful, but I won't tell you more. Go and see this masterpiece. Now!!!

Polisse is a difficult film to define. Based on real-life cases dealt with by the Child Protection Unit covering the 19th arrondissement (borough or quarter) of Paris, it could possibly be called a docudrama, although it does not cover events of historical significance.

Maïwenn, who wrote, directed and featured in the film as a photojournalist shadowing the unit, spent time herself with such a unit for research. All the cases featured in the film are supposed to have taken place while she was there or were recounted to her at that time. It is this that gives the film its lifelike, gritty quality. Indeed, the first scene plunges straight into an interview with a little girl who claims her father is molesting her, and is swiftly followed by other similar interviews with suspected paedophiles, victims and accusers. Despite the obviously very serious subject of the film, humorous moments pepper the script, which successfully highlights the tragicomic ludicrousness of some of the situations they encounter.

Alongside the cases of child molesting and underage rape that the team deals with on a day- to-day basis, the film delves into the complex personalities of the characters, who are at times tender and patient, and at others frustrated, angry and even violent. We are privy to the emotional strain the job has on these police officers and the effects on their personal lives, their marriages and relationships with their children. Special bonds also develop between them, and their intimacy and affinity is so well portrayed that it is easy to forget that this is in fact a film and not simply a documentary.

Though Polisse, like real life, does not really follow a plot line, and we never find out if the criminals are actually brought to justice, one does not become bored or frustrated or ever wonder where the film is going. In fact, just like the TV series The Wire to which it has been compared, it is the lack of obvious direction of the film that ultimately makes it all the more powerful and effective.