The Kingsroad

Dead or alive ? The question shameful viewers like me, because we haven't read the novel yet, had in their mind for a week after the pilot tragic events. It was answered right after the fantastic title sequence that smooths the immersion process dramatically. At the start your mind is still thinking about your day but once the episode begins it has entered a medieval realm one can only be reluctant to leave.

Indeed all parallel stories have potential and despite their slow pace even an impatient wouldn't leave its seat for a second. Indeed on the Stark and Lannister side the boy's accident has unveiled the true nature of some characters like Cersei (Lena Headey), a Queen gnawed by anger, and Jaime (Nikolaj Coaster-Walday), the white knight a damsel in distress would regret to be rescued by. To tell the truth in Winter is Coming I had no idea they were related because I just couldn't keep up with all the names and locations. But when watching becomes nearly as demanding as reading then you know the adaptation was respectful of its source material. Still even if all these webby connections between players, because chess is a great metaphora of life, are exciting I hope their profiles are not as Manichaean as they seem. Hopefully we should know why some love while others hate. Otherwise I have no doubt about Arya Stark, the little girl vigorously played by Maisie Williams, and her mother Catelyn. Michelle Fairley revealed a palette of extreme emotions that forged her scenes like blades of steel. As for her daughter you really have to see her play with the gift one of her brothers offered her. If it had been Chucky it would have either fall in love with her or worry about its life because when Arya is angry, well she seems as dangerous as an innocent clown piranha about to have its midnight breakfast.

Juggling is both an entertaining and interesting medieval craft but now the mysterious and worried Daenerys Targaryen has convinced me to throw dragon eggs in the mix. Emilia Clarke gave a seductive performance and I like the way her whiteness contrasts with her tribal husband. Harry Lloyd's appearances as her wicked brother Viserys are rare but percussive. Will he get his crown back ? Will she free herself from him ? In fact does she even want to ? There's almost something mystical about their story and I wonder if she has other resources to survive than her exquisite shapes. But between two shy glimpses at her royal hips I also strongly recommend the audience to pay attention to the dialogs because this time they were heavy on mythology. Where do the dragons come from ? What do the fields represent for the Dothraki people ? Similar questions could also be raised considering the Stark side as some friendly battle between the bastard and the dwarf occurred in the woods. It should even make you question what happened at the very beginning of the pilot even if I have no doubt about it…

Other gems include the Dothraki language, specially developed for the show – very Tolkienian, an almost sapphic kamasutra lesson – can't wait the next, and an ongoing investigation about the boy's fall. But this short list, compared to the installment diversity and greatness, would be even more incomplete if one word wasn't added : Wolf. Indeed the story was wild every which way. What a thrilling way to use these majestuous and savage hunters ! They actually reminded me of White Fang (Jack London) and I wonder how they see things from their point of view. Wouldn't it be dazzling to actually film a scene from there ? So let's hope the other directors and minds behind the show will surprise us with their creativity. All in all it was an other awards magnet and if the end doesn't electrify you well I don't know what will !

This episode is greatly underrated and over criticized. It sets up many plots for seasons to come, May not be nonstop action but its an absolute must watch for the series.

Kit Harrington, Peter Dinklage, Maisie Williams, Sean Bean and Jack Gleason I salute you.

In the second episode of Game Of Thrones, there is a bit more fleshing out of the characters but the pacing is still quite quick though. And whilst it was not as enjoyable as the first episode, it's still a good episode.

On the whole, it's a pretty depressing episode, with most of the characters being very unhappy.

There are a few scenes that I particularly liked,

The first one featuring Jon Snow and Arya Stark. This episode is the first to really give Maisie Williams as Arya really decent scenes, and she does wonderfully, she is very cute and endearing in the scene with Jon, and then later she is brave and feisty during her confrontation with Prince Joffery. One with Tyrion and Jon en route to The Wall, and again one featuring Jon. This time with Caitelyn by Brandon's bedside. I do need to praise Michelle Fairley, because her acting in these scenes is very good. As he is pivotal to three of my favourite scenes I need to add Kit Harrington is doing an awesome job as the bastard Jon Snow. As is Peter Dinklage, he simply steals every scene that he is in.

This is the first time, I have found myself liking a character played by Sean Bean. He is not someone whose work I have ever enjoyed, but his vulnerability as a noble Ned Stark who's prepared to do what he must (albeit with a heavy heart) is one I am particularly taken with. Jack Gleason deserves special praise too, as he simply makes you despise Prince Joffery.

And the final moment? Once again I needed to watch the next episode straight away

While Bran recovers from his fall, Ned takes only his daughters to Kings Landing. Jon Snow goes with his uncle Benjen to The Wall. Tyrion joins them.

What I Liked:

Each character is further explored and given added depth, especially Prince Joffrey. Jack Gleeson does an exceptional job portraying this character as a sadistic and entitled coward.

The high production value continues to prevail, giving each scene an organic feel. On top of that, strong acting is prevalent throughout this one, with Lena Headey providing perhaps the best performance so far.

The use of music in this one was particularly memorable, adding additional weight to multiple poignant scenes.

What I Disliked:

Catelyn deciphering what happened to Bran after finding a strand of Cersei's hair in the tower was a highly contrived moment. There could have been a more plausible way for her to make this revelation.

Overall:

Game of Thrones maintains the high standard set by its premiere with another terrific episode. It has been a highly enthralling viewing experience so far.

9/10

King Cadmium.

Came to 'Game of Thrones' fairly late in the game and due to being so busy the binge-watching was gradual. Have found myself truly loving the show, very quickly becoming one of my favourites. It totally lives up to the hype and not only does it do the brilliant source material justice (a rarity in television) it is on its own merits one of the finest, most addictive and consistently compelling shows in recent years and quality-wise it puts a lot of films in recent years to shame.

"The Kingsroad" is only the second episode and, while the pilot "Winter is Coming" is marginally superior, the quality is just as brilliant as before. Not many shows have their overall quality, tones, themes and characterisations so spot on and well-established when it first starts, but 'Game of Thrones' is one of the strongest exceptions. Really appreciated the more reflective tone here, and actually didn't mind at all that the story was not quite as eventful and slower in pace because the characterisation and overall quality is just so well done.

Visually, "The Kingsroad" looks amazing. The scenery is throughout spectacular, the sets are hugely atmospheric and beautiful on the eyes with a real meticulous eye for detail and the costumes suit the characters to a tee. The make-up is beautifully done. The visual effects are some of the best of any television programme and are not overused or abused, the scale, the detail and how they actually have character and soul are better than those in a lot of the big-budget blockbusters. As well the cinematography and editing, which are cinematic quality as well.

One cannot talk about "The Kingsroad" without mentioning the thematically, orchestrally and atmospherically multi-layered music scoring and the unforgettable main theme. Again, worthy of a high-budget fantasy/action/drama film.

It is hard not to be bowled over by the quality of the writing, outstanding isn't a strong enough adjective to describe how good the writing is. It always has a natural flow, is layered and thought-provoking and demonstrates a wide range of emotions such as suspenseful tension, poignant pathos and witty humour. The story is paced so beautifully, structured with such nuance and attention to coherence, a high emotional level and is done with intelligence and sensitivity. The ending is a genuine shocker, and in a good way.

Not only are the more action-oriented/more dramatic moments done with a lot epic scale, superb staging, excitement and dramatic tension but underneath all the scale and flashy attention to detail there is a lot of heart and a multi-layered one.

"The Kingsroad" is so early on and already the characters are so well developed and as close to real life as one can get despite being in a fantasy world. These characters are not hero and villain archetypes (excepting Joffrey and he is an extremely interesting villain) and have both strengths and flaws and one can understand why they act the way they do.

Sean Bean and Kit Harrington both give some of their best ever work consistently in 'Game of Thrones', that can be seen here. Maisie Williams and Emilia Clarke are affecting, Lena Headey is deliciously manipulative and Peter Dinklage continues to be one of 'Game of Thrones' biggest pleasures. Can't not mention Jack Gleeson, whose Joffrey so early on is one of television's nastiest pieces of work, which Gleeson relishes to perfection, and he's not even at his most evil yet.

In conclusion, brilliant if not quite as good. 10/10 Bethany Cox