Camelot

I am so surprised at the amount of negative reviews on this show, and frankly that is what compelled me to write this review. I love this show as a fan of historical dramas be it Rome, Spartacus, this is truly another to add the greats. The storyline so far has been exciting, the acting engaging, the set and scenery and costume, mesmerising and brilliant, I think James Purefroy was especially brilliant in episode 2, watch it and you will see what I mean, but he's not the only one Eva Green and Joseph Fiennes are also excellent throughout, so I implore you fellow viewers out there to give this great show a chance and be witness to one of my favourite TV shows.

Only a Canadian production company could have come up with a piece of tripe such as this! A poorly written and at times hilarious script combined with ham bone acting worthy of William Shatner in Star Trek is only surpassed by the bizarre casting of a simpering little wimp for Arthur and a Valley girl Guinevere. Does anyone really believe that battle hardened and cynical barons and knights with their very existences at stake would allow themselves to be led by this skinny little wimp Arthur who looks like he's barely strong enough to lift a sword, never mind wield it? And this Guinevere couldn't launch a row boat, never mind a thousand ships.

Save your time. Clean the lint out of your navel rather than watch this fourth rate production. You'll be better off.

The biggest problem Camelot has is the lead Actor Jamie Bower, he looks like a feminine underwear model, he has no muscle tone at all and looks like a complete wimp. The only reason I can see casting him is to attract girls who are 14-17 (due to his roles in Potter and Twilight), the problem is, this is not a show for that age group.

Jame Bower brings no charisma or charm to the character Arthur, I find myself rooting for Morgana then I do Arthur. Mr. Bower has such a feminine look to him you can't even tell him apart from Guenevere when they do there sex scene.

He was a major miscast for the role. If the producers wanted to show Arthur as a spoiled self-centered 16 year old then they should of gotten an appropriate actor. The script for Arthur is definitely written for a 16 year old so I'm not sure why they would get someone who doesn't even look the right age, so basically you have someone who looks like there in there 20's but acts like someone who is 16. It all comes off as very annoying.

Other issues the show has is sloppy writing, they don't setup a foundation for the new lore and there scripts are kind of all over the place story wise, they leave a lot of plot holes that never get explained and it seems there trying to cram to much into each episode.

The show would probably be a hit on the CW Network for a much younger audience (remove the nudity), but with Spartacus and Game of Thrones setting the bar very high for premium cable shows, Camelot falls short.

CAMELOT is the latest fantasy/historical TV series to follow in the wake of PILLARS OF THE EARTH. It attempts to breathe new life into the Arthurian legends, making them fresh and sexy for modern audiences. It's not entirely successful – after poor ratings it was cancelled after the first series – but I found it never less than entertaining, even if it lacks the quality of something like ROME.

For much of the running time, CAMELOT plays out like a decent soap opera. There's adultery, murder, love, deceit, rivalry and betrayal, something for everyone. The cast is mostly populated by youthful, up-and-coming actors with a couple of more seasoned veterans thrown in along the way. Many people criticise Jamie Campbell Bower's Arthur for being a young and sickly-looking weed, but I didn't find him too bad at all and his transformation from mild-mannered country boy at the outset to ruthless and cold-blooded ruler at the end is a convincing one.

Surrounding Bower are a bunch of actors seemingly picked for their beauty, but it's fair to say they're pretty good actors too (American Philip Winchester, for instance, delivers a pitch-perfect performance as the loyal Leontes). Bald-headed Joseph Fiennes bags the role of Merlin, and he plays it with a sinister suaveness that doesn't disappoint. The arresting Eva Green stars as Morgan, the villain of the piece, and she shrieks, hisses and plots with the best of them; it's fair to say that Fiennes and Green steal every scene they're in.

Along the way we get some decent cameos (James Purefoy is particularly good as the larger-than-life Lot, while grizzled veterans Sean Pertwee, Liam Cunningham and Daragh O'Malley also appear) and some bloodshed and nudity that push this series firmly into the realm of a fairytale for adults. Historical realism is nowhere to be found but the show looks good, with decent money spend on the costumes. One thing it doesn't do very well is action, with one late-stage battle that looks extremely pathetic – literally half a dozen extras milling around a field. Never mind: CAMELOT works best when it focuses on the likes of Morgan's scheming, an ill-fated love triangle and good, old-fashioned escapism. I liked it, and I'm sorry it won't be coming back.

The mix of Shakespeare's "The Winter's Tale" and the story of King Arthur is a new twist on the Lancelot/Guinevere (French) storyline. It would be very refreshing for a King Arthur show not to have the love triangle but I guess you wouldn't have the female audiences watching it if you didn't.

Unfortunately with an Arthur that is a whiny brat it's hard to get behind this one. I love the rest of the cast though. Eva Green and Joseph Fiennes are fantastic as well as the rest of the supporting cast. Fiennes giving a more gritty, realistic feeling to Merlin than just an all powerful wizard is also refreshing. If it wasn't for the way that they wrote Arthur and how Bower plays him this would be an absolutely great show.