Alyce Kills

This Movie starts off as what appears to be a somewhat cliché and predictable Hollywood flick but given time and patience spirals out of control into a world of actual insanity. the gore and violence is superb, and this movie has its moments of dark psychotic humor. this movie belongs to the appreciators of underground entertainment, Raw and Relentless, only after the movie climbs to its peak i feel the movie ended abruptly, i would've enjoyed a darker ending but i must say the people that worked on this movie did an amazing job, i am so sick of stereotypical people giving movies unfair biased reviews because their minds have been numbed to only enjoy stereotypical diluted Hollywood crap. This movie is for real art lovers.

I'm not gonna compare this in terms of significance with a movie by Polanski or how good/bad it is side by side to it. But there is something in there that reminded me of that one particular movie. Better to aim high, than just copying anyone I guess. The movie of course will be repulsive too. It might not turn out the way you expect it too. As other reviewers have stated, it does change pace a few times. But in my estimation it does work quite nicely.

Since I didn't read anything about the story before I watched this (as always), I was pleasantly surprised that the movie was not as simple as the cover would suggest (at least the German cover). The insanity that ensued is not without flaws and it is a bit explicit (in terms of violence), but for a low budget movie, this is really well made and acted

Stop watching, rating and reviewing horror films unless you are a fan of the genre! As a general rule, I always assume a horror film is good if it gets at least a five on IMDb. That's because you can assume most of the people rating it don't like horror, so the low ratings from the anti-horror raters are balanced out by the higher ratings from those of us who appreciate it. This is a wonderful turn on the psycho-killer sub-genre. Alyce is an attractive, somewhat withdrawn young woman who pretty much leads her life as an extension of her best friend with whom she obviously has more than a "friendly" attraction. After an evening of partying and drug use, she accidentally pushes her best friend off of a roof prompting her descent into depravity. She is obviously unbalanced from the first scene, so it is extremely believable that she is pushed over the edge herself after losing her best friend at her own hand. The rest is grisly, morbid fun. Jade Dornfeld is excellent, sexy, and extremely plausible as the crazy girl who is suddenly a drug addict, prostitute, necrophiliac, and killer all at once while developing a new sense of self-confidence. Definitely a 7 out of 10 - a must for horror fans.

After accidentally knocking her best friend off a roof, Alyce (Jade Dornfeld) is haunted by guilt and delves into a brutal nightmare wonderland of sex, drugs and violence, her mind tearing itself apart along with anyone else who gets in her way.

As others have mentioned, trying to put this film into any one genre is pretty challenging. The marketers seem to want this to be a ghost story, but that is a very small part of what really happens. Following Alyce's journey is not horror, but something a little more than drama.

The attempt to draw from "Alice in Wonderland" is strange. Clearly we have "Alyce" and her friend "Carroll Lewis", which are obvious references. We even have James Duval, who will be known by many as playing a rabbit in "Donnie Darko" (though his character here is anything but Alyce's guide). And there the similarities end.

Director Jay Lee has moved up in the world from his days (not long ago) making "Zombie Strippers". Much of this is a "really satisfying slow burn" (in the words of Nikki Hopeman), but has more to offer than just well-paced suspense. Others have made interesting comparisons, with Chuck Bowen labeling it "a blunt, trashy fusion of 'Repulsion' and 'Bartleby, the Scrivener'." Brian Tallerico was reminded of "great films like 'Repulsion' and 'May'". Unlike these two, I did not see the "Repulsion" connection, but that is a high praise.

Bowen says the film "is distinctive because Lee doesn't invite us to sympathize with Alyce; she isn't a doomed wallflower in the tradition of the heroes of Carrie, May, or many others". Quite true -- she is no hero or anti-hero, but merely the protagonist we follow, whether her path is justified or not, sane or insane. And that makes it a stronger film.

Watched most of this in fast forward. No action till the last 20 minutes or so...