Hattie

There have been a few dramas recently based on the lives of the great British comedians of the 50's and 60's and Hattie is one of the best I've seen.

The acting is first rate, especially from the three principals. The period setting is well captured in the interior scenes - there are very few exterior shots, probably due to the budget. Another reviewer makes much of Hattie being a chubby lady but she was undoubtedly sexy and more so in real life than for the characters she played on screen. This is something else the film conveys very well.

The script is excellent - the real stand-out feature of the production. It's multi-layered and pays homage to the Carry On style of double entendre and elevates it to a much higher level. "Hattie" avoids being seedy but doesn't shy away from the details of this most unusual love story. Poor old John Le Mesurier! I'm off to form his appreciation society.

There is no villain of this story - Hattie and her husband John are almost strangers in their own home from the way they are portrayed, and none of this need happen if they had learned to communicate, rather than pass like ships in the night. Then along comes a beautiful man, with issues of his own, who gives Hattie something she's been lacking for a long time - the belief that she was a beautiful, sexual being.

And regarding Hattie's weight: she is shown in this to be unhappy with her size, but being big gave her work that she would not have had otherwise. One can sling mud at her, call her horrible names, but the public encouraged her to stay that way.

The sensitive handling of this piece does exactly what it should - it shows that it was a sad situation where people failed to talk to one another and took things, and each other, for granted.

As with so many biopics it covers the basics but not especially accurately. The lives of people are complicated and impossible to cover in 90 mins so its to be expected but there are quite a few issues with this one.

Hattie is less of a biopic of the complex Hattie Jacques (Ruth Jones) best known for the Carry On films and in the comedy series Sykes. She was married to the actor John Le Mesurier (Robert Bathurst) who at the time was a jobbing actor before he found fame for himself in Dad's Army.

This film focuses on Hattie's affair with chancer John Schofield (Aidan Turner) a used car salesman that Hattie meets in a charity function. He is not put off by Hattie's large size and makes her feel sexy and wanted. In due course he moves into the marital home as the cuckolded John moves into the spare room as Hattie schemes to arrange John to have a relationship with another woman (who he will later marry and then she will have an affair with his friend, Tony Hancock.)

Looking at this again the drama is just facile and tepid. You do not like any of them. The virile stud John, comes across as self pitying who sees Hattie as a meal ticket. (He would later leave her for an Italian heiress.) Hattie is selfish and cruel in treating her husband John and her kids so shabbily. John Le Mesurier who was well regarded in the public's affections has a charming and urbane man is shown here as a wet lettuce.

Lovely drama about the complex love life of the comedy legend that was Hattie Jacques, wonderfully played by Ruth Jones and good support by Bathurst as her husband