The Big Bang
- Episode aired Jul 24, 2010
- TV-PG
- 54m
The Pandorica opened, silence fell, and now planet Earth is left alone in the universe. Jumping through time, the doctor must figure out a way to bring back those who never were and save his... Read allThe Pandorica opened, silence fell, and now planet Earth is left alone in the universe. Jumping through time, the doctor must figure out a way to bring back those who never were and save his friends from the collapse of reality.The Pandorica opened, silence fell, and now planet Earth is left alone in the universe. Jumping through time, the doctor must figure out a way to bring back those who never were and save his friends from the collapse of reality.
- Christine
- (as Frances Ashman)
- Dalek
- (voice)
- Museum visitor
- (uncredited)
- Cyberman
- (uncredited)
- Dr. Black
- (archive footage)
- (uncredited)
Featured reviews
This 2 parter was the best season finale so far in 'New Who' and wipes away the memory of Tennant as 'Yoda' Doctor with the Master.
As for Matt Smith - brilliant as usual - especially in the more emotional scenes with young Amy and all handled a lot better than the somewhat over the top style we got from Tennant & Davies.
Whilst other dramas seem to lose their way ( Lost, Heroes ) Doctor Who goes from strength to strength - and as long as Matt and Steven are around I don't see that changing.
* when I first saw this episode in real time (or that version of me contemporaneous with the episode as aired) I recall being happy and anticipatory. Life was full of promise. Going forward, the series would I reasoned be at least this good every episode possibly better. Well, I was wrong, don't want to annoy any die-hard fans but the reason I am (in the future) re-watching the entire Amy Pond series as opposed to watching the current (late 2014) Dr Who in real time is that the older version (the one being reviewed) is not merely slightly better, it is better on an order of magnitude that staggers the imagination. So much for the promise of a brighter tomorrow
* frankly on rewatching I was gobsmacked by how sharp the writing was. I mean you could cut a steak with it. Just the ending of this season could be a clinic in film school. At the end, in the last few minutes, in addition to wrapping up loose ends, the writing team (the two of them) not only manage to riff off the "something old, something new" adage -- AND MAKE IT IMPORTANT TO THE STORY! -- but the word banter when the doc does not understand whether he is proposing to River or asking her if she is single....?
Folks, this is beyond good writing, it is in a class by itself
Bottom line -- there is a not an IMDb rating high enough for this series arc. They say that you can show comedies to people in the hospital and they will get better. They should try showing this series to people who have given up on life ... to see if they can find their spark again.
Worked for me
Under Moffat, the series has improved significantly. Though they weren't all winners this season, Victory of the Daleks and the Upstairs Neighbor (I forget the exact title) were absolutely horrible, Moffat's finale' was absolutely perfect.
He tied in the entire series with things he's layered. He had a direction since the beginning, and followed it through competently.
While still maintaining a wackiness quota, Matt Smith's performance is stunning, and the finale shows us just how in deep he is with the character. You feel for the characters so much, and you want so BADLY to see the satisfying ending, and he gives it. He gives it without going over the top or pulling something out of his posterior.
I'm looking forward to next season, hoping they can overcome the rushed-out, hackneyed episodes that greatly suffered this otherwise great season. I foresee that the Doctor has nowhere to go but up after Davies, and with Moffat's brilliant storytelling, it WILL get better. It will.
There are times when I cry out, there's confusion and then doubt, what next for them to flout and it makes me want to shout.
There are times I'm on cloud nine, loose ends join to intertwine, everything has been sublime although this time it's been just fine.
The stone Dalek is very effective, and it's actually pretty intimidating (something i wasn't expecting from the teletubby daleks) and it even managed to make me jump at one point, it really is pretty amazing that one Dalek (and one that's not even WORKING properly) can seem more powerful than a whole empire of them.
The emotion in this episode is frequent, and there are several time's where you may be on the verge of tears, the difference between Moffat and davies' writing in my opinion, is that Moffat can write interesting characters AND a good story, whereas with Davies it tends to be one or the other.
The resolution of the episode is a deus ex machina, but it helps that they give it some build up, and properly EXPLAIN it, rather than just pulling it out of nowhere, and giving us an incredibly vague explanation for it. Plus, it actually make's some sense, unlike RTD's little deus ex machinas.....
Overall, this is an excellent season finale for an overall good season with only a few weak points (Victory of the Daleks, and "The Hungry Earth/ Cold Blood".
Did you know
- TriviaSteven Moffat thought that Amy would want a big wedding with a lot of dancing. In the script it was written that the Doctor was a "terrible dancer" and danced like a "drunk giraffe", and Matt Smith additionally came up with his own routine.
- GoofsWhen Amy wakes up in present time her nails are still painted orange as they've been. After greeting her parents and once the scene cuts to her phoning Rory (she's still in her pajamas) her nails are now painted red for the rest of the episode.
- Quotes
The Doctor: [last words to sleeping Amelia Pond] It's funny, I thought, if you could hear me, I could hang on, somehow. Silly me. Silly old Doctor. When you wake up, you'll have a mum and dad, and you won't even remember me. Well, you'll remember me a little. I'll be a story in your head. But that's OK: we're all stories, in the end. Just make it a good one, eh? Because it was, you know, it was the best: a daft old man, who stole a magic box and ran away. Did I ever tell you I stole it? Well, I borrowed it; I was always going to take it back. Oh, that box, Amy, you'll dream about that box. It'll never leave you. Big and little at the same time, brand-new and ancient, and the bluest blue, ever. And the times we had, eh? Would've had. Never had. In your dreams, they'll still be there. The Doctor and Amy Pond... and the days that never came.
[Notices that the crack is closing]
The Doctor: The cracks are closing. But they can't close properly 'til I'm on the other side. I don't belong here anymore. I think I'll skip the rest of the rewind. I hate repeats. Live well. Love Rory.
[Kisses Amelia on the forehead]
The Doctor: Bye-bye, Pond.
- Alternate versionsIn the shortened version for a 1 hour time slot with commercials for American television, scenes relating to the absence of stars and young Amelia's persistent memory of them were cut, as well as a museum narration telling the story of the Lone Centurion's (Rory's) service through time to the Pandorica to his disappearance saving it from a fire.
- ConnectionsFeatured in Being a Girl (2013)
- SoundtracksDoctor Who Theme
(uncredited)
Written by Ron Grainer
Arranged by Murray Gold
Performed by BBC National Orchestra of Wales
Details
- Release date
- Country of origin
- Official sites
- Language
- Filming locations
- Llanerch, Lawn Terrace, Rhymney, Tredegar, Wales, UK(Amy's house)
- Production company
- See more company credits at IMDbPro
- Runtime
- 54m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD