The search for Broadsky intensifies as he manages to kill one of the Squints. Angela and Hodgins name their baby. Booth struggles to protect those closest to him, which leads to an unexpecte... Read allThe search for Broadsky intensifies as he manages to kill one of the Squints. Angela and Hodgins name their baby. Booth struggles to protect those closest to him, which leads to an unexpected situation.The search for Broadsky intensifies as he manages to kill one of the Squints. Angela and Hodgins name their baby. Booth struggles to protect those closest to him, which leads to an unexpected situation.
- Jack Hodgins
- (as T.J. Thyne)
Featured reviews
Boones becomes an official thing! This is just such a good episode, and so emotional as well.
Also, a question for The Bones Booth (everyone's favourite Bones podcast).
I'm listening to your season 2 recap now (that will have been so long ago by the tike you get here) And I have a question for you guys, more specifically Andrew and Aqeel.
Throughout your podcast, Maggie and Taryan reference this episode a few times. So, Andrew and Aqeel, I wondered what did you think they were talking about/referencing in this episode? Did you think this would be the pivotal Boones moment of the show? I'm guessing you have some thoughts about it before we get the reveal.
I'd love to know what you think, although I'll have probably forgoten about this by the time you get to the episode on the podcast 😂.
Thank you for reignighting my love of Bones through your podcast :)
The exciting climax is very well-done, and the acting by the ensemble is solid usual. But the coda of tons of bonding within the team is way overdone and registers awfully high on the sentimentality meter. Whoever thought it was cool to have everyone singing Harry Nilsson's pop hit "Coconut" over the deceased's casket canceled out a lot of the good will whipped up prior to this. Perhaps "Singing Nilsson over a casket" could replace "Jump the Shark" as a derogatory cliche criticizing a tv faux pas.
Did you know
- TriviaWhen Brennan enters Booth's bedroom, the digital clock reads 4:47. That is the same time on the clock at the beginning of The End in the Beginning (2009) when the fictional Brennan walks into her and fictional Booth's bedroom.
- GoofsThe term "coup de grace," the blow of mercy, or killing blow, is correctly pronounced "ku de gras" where the final consonant sound in "grace" is clearly enunciated so that the word rhymes with "floss." The way that Bones pronounces it, "ku de grah", in her reconstruction of the attack on Leishenger, though a common mispronunciation, would literally mean "blow of fat," like Mardi Gras means Fat Tuesday. In French, a consonant is pronounced when followed by a vowel.
- Quotes
Angela Montenegro: I mean, is this about Vincent?
Dr. Temperance 'Bones' Brennan: Yes.
Angela Montenegro: Yeah.
[Angela starts to leave]
Dr. Temperance 'Bones' Brennan: And... I got into bed with Booth last night.
[Long pause]
Dr. Temperance 'Bones' Brennan: Why aren't you saying anything?
Angela Montenegro: Because I don't want to yell "Hallelujah" so close to losing Vincent.
Dr. Temperance 'Bones' Brennan: I think I did it because of Vincent.
Angela Montenegro: Wait. Whoa.
[Angela gasps]
Angela Montenegro: What exactly happened after - after you crawled into bed with Booth?
[Bones smiles. Hodgins enters]
Dr. Jack Hodgins: I got the GC mass specs on the bullet that killed Vincent.
Angela Montenegro: Honey, no! Not right now! I'm sorry. I love you, but go tell Cam. Go... away. Away!
- SoundtracksKeep the Streets Empty For Me
Written by Karin Dreijer and Christoffer Berg
Performed by Fever Ray (aka Karin Dreijer)
[Played during the slow motion sequence before Broadsky strikes]
Details
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- See more company credits at IMDbPro
- Runtime
- 1h(60 min)
- Color
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- Aspect ratio
- 16:9 HD