The Greatest Movie Ever Sold

The Brilliant thing Morgan Spurlack does with this movie, is he throws in your face, what advertisers and movie executives have hidden, (in some case very poorly) in the movies they produce. The Transformers all being GMC for example. Spurlack satirises the whole idea of advertisements and sells out his own film in the process, though he sells out only to buy in, so he doesn't really sell out. Its this ingenious and hilarious concept to the movie which makes you think "holy cow I'm an idiot" and Morgan pushes his film to show the manipulative ways of commercial giants. Another clever trick Morgan uses is the, documentary within a documentary style. The film follows Morgan as he attempts to get advertising for his film which is going to be a documentary on advertising. So essential what we see is the pre-production of a movie which then becomes the movie. This gives a real insight in to how the big Hollywood blockbusters are able to get such high budgets by selling to advertisers.

This film only really appeals to people who are interested in how the media is able to have control over consumers, as we are pretty much witnessing a prolonged documentary on how Morgan Spurlock can find a million dollars to make a pretend movie.

A cleverly put together gem that manages to patronise an audience in to realising just how we can be manipulated by the big name brands.

Morgan Spurlock has delivered a fascinating satire of the process of placing products into movies and the ubiquitous nature of advertising in our society. He takes us inside the process by showing us what it takes to make a movie and to gain corporate sponsorship for it. He allows us to see the process by getting corporations to underwrite his movie about product placement. He uses humor – as he did with fast food in Super Size Me - to point to the insidious way into which advertising has slipped into film-making and become a major part of its profit model of film making. He isn't the first one to do this, of course. Feature films like Thank You for Smoking and The Truman Show have pointed out this phenomenon. Steve Colbert has also does so regularly on his show. Still by putting it into a documentary form, Spurlock has taken the critique to a new level. The sponsoring companies will likely benefit through their association with his humorous critique of corporate America. The movie-going public will benefit if they become more cognizant of the pervasive nature advertising in films. Spurlock has shown us yet again that it is much easier to get the public to listen to critiques our economic system if they are delivered with a good-natured sense of humor.

Director Morgan Spurlock analyzes the world of product placement and advertising in film, transportation, and cities, but in an ironic twist, needs sponsors of his own to finance the film.

He's very gleeful in giving the film a quirky, humorous tone (Especially commercials for his sponsors that randomly interject every now and then), but I think he was so focused on the humor of his film, he didn't properly tune his information.

The facts come fast and furious, and are very dense in explanation. Spurlock adds a seemingly endless trail of self references and humor, when he should be drawing more focus on his points within the film. And on top of that, none of it is really all that enlightening.

Hopefully I find better documentaries this year, because after an unusual high from last year, this year starts off not with a bang, but more of a whimper.

**1/2 out of ****

It's time for me to downsize my adoration of Morgan Spurlock, director of the Greatest Movie Ever Sold. His Supersize Me introduced me to the horrors of too much fast food, although I suspected that were so anyway. In Greatest, I learned nothing new about product placement in movies.

Despite his vigorous pursuit of companies to sponsor his film totally in product placement, I knew it all from the beginning. Much revenue is derived from an actor holding a Coke or a Pepsi. But then I knew that the minute I heard of the idea decades ago, and Spurlock adds zero insight, such as what marketing agencies or manufacturers really think about the idea other than their fear of Spurlock trashing them.

I did learn that Morgan Spurlock is as much the center of attention as Michael Moore. Spurlock seeks it out, guaranteeing his premier place by doing the film himself and showcasing his highly-developed sales skills.

OK, maybe I learned something else: In Sao Paulo outdoor advertising is banned. Although I thought I would be pleased, the city looked strangely vacant, something out of a horror flick. Maybe it's not the advertising I dislike—maybe it's just Morgan Spurlock's advertising himself that turns me off.

Futurama had an episode that submitted in the year 3000 advertisers will be able to send signals in the air that put commercials into people's dreams. Funny that Ralph Nader mentions sleep as the last place you can go to escape ads. In today's world, they're pervasive. It's a good topic for an amusing and entertaining filmmaker (Morgan Spurlock, who previously had success with his anti-fast food pic Super Size Me). Much as with Super Size Me, Spurlock pulls a stunt; this documentary is funded by product placement.

There are certain limitations inherent in such a project. Make a film against product placement, and the worst offenders will not want to help it. In the end he mostly finds businesses I've never heard of (Ban, Sheetz). So we don't see how the bigger corporations go about product placement. That said, we see a bit of how it works, as Spurlock's sponsors send him contracts making various demands.

At times it seems this movie is more about itself than product placement generally, but we do have some good discussions spread throughout the film. It is true blatant advertising is insulting, yet the film poses the question of whether subtle advertising is more dangerous. The presentation is funny, including with the Mane 'n Tail material. (Why didn't that company pay for the publicity? They even got a Wikipedia page because of this movie). The film has some good music and I can testify that it looks great on Blu-ray. The Greatest Movie Ever Sold may not be the greatest documentary, but it's worth a look.