The Wall

What a beautiful story this is. I can understand why Julian Pölsler wanted to film his favorite book of Marlen Haushofer, a book that I've now added to my to read list.

The scenery of Austria is so beautiful. Experiencing the country through all the seasons would have been enough for me to watch the movie. But the movie is so much more than just beautiful scenery. The plot made me profoundly think about humanity, nature, life... and if a movie succeeds in doing that it deserves merit. I also like that multiple interpretations can apply to the movie, since it has a certain symbolical feel to it, rather than being a science fiction or utopian/dystopian story. I for example see a lot of parallels with someone who has a depression, not being able to fight an invisible wall, struggling to do everyday tasks in order to survive, feeling alienated.

It's great how the connectedness with nature is illustrated. How we depend on nature and how nature depends on us. How we humans are gods who are able to choose to kill or let live, who can choose to kill the very nature that makes us survive.

Perhaps for people who have read the book, the movie doesn't add more than beautiful scenery and a good acting performance by Martina Gedeck and not to forget dog Luchs, but for me it's definitely worth the 8*.

Confusing, narrated, strange, and difficult to follow. Too many questions regarding the actions of the main character. I don't know about you, but I'd have done so many other, different, and direct things than this main character in order to extract myself from my current situation. The wall: did the river run through it? Was it like a dome? Was it bulletproof? Would it be possible to dig beneath it? Were animals affected by it? Maybe I should just write a story about it... no, that would be boring. In order to change or alter my situation, I would have to do something different each day. The lead and only character was satisfied with her predicament. I do wonder, however, about the end result.

THE WALL is an interesting--though people who want a really tangible storyline and/or fast action and suspense might choose the word "boring"--little film.

How to describe it? Quiet, somber, original, going deep without trying too hard. Fantastic in the most literal sense. Well-acted and well-filmed: The Austrian Alpine scenery, perhaps the single best thing about THE WALL, is just spectacular. Still, there are a number of plot-holes and incomplete threads, things that don't add up and are not apparently supposed to--"Kafkaesque" is another word that kept running through my mind as I watched.

Though it's nothing great, I'm happy to have seen THE WALL and, most of all, am eager to read the original novel by Marlen Haushofer, which, even if it doesn't make completely logical sense, based on the reviews, apparently has more sense of completion.

This film will not appeal to everyone, but it certainly appealed to me. I'm a big fan of films and books depicting people in isolated, alienated circumstances, whether physically alone or within the boundaries of society. The Wall effectively portrays this unnamed woman's solitary confinement behind an invisible wall, while the world outside has stopped functioning as she knew it (the apocalyptic reason is never brought to light and is really not necessary, and the couple at the cabin is an effective symbol of the frozen state of time and circumstance). The woman develops a tender-hearted relationship with the animals she must nurture and care for as she learns to care for herself and survive. Certainly the viewer (like the reader) can draw many conclusions about the nature of solitude, isolation, alienation, and human psychology. The film invites that kind of thinking, if not open dialog. The woman experiences a wide range of emotion, desperation, yes, but also solace and even joy in her steadfast self reliance and the beauty of the world to which she is given access (scenes of the night sky are particularly moving). The outlook is ultimately a bleak one, though, and expect no clear resolution. This ambiguity may be off-putting to viewers who would prefer the woman find a way out, encounter a rescuer, or at least discover a partner in her exile (which makes one of the events in the film all the more horrific).

If for no other reason, watch the film for the fine acting, exquisite scenery, and dramatic depiction of nature. I have not yet read the book on which the film is based, but am looking forward to doing so. I congratulate the filmmakers for bringing this story to a wider audience.

A woman, a dog, one of the most beautiful places of the world. It's hard to say more about this movie without saying too much.

It has a very well crafted, tight script, well chosen music and great cinematography, both in plain light and in deep darkness, in open land and closed quarters.

There is no waste in this film, everything fits. The acting is nuanced, controlled. The sense of menace is achieved with lighting and camera work. No false scares, no misleadings, no cheap shocks.

This tale of survival and endurance, ultimately about the meaning of humanity, is a moving masterpiece that will stay with me a long time.