A Cold War relic returns amid fears of terrorism but turns out to be a forgotten Soviet space mission. What it brings back will have implications for the entire world.A Cold War relic returns amid fears of terrorism but turns out to be a forgotten Soviet space mission. What it brings back will have implications for the entire world.A Cold War relic returns amid fears of terrorism but turns out to be a forgotten Soviet space mission. What it brings back will have implications for the entire world.
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$6000 budget entirely donated by fans. Small amateur crew. Released for free through various sources, in particular supporting that swear word in the industry . . . BitTorrents.
So far, I'm seeing this as a fan-made response to the X-Files. Two government agents, a male and a female (complete with all that sexual tension we know and love from that famous TV series), investigate a strange phenomenon involving a space capsule. The plot so far is fairly text book, as far as an X-Files ep is concerned, but the seeds have been sown for something significantly more involved as the series progresses . . . Time travel, aliens, conspiracies, war, twisted history or some good old-fashioned espionage . . . any or all of these story lines is possible with what has been hinted at so far.
While the plot and script are keeping me watching for now, they're not perfect. The acting isn't believable, especially from the civilian characters, but again it isn't so bad that I don't want to watch any more. There's a couple of nice cinematographic moments and it's all cleanly filmed and edited. And they do a good job of cliffhangers, I genuinely want to see more.
The most important aspect of this whole production is that this is the future of entertainment distribution. As the title suggests, this production is *the* Pioneer of what's to come. The first of its kind.
So far, I'm seeing this as a fan-made response to the X-Files. Two government agents, a male and a female (complete with all that sexual tension we know and love from that famous TV series), investigate a strange phenomenon involving a space capsule. The plot so far is fairly text book, as far as an X-Files ep is concerned, but the seeds have been sown for something significantly more involved as the series progresses . . . Time travel, aliens, conspiracies, war, twisted history or some good old-fashioned espionage . . . any or all of these story lines is possible with what has been hinted at so far.
While the plot and script are keeping me watching for now, they're not perfect. The acting isn't believable, especially from the civilian characters, but again it isn't so bad that I don't want to watch any more. There's a couple of nice cinematographic moments and it's all cleanly filmed and edited. And they do a good job of cliffhangers, I genuinely want to see more.
The most important aspect of this whole production is that this is the future of entertainment distribution. As the title suggests, this production is *the* Pioneer of what's to come. The first of its kind.
10joaopft
This show is the future in many ways. As resources in the planet dwindle, the "more with less" approach is sure to invade every aspect of economy, including the production and distribution of entertainment.
This show has a tiny budget (less then $10000/episode), and yet the production is technically clean and actor work, while not exceptional, is competent. Since capital investment is so small, the production has to rely on the bag of tricks of the old school of (theatre) drama: first of all good writing (no special effects to distract us from bad lines, like -- from "The Hunt for Red October" -- "listen, I'm a politician which means I'm a cheat and a liar, and when I'm not kissing babies I'm stealing their lollipops"), competent acting and a thinking viewer. We've seen some excellent attempts from the industry to move in this direction, but the audiences are not quite there yet. But the days of watching flashy entertainment are numbered.
This show has a tiny budget (less then $10000/episode), and yet the production is technically clean and actor work, while not exceptional, is competent. Since capital investment is so small, the production has to rely on the bag of tricks of the old school of (theatre) drama: first of all good writing (no special effects to distract us from bad lines, like -- from "The Hunt for Red October" -- "listen, I'm a politician which means I'm a cheat and a liar, and when I'm not kissing babies I'm stealing their lollipops"), competent acting and a thinking viewer. We've seen some excellent attempts from the industry to move in this direction, but the audiences are not quite there yet. But the days of watching flashy entertainment are numbered.
Maybe there are other stories out there like this, but I haven't run across any with these particular details. It's intriguing, fairly well-paced and feasible (to an uninformed civilian like me).
The acting is a little hollow but generally believable enough to not be distracting. There is a reasonable amount of character development. But I get the impression that someone, at some point, exclaimed "where's the humanity?!!" or the like.
Then they wrote in the blond nurse from the childrens' cancer ward and the pissed off convenience store girlfriend. And farmed the parts out to crushes, girlfriends or granddaughters. The scenes with the childrens' nurse are unwatchable and taint every actor that shares a scene with her. They stand out so starkly, I wish they could be edited out... and replaced with characters summarizing any pertinent information around her character's interaction with the subject. As it is, I just fast forward through them.
Generally good submission from what I assume are less experienced writers, director and actors, at a very low budget. It would be nice to see them in future productions, with more resources, to get a better idea of what they're capable of.
The acting is a little hollow but generally believable enough to not be distracting. There is a reasonable amount of character development. But I get the impression that someone, at some point, exclaimed "where's the humanity?!!" or the like.
Then they wrote in the blond nurse from the childrens' cancer ward and the pissed off convenience store girlfriend. And farmed the parts out to crushes, girlfriends or granddaughters. The scenes with the childrens' nurse are unwatchable and taint every actor that shares a scene with her. They stand out so starkly, I wish they could be edited out... and replaced with characters summarizing any pertinent information around her character's interaction with the subject. As it is, I just fast forward through them.
Generally good submission from what I assume are less experienced writers, director and actors, at a very low budget. It would be nice to see them in future productions, with more resources, to get a better idea of what they're capable of.
Pioneer One has proved that independent media can compete with traditional markets. More and more people are looking at web series as a way to distribute shows and build an audience. I like the idea of independent media sidestepping the traditional studios and using the internet to reach an audience.
Pioneer One has an engaging story. The music is amazing. For being produced for less then $10,000 I'm surprised how good it looks. I'm hoping that the creators will be able to produce all the episodes that they've planned for the series.
I suggest that everyone watch this series with an open mind. This wasn't produced by a studio with a big budget and computer effects. Yet, it tells an interesting story.
Pioneer One has an engaging story. The music is amazing. For being produced for less then $10,000 I'm surprised how good it looks. I'm hoping that the creators will be able to produce all the episodes that they've planned for the series.
I suggest that everyone watch this series with an open mind. This wasn't produced by a studio with a big budget and computer effects. Yet, it tells an interesting story.
Very interesting plot, but, unfortunately, the very low budget is obvious at first glance.
I think that it would be a lot better if the producers invest just a little bit more in camera work and illumination. It's a little disturbing.
The bad acting is somewhat acceptable. A little distracting, but, I can live with that. Afterall it's "pioneer" stuff...
I wish good luck for "Pioneer One". I agree that this kind of production is the future. And hopefully this market will get more and more professional and we viewers will be less distracted with secondary things like camera work and be more involved with the plot itself.
I think that it would be a lot better if the producers invest just a little bit more in camera work and illumination. It's a little disturbing.
The bad acting is somewhat acceptable. A little distracting, but, I can live with that. Afterall it's "pioneer" stuff...
I wish good luck for "Pioneer One". I agree that this kind of production is the future. And hopefully this market will get more and more professional and we viewers will be less distracted with secondary things like camera work and be more involved with the plot itself.
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