This is a parody of shows about the inner workings of an airport.This is a parody of shows about the inner workings of an airport.This is a parody of shows about the inner workings of an airport.
- Nominated for 1 BAFTA Award
- 1 win & 5 nominations total
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I'm an American living abroad in China. I found this show and I love it. I love the Mocumentary style. The Voice over ads that perfect touch of seriousness to a wacky way out show. The production level is very good and the two "main" actors are very talented. I may not get all the jokes since it is geared towards the UK audience but this is OK. The Stereotypes are crude and offensive at times, but this is all played out to be just over the top and not taken serious. The two male leads play so many parts. Both male and female. At times it is so funny to see a hulking man play a women. It pays homage to Monty Python. I often wonder how they gained access to the airport they are in. I look forward to the rest of the season.
People compare Little Britain and Come Fly with Me unfavourably. They say the humour is different, or that the latter is not as funny as the former. Having watched the two series' back-to-back in a matter of weeks I have to say I disagree. The humour is essentially the same. The difference is a matter of targets.
Little Britain famously made fun of the disadvantaged and peripheral elements of the UK population: the people that everybody prefers not to see. At the same time it celebrated the English eccentricity in a weird way. We saw the disabled, the flaming queers, the transsexuals, the illegal immigrants, the chavs & council estate skivers as players in the national drama, even if only satirically. That was a first for British telly. The catch, and what made their style of satire acceptable, was that many of these people were not actually what they seemed: Ting Tong was actually a man from Tooting, Andy was actually able bodied, Dafydd was actually a repressed queer-hater, etc., etc.
The characters satirized on LB were freakish, fringe characters who were almost guaranteed not to be part of BBC's viewership. They were people that you would be more likely to see terrorizing the streets and the newsagents, stuffing themselves with cakes over a bodice-ripper or (as I imagine in Lou's case) watching obscure documentaries and re-reading newspapers from the previous decade. It was satire with a large element of "I'm glad that ain't me" humour. Those two styles of comedy are usually incompatible but in LB they found a balance; half the audience seemed to be laughing at the Walliams & Lucas duo while the other half was laughing with them. But the humour in Come fly seems to have sent those two camps scuttling back to their respective sides of the humour divide.
Come Fly With me targets more familiar faces and it's failing seems to be that it is set in an average setting, peopled by average characters. It satirizes people who have the time and money to use airports regularly - people with respectable dayjobs, authority and status; people with a shot at a managerial role. Basically, it targets the half of the audience that laughed AT the freak parade that was Little Britain. They are much more stable, affluent and secure characters than inhabited Little Britain - the kind of people who like to think of themselves as 'average' men and women, and that they should be able to hide behind their averageness.
I suspect that Little Britain fans who dislike Come Fly with me makes me are the same ones who never really understood LB's more satirical elements. They might have laughed at Little Britains' freakshow because, "I'm so glad that's not me" but they never recognized that the joke was also on them, at least in part. Walliams and Lucas took mainstream preconceptions to extremes and subverted them in unexpected ways. Basically, I think that Come Fly with Me hits hits too close to home and has dented the vanity of a certain BBC-watching demographic. That's why less people can take it and it's also exactly why it makes me laugh. I really hope there will be a second season of this!
Little Britain famously made fun of the disadvantaged and peripheral elements of the UK population: the people that everybody prefers not to see. At the same time it celebrated the English eccentricity in a weird way. We saw the disabled, the flaming queers, the transsexuals, the illegal immigrants, the chavs & council estate skivers as players in the national drama, even if only satirically. That was a first for British telly. The catch, and what made their style of satire acceptable, was that many of these people were not actually what they seemed: Ting Tong was actually a man from Tooting, Andy was actually able bodied, Dafydd was actually a repressed queer-hater, etc., etc.
The characters satirized on LB were freakish, fringe characters who were almost guaranteed not to be part of BBC's viewership. They were people that you would be more likely to see terrorizing the streets and the newsagents, stuffing themselves with cakes over a bodice-ripper or (as I imagine in Lou's case) watching obscure documentaries and re-reading newspapers from the previous decade. It was satire with a large element of "I'm glad that ain't me" humour. Those two styles of comedy are usually incompatible but in LB they found a balance; half the audience seemed to be laughing at the Walliams & Lucas duo while the other half was laughing with them. But the humour in Come fly seems to have sent those two camps scuttling back to their respective sides of the humour divide.
Come Fly With me targets more familiar faces and it's failing seems to be that it is set in an average setting, peopled by average characters. It satirizes people who have the time and money to use airports regularly - people with respectable dayjobs, authority and status; people with a shot at a managerial role. Basically, it targets the half of the audience that laughed AT the freak parade that was Little Britain. They are much more stable, affluent and secure characters than inhabited Little Britain - the kind of people who like to think of themselves as 'average' men and women, and that they should be able to hide behind their averageness.
I suspect that Little Britain fans who dislike Come Fly with me makes me are the same ones who never really understood LB's more satirical elements. They might have laughed at Little Britains' freakshow because, "I'm so glad that's not me" but they never recognized that the joke was also on them, at least in part. Walliams and Lucas took mainstream preconceptions to extremes and subverted them in unexpected ways. Basically, I think that Come Fly with Me hits hits too close to home and has dented the vanity of a certain BBC-watching demographic. That's why less people can take it and it's also exactly why it makes me laugh. I really hope there will be a second season of this!
Loved the show, I wish they would make more!
It's really enjoyable!
Considering that this was made long after Little Britain's success, Come fly with me certainly pulls its weight. An airport setting is a nice refresh from a lot of mainstream comedies. Only 6 episodes where ever made, and that's a real shame because I feel they could have done a lot more with the show. On the upside, it genuinely gives the impression of a real documentary-you could show someone the intro and they would think it is actually about a real airline.
Some people would find it a bit offensive, but personally I didn't find it at all distasteful. The only complaint I have about this show is that I felt the husband and wife pilots "Jackie and Simon" were a bit over used. But it is very minor. It is a good show and is certainly worth your time if you liked Little Britain.
Some people would find it a bit offensive, but personally I didn't find it at all distasteful. The only complaint I have about this show is that I felt the husband and wife pilots "Jackie and Simon" were a bit over used. But it is very minor. It is a good show and is certainly worth your time if you liked Little Britain.
Many people have said this is not as good as Little Britain but personally I thought it was so much better. Little Britain is too crude for my taste but Come fly with me is perfect observational humour. It's especially funny if you have ever seen the "Airport" documentary about Heathrow
Did you know
- TriviaThe sketch in which Rupert Grint is given a script to give to Daniel Radcliffe was based on an actual event in which Matt Lucas was given a script to give to David Walliams.
- ConnectionsFeatured in Breakfast: Episode dated 13 December 2010 (2010)
- How many seasons does Come Fly with Me have?Powered by Alexa
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