This Is 40

I like Paul Rudd as an actor, but I hadn't seen this one until recently. In This Is 40, Rudd plays Pete, married to Debbie (Leslie Mann), and together they're navigating the chaos of turning 40, with two bickering daughters, difficult parents (one who reappears after years, another who mooches off his son), and two struggling small businesses: Pete's record label and Debbie's boutique, which is losing money thanks to a thieving employee.

The movie touches on a lot of real-life issues for people in their 40s; family stress, financial trouble, marital strain, but here's the problem: every scene tries too hard to be hilarious. The jokes are fine, but few actually land as big laughs. And most of the problems the characters face? They just float around and quietly vanish without being resolved.

There's no real momentum, just scene after scene of midlife stress, minor arguments, and awkward family dynamics. Megan Fox makes an appearance and while she's certainly watchable, even her role doesn't seem to know what it's supposed to be. That kind of sums up the film: lots of loosely connected threads, but no clear direction or payoff.

It's not bad. It's not great. Watching it is just as okay as skipping it. Mildly entertaining, mildly frustrating; a bit like turning 40, I guess.

I've read the other reviews. Yes there are fart jokes and too many Apple products. Yes, the the people are arrogant and self centered and broken. Yes, Judd Apatow put his entire family in yet another movie. Yes, there is not plot and the story is kind of depressing and all over the place and there really isn't much reason to show Debbie's shop except to show Megan Fox in a bra... but if you like crude humor, this movie is exceptional at it.

I have not laughed so much and so hard in a long time. This is a great movie about funny people dealing with life's serious things with lots of crude disgusting humor and it was awesome.

This is 40 is a complete surprise. A straight-forward slice of life that follows its protagonists as they cross the great, unseen barrier into their fifth decade, the film is naturally funnier, more poignant, and more engaging than might be expected. With laughter coming from the both the banalities of life and its heavier moments, the film rarely sinks into caricature and keeps tone-killing silliness to a minimum.

A good rule of thumb is any movie where Jason Segal has the funnier lines probably shouldn't have been made. This seemingly endless stream of hormonal tirades was difficult to say the least. Leslie Mann pulled this off once in Knocked Up. Which was a delightful film by comparison. But in This is 40 I could not find one sympathetic thing about her character or any of the characters for that matter. Part of the problem is KnockedUp was made before this basic cast was in every other film that came out. I kept waiting for Jonah Hill to happen by and suck up what little oxygen Leslie Mann hadn't already used. I am a fan of Judd Apatow. He's a comedy geek's comedy geek. Hence the casting of the brilliant veteran comedy writer Robert Smigel as the buddy of Pete. So I settled in to watch and see what Smigel could do as an actor. But he had two scenes in this nearly two and a half hour film. Guess they cut some of his scenes to make room for some more where Leslie Mann gets angry over nothing and curses and screams for half an hour. I was also excited to see Jim Brooks as Pete's father. He receives lots of screen time and is the second least sympathetic character. I do admire Apatow for having the courage to try and combine work and home by just putting his family on screen. But why so mundane? It's compelling when a film depicts regular people in not so regular situations. This film is made up of regular people who live in southern California and drive BMW's and Lexi and complain constantly about things that happen to everyone. It's exhausting. I will not give any attention to the children in this review as it is clear that they have received far too much attention already. On a strictly "laugh o meter" scale this film is not completely devoid of humor. Like say, Funny People. In fact, Funny People makes This is 40 look like The Jerk. Paul Rudd does fine as usual,and Megan Fox is great eye candy and "hottie relief". Here's hoping that this is the end of Apatow's tacky Cassavetes period.

While I'm in my 40s I am single and childless but I hear enough stories from people around me (same age, middle class Californians) to know this movie is actually touching on what are real world situations for some people. So I didn't feel like there was much overdramatization as most critics point out. I also didn't feel like it was too long as I did enjoy the story, dialogues, etc. So I didn't think it felt drawn out. At the end of the day, most of the jokes work, plot and characters are engaging, and so there is enough to enjoy despite having nothing extremely original to rave about.