Djinn

This film was sitting on my Netflix list for quite a while. The only reason I watched it is that it was directed by Tobe Hooper, who's directed some horror classics like "Texas Chainsaw Massacre," "Funhouse," "Poltergeist," and "Lifeforce" (okay not everyone thinks 'Lifeforce" is a classic, but I do) but Hooper has also directed some serious duds like "The Mangler," possibly the worst Stephen King film adaptation. My overall opinion of Hooper is that most of his film are only as good as their scripts. His best films were written by heavyweight writers like Steven Spielberg, Lawrence Block, or g Don Jakoby and Dan O'Bannon. "Dijinn" sadly represents another weak script, but it did have some interesting elements. The story is essentially an old fashioned haunted house tale, but with a twist of being set in the United Arab Emirates, which does bring a fair amount of interesting cultural elements to a fairly well worn horror formula. A young couple returns home to Dubai and moves into a fancy new high rise apartment building. When the wife begins seeing and hearing things that may or may not really be there, the already strained relationship between the couple becomes even more strained. The middle eastern setting goes a long way, as does director Hooper's visually arresting style that focuses on atmosphere and suspense over cheap scares. However, besides the setting, the story is so unoriginal and derivative that it nearly sinks what could have been a much stronger film. Borrowing from everything from "Rosemary's Baby" to "The Others," it's almost impossible to keep up with which films this script is stealing from. The ending seemed particularly unoriginal and clichéd. Despite all that, director Hooper salvages the weak script and makes the film watchable. Overall, this is worth checking out for Tope Hooper fans or for horror fans looking for something slightly different from the norm.

Simply put, this movie was directed by a master of horror. And though everyone is entitled to failures, I feel like this one didn't have to be. This could've been a groundbreaking film for Hooper. Sadly it was the opposite. But not by the fault of Hooper. We can't possibly know what his true vision was, because what we got was a very salient example of the damage a room of executives can cause. Hooper and Djinn never stood a chance.

I saw Djinn, the 1st Horror thriller shot in UAE. and featuring Lebanese , Egyptian and Emiraty and Saudi actors.

Beside the scenes of classic "jumpy" feelin, the acting is very bad. Chemistry between the actors is practically inexistent, the story is revealed in the 1st scene. and there is no build up. I have to say that the Saudi Actress, Aiysha Hart who did a great job! Some effects are good, but borrowed from other movies, such as "scene of birds bumping into windows...or the crawling "Um Al dwais" weak cinematography. Dubai has much better scenes than shown. We need to compare the movie to international standards, especially with the amount of money spent on it. and the full access to all needed materials and actors. and hence why the movie rating is 3, in my opinion.

This movie has a very interesting premise. It promises a high level of suspense in the 1st part, but loses its breath as it progresses in the development of the plot and when it needs a solid script for the conclusion. The author simply cannot maintain interest and the film drags to its melancholy and disappointing ending.

Worth the stunning beauty of Razane Jammal and her effort in trying to give the job a veneer of commitment.

The only reason I give it 4 is because I like both Aiysha Hart and Razane Jammal. Both did the best they could with a poor script and shoddy directing. As for 'horror'?, I didn't see any. Not even remotely. Just a lot of disjointed scenes, no atmosphere, no chemistry, nothing to talk about. I enjoyed Aiysha Hart in her scenes, speaking Arabic; those were high points of the film for me. poor Razane looked at sea most of the time. Shame. Could have been a much better film with more effort from the director, imagination and maybe even a bigger budget...? Most of the story was predictable. There was little emotional content even around the theme of the dead baby. There was no atmosphere to connect the so called 'horror' to any emotional response by the actors. All very disconnected.Worth watching for the Arabic language scenes.