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IMDbPro

Miss Representation

  • 2011
  • Not Rated
  • 1h 25m
IMDb RATING
7.5/10
3.9K
YOUR RATING
Miss Representation (2011)
Trailer for Miss Representation
Play trailer2:50
1 Video
99+ Photos
Documentary

Explores the under-representation of women in positions of power and influence in America, and challenges the media's limited portrayal of what it means to be a powerful woman.Explores the under-representation of women in positions of power and influence in America, and challenges the media's limited portrayal of what it means to be a powerful woman.Explores the under-representation of women in positions of power and influence in America, and challenges the media's limited portrayal of what it means to be a powerful woman.

  • Director
    • Jennifer Siebel Newsom
  • Writers
    • Jacoba Atlas
    • Jessica Congdon
    • Claire Dietrich
  • Stars
    • Jennifer Siebel Newsom
    • Jean Kilbourne
    • Jim Steyer
  • See production info at IMDbPro
  • IMDb RATING
    7.5/10
    3.9K
    YOUR RATING
    • Director
      • Jennifer Siebel Newsom
    • Writers
      • Jacoba Atlas
      • Jessica Congdon
      • Claire Dietrich
    • Stars
      • Jennifer Siebel Newsom
      • Jean Kilbourne
      • Jim Steyer
    • 23User reviews
    • 10Critic reviews
  • See production info at IMDbPro
    • Awards
      • 1 win & 1 nomination total

    Videos1

    Miss Representation
    Trailer 2:50
    Miss Representation

    Photos103

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    Top cast99+

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    Jennifer Siebel Newsom
    Jennifer Siebel Newsom
    • Self
    Jean Kilbourne
    Jean Kilbourne
    • Self - Filmmaker, 'Killing Us Softly', Author and Senior Scholar, Wellesley Centers for Women
    • (as Jean Kilbourne EdD)
    Jim Steyer
    Jim Steyer
    • Self - CEO, Common Sense Media, Lawyer & Professor of Civil Rights, Stanford University
    Katie Couric
    Katie Couric
    • Self - Anchor, CBS Evening News
    Margaret Cho
    Margaret Cho
    • Self - Comedienne, Actor & Activist
    Meenakshi Durham
    Meenakshi Durham
    • Self - Author 'The Lolita Effect', Associate Professor of Journalism, University of Iowa
    • (as M. Gigi Durham)
    Jennifer Pozner
    Jennifer Pozner
    • Self - Executive Director Women in Media & News, Author Reality Bites Back
    Caroline Heldman
    Caroline Heldman
    • Self - Associate Professor of Political Science, Occidental College
    • (as Caroline Heldman Ph.D.)
    Pat Mitchell
    Pat Mitchell
    • Self - President & CEO, Paley Center for Media, Former President & CEO of PBS
    Gavin Newsom
    Gavin Newsom
    • Self - Lieutenant Governor, California, Former Mayor of San Francisco
    Gloria Steinem
    Gloria Steinem
    • Self - Feminist Organizer & Writer, Co-Founder Women's Media Center
    Jennifer Lawless
    Jennifer Lawless
    • Self - Associate Professor of Government, Director, Women & Politics Institute, American University
    Cory Booker
    Cory Booker
    • Self - Mayor of Newark, New Jersey
    Condoleezza Rice
    Condoleezza Rice
    • Self - Former U.S. Secretary of State, Senior Fellow, Hoover Institution, Professor of Political Economy, Stanford University
    Dolores Huerta
    Dolores Huerta
    • Self - Activist & Co-Founder, United Farm Workers Union, Dolores Huerta Foundation
    Marie Wilson
    Marie Wilson
    • Self - Founding President, The White House Project
    Devanshi Patel
    Devanshi Patel
    • Self - High School Senior
    Ranna Patel
    Ranna Patel
    • Self - Devanshi's Mother
    • Director
      • Jennifer Siebel Newsom
    • Writers
      • Jacoba Atlas
      • Jessica Congdon
      • Claire Dietrich
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews23

    7.53.9K
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    Featured reviews

    6Mr-Fusion

    It's the content, not the delivery

    "Miss Representation" makes some very good points, but the execution was a bit of a turnoff. That opening strings score while statistics are being thrown on to the screen borders on fear-mongering, and Jennifer Newsom cuts in throughout with a somber voice-over. The front end of this thing skews melodramatic.

    Eventually, the documentary settles into the material, and it makes a solid argument. The shocking double standard of judging (and prizing) women differently than men in the media, the teenagers who work overtime to fit a media ideal. It's an engaging piece.

    This is worth it if you can get beyond the clumsy opening. I have a child of my own, and I can empathize with Newsom in worrying about the world in which she'll grow up. It's just that the motherhood aspect was shoe-horned into the documentary.

    6/10
    makhrinskyd

    Honest, but could be understood under several lenses

    While I agree that there is a huge disparity between the way that men and women are represented in the media, I believe that this documentary raises the right concerns without attempting to find a resolution. The resolution is not easy, and will not happen overnight but there should be more that women, and young women can do to improve depictions of themselves in mass media. On the other hand, this video places high stress on shattering media's depiction of beauty, while presenting women who are very obviously wearing a large amount of make up and are all on the thinner side of the body spectrum. I am not insisting that the women featured in this documentary should be bare faced or at an unhealthy size, but I do think that there should be a larger variety of women represented in the film because in this way they are still conforming to ideals that they themselves are attempting to break from.

    From an educational perspective, it is important for young women aged 12+ to watch this film and understand that they have the power to change the portrayal of their gender in the media from "Politician Barbie" to politician by challenging criticism and taking it in stride. I am hoping to see a second part to this documentary in the coming years, perhaps with more testimonials from young women and media figures.
    8alewarn

    No

    Miss representation is a film that does not say anything that people who were interested in feminism did not already know before but yet still sends a powerful message. Just the other day I was asked why the media should change when they are making so much money off of the objectification and stereotypes of women and this film shows viewers exactly why. This movie highlights what an extremely powerful and dangerous tool the media is in how young women come to view themselves and their standing in the world. This documentary shows multiple examples of how women are portrayed in extremely sexual ways almost to be viewed as objects, and when they are not being treated like sexual objects they are being treated with extreme violence in the media. This documentary not only highlights how fictional female characters are being portrayed but also how some of the most powerful and respected women today, such as Hillary Clinton, are completely ignored for what they have accomplished and instead just ridiculed for how they look. Some of you may be wondering what the big deal is that the media portrays women this way and this documentary will serve you well because it shows that the media's representation of women directly effects not only how other people treat women, but also how young women come to look at themselves, and also feeds directly into what women are taught to value about themselves, looks over brains. The media may not be the only thing that feeds into the constant degradation of women but this movie illustrates to the viewer that changing the way that women are represented could be an important first step in the fight for equality.
    6tvtiguy

    Worth watching, but not stellar execution

    First off - I'm a guy. Albeit a guy who had graduate level feminist media theory classes 20 years ago - I'm a guy none-the-less. And I think people who know me would probably consider me "a guy's guy" overall.

    The film is filled with much of what we studied in graduate school in the early 90s. So I guess there was a lot of "no duh" moments for me in it. But if it opens some people's eyes then it's worth it. The messages are essential to the health of our daughters, sons and country as a whole. Many of what I thought were the most important parts of the film were "glossed over," but that may be my view/perspective. For example, to me THE MOST important point in the film is that TV shows are essentially "made for men 18-34." Why - because that demographic doesn't really watch TV unless they're driven to the set somehow. TV show creators don't worry about women - because women watch TV anyway.

    Think about that - most of us can agree that most of what's on TV is crap. And yet, the people who make TV don't worry about losing the female audience at all. Until women turn off the crap on TV, I doubt that will change.

    Hit or miss (no pun intended) outing for a first time director. Great messages, important content, mediocre execution. Probably too much "sexual imagery" for me to let my 12 year old daughter watch it - but soon. And everyone over 15 should be aware of the subject matter. This is as good a way as any.
    7eurograd

    Important subject, inconsistent production

    Miss Representation address, mostly, the important issue of how women are represented in the media and the impact such representations have on how society perceives women, how it affects the ability of women to reach higher echelons of media-related positions, and how that in turn affects programming, choices in advertising, and perpetuation and certain stereotypes and patterns. On this aspect, it delivers quite a powerful message.

    However, there are also serious flaws, some of argument, some of execution.

    While I myself fully support gender equality, and otherwise agree with the problem of glass ceilings and reduction of professional women to their sexualized attributes, I think it is very, very worrying the suggestion for some level of censorship and regulation of media content, especially the implication that some government agency should step in to enforce "family standards" in online content production and broadcasting. As a viewer, I was left with the impression the producers really didn't have a clue about issues concerning freedom of speech and were incredibly naive on their pro-censorship stance (since it doesn't resonate with the rest of the documentary).

    Editing also could have been better. Some of the short testimonials could have been consolidated in longer shots focusing just one subject, instead of having too many parallel interviews clumsy moving forward on little bits that often got lost.

    Finally, I think they could have better explored the hook on how sexist attitudes are bad not only for girls and women, but also for men. That would make the documentary even more interesting, although it already lacks, fortunately, a us vs. them tone.

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    Related interests

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    Documentary

    Storyline

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    Did you know

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    • Quotes

      Herself - Associate Professor of Political Science, Occidental College: Women who are high self-objectifiers have lower political efficacy. Political efficacy is the idea that your voice matters in politics and that you can bring about change in politics. So if we have a whole generation of young people being raised where women's objectification is just par for the course, it's normal, it's okay, we have a whole generation of women who are less likely to run for office and less likely to vote.

    • Connections
      Features Baby Face (1933)
    • Soundtracks
      Help, I'm Alive
      Written by Emily Haines and James Shaw

      Performed by Metric

      Courtesy of Metric Music International

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    FAQ17

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    Details

    Edit
    • Release date
      • April 15, 2014 (Netherlands)
    • Country of origin
      • United States
    • Official site
      • Official site
    • Language
      • English
    • Also known as
      • Miss Escaparate
    • Filming locations
      • Los Angeles, California, USA
    • Production companies
      • Girls' Club Entertainment
      • Pacific Gas and Electric
      • The Brin Wojcicki Foundation
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $750,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      • 1h 25m(85 min)
    • Color
      • Color

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