Follows three small time criminals from Dublin's North Inner City as they each aspire to be somebody in a fast changing society.Follows three small time criminals from Dublin's North Inner City as they each aspire to be somebody in a fast changing society.Follows three small time criminals from Dublin's North Inner City as they each aspire to be somebody in a fast changing society.
- Awards
- 1 nomination total
Stephen Clinch
- Limbo
- (as Stephen Cinch)
Michael Yare
- Ade
- (as Yare Michael Jegbefume)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It actually could have been a half decent movie if it had actually gone with what it started with.
Instead after about 1 hour it turned to the usual ridiculous RUBBISH we see about Ireland.
Who makes this rubbish? are they self bent on portraying the Irish as STUPID violent drunks?
It isn't "Trainspotting" that was done 30 years ago, it lacks originality, it lacks quality, it could have been so much more but the t@at that put it together seemed hell bent on trying to make the Irish look like some sort of trendy Gangster types, in the end he portrayed them as nothing more than drunken retards!
Shame, a possibly good movie ruined by a twonk that wanted to pay some sad sort of "Homage" to better movies from 30 years ago!
Instead after about 1 hour it turned to the usual ridiculous RUBBISH we see about Ireland.
Who makes this rubbish? are they self bent on portraying the Irish as STUPID violent drunks?
It isn't "Trainspotting" that was done 30 years ago, it lacks originality, it lacks quality, it could have been so much more but the t@at that put it together seemed hell bent on trying to make the Irish look like some sort of trendy Gangster types, in the end he portrayed them as nothing more than drunken retards!
Shame, a possibly good movie ruined by a twonk that wanted to pay some sad sort of "Homage" to better movies from 30 years ago!
Fantastic micro-budget Irish crime drama. Shockingly low IMDb rating, especially in contrast to its positive reviews. I guess the film-going public are STUPID (or don't understand the thick Irish accents, in all likelihood). 'Mean Streets' comparisons are apt in its depiction of working-class best friends tied up in petty crime, and the conflict of interest that begins to develop between them. It takes a turn for the weird with the introduction of a bisexual Nigerian drug dealer with a sword.
However, its financial limitations show in the film's length of an hour and twelve minutes, credits included, as is a musical montage of pictures of Irish people. However, it's brilliant what Mark O'Connor did with so little. Review by Jack from Letterboxed
However, its financial limitations show in the film's length of an hour and twelve minutes, credits included, as is a musical montage of pictures of Irish people. However, it's brilliant what Mark O'Connor did with so little. Review by Jack from Letterboxed
This is Barry Keoghan's first film and Peter Coogans early days. Hes the staple of the film. Bad acting overall, but lots of the cast were not actors and inner city locals. So I assume director was going for realism.
Its basically a day in the life of several Dublin north inner city scumbags. Messy story but most of the dialogue is genuine of the characters.
Its basically a day in the life of several Dublin north inner city scumbags. Messy story but most of the dialogue is genuine of the characters.
As a Dubliner living away from home now for over 20 years, it is a great joy to watch such a realistic film of what its really like living in inner city Dublin and what the people are like with all the Irish talk, great characters.
To the director and others involved in the movie I say well done and thanks for this gift. Foreigners wont get it and Irish living at home wont appreciate its realism as they are used to it. Only when you leave home, and miss it, can you appreciate just how great this film is. It had me laughing many times and would recommend it to anyone that wants to see real Dublin
To the director and others involved in the movie I say well done and thanks for this gift. Foreigners wont get it and Irish living at home wont appreciate its realism as they are used to it. Only when you leave home, and miss it, can you appreciate just how great this film is. It had me laughing many times and would recommend it to anyone that wants to see real Dublin
One of the funniest pieces of television ever produced was the episode of I'M ALAN PARTRIDGE where the title character is networking with a couple of Irish TV producers and Patridge is convinced they're members of the IRA because that's what Ireland is famous for along with every stereotype of the Emerald Isle . Watching BETWEEN THE CANALS one gets the impression it was directed by Alan Partridge
Should I be honest or should I be politically correct ? Well I am the sort of guy who says things like "I didn't recognise you with your clothes on" to a female colleague at work only to find her boyfriend is sitting just outside of earshot in her car so I'll just revert to type You see this is very small budget film making and is no doubt a labour of love and I don't want to hurt anyones feelings so if you worked on this film and don't like honesty then stop reading at this point please
From the opening titles every cliché is dug up quicker than an Irish potato field . Michael Collins , black and tans , slums etc etc appear in a photo montage and that gives a hint we're going to be watching the oxymoron of "stereotypical realism" . Stereotypical in that all Dubliners are likable rascals who enjoy a drink interspersed with the occasional gangland murder and realism in that the acting style is mainly down to adlibbing by people who couldn't act their way out of a wet paper bag . This technique never really works and is a distraction . Somewhat fortunate then that there's little in the way of substance to distract this audience member from what's happening on screen . The story is very weak and with the exception of the F and C words I couldn't make out a word that was being spoken
Apologies if I've hurt any feelings with my brutal honesty but if it's any consolation I look forward to a sequel which will no doubt be called MONKEY TENNIS
Should I be honest or should I be politically correct ? Well I am the sort of guy who says things like "I didn't recognise you with your clothes on" to a female colleague at work only to find her boyfriend is sitting just outside of earshot in her car so I'll just revert to type You see this is very small budget film making and is no doubt a labour of love and I don't want to hurt anyones feelings so if you worked on this film and don't like honesty then stop reading at this point please
From the opening titles every cliché is dug up quicker than an Irish potato field . Michael Collins , black and tans , slums etc etc appear in a photo montage and that gives a hint we're going to be watching the oxymoron of "stereotypical realism" . Stereotypical in that all Dubliners are likable rascals who enjoy a drink interspersed with the occasional gangland murder and realism in that the acting style is mainly down to adlibbing by people who couldn't act their way out of a wet paper bag . This technique never really works and is a distraction . Somewhat fortunate then that there's little in the way of substance to distract this audience member from what's happening on screen . The story is very weak and with the exception of the F and C words I couldn't make out a word that was being spoken
Apologies if I've hurt any feelings with my brutal honesty but if it's any consolation I look forward to a sequel which will no doubt be called MONKEY TENNIS
Did you know
- TriviaMark O'Connor's first feature film.
- SoundtracksFactories
Written and performed by Damien Dempsey
Published by Bug Music, on behalf of Northside Song (IMRO)
Licensed courtesy of Sony Music Entertainment Ireland, Ltd.
Details
Box office
- Budget
- €100,000 (estimated)
- Gross worldwide
- $4,809
- Runtime
- 1h 14m(74 min)
- Color
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