In Their Skin

Take one part of (ANY) home invasion flick.

Throw in a bit Tony Perkins, a-la 'Psycho'.

Get Ms. Blair, for the 'young' (a-hem!) horror-flick ...je ne c'est quoI ('I don't know)- quality.

Get someone who went to 'Acme Film School (found on a book of matches), and throw it in the 'film-o-matic'®, and you'll have a film, which is 'perfect'.

'Perfect' for what?

Perfect to convince people this (it had to be straight to video) cheese-ball is 'something they heard others' thought was good'.

Then, they'll watch it, and they'll swear it was one of a fist-full of different films.

But, it wasn't - any of them, though it has a bit from each, and by this point the maker's of this have your money.

If - I-F this film had been real life, it's hard to get over the fact that, yes; people in a situation like this would be scared, but, at the same time, every opportunity they had to either escape, or turn the tables on the 'baddies'. they literally just sat their. Like the proverbial 'sitting ducks'.

THe one interesting actor (James D'Arcy), is so busy chewing the scenery, I don't know if he thought it'd be better playing it over the top, or the director WANTED iit.

Everything in this makes one scratch their head, and say; "I SWEAR I saw', or, 'I SWEAR I know that actor...'

Yes - even the people in this 'seem to be', such as Joshua Close, who bears quite a resemblance to Ryan Gosling.

All-in-all, the actual films this 'Frankenstinian monster'-films, that this one steals from, are better - by far.

(2012) In Their Skin PSYCHOLOGICAL THRILLER

Starring Joshua Close who was also credited for writing the story along with the director Jeremy Power Regimbal. He plays Mark along with his wife (Selma Blair) and son settling down into a remote home somewhere along the highway. And suddenly get imposed upon by another family unexpectedly named Bobby (James D'Arcy) and his wife and kid, and then the next thing you know this dysfunctional family started terrorizing them for no apparent reason. Low budget and has been done before from such movies as "The Strangers", "The Last House On The Left" to "Funny Games". Do we really need to see a much lower budget variation of those movies.

I hadn't heard of this movie until I was scrolling through an online site, so I thought I'd kill a bit of lockdown time and watch it. Starts with a scene on a bridge, a guy in his underwear struggling to get away from someone. He falls and is killed by an unknown assailant. Cut to the Hughes family travelling to their vacation cottage, clearly struggling after the death of their young daughter. Quick stop at a gas station and the attendant tells them they're early, the usual families aren't due for a couple of weeks but one or two have arrived.

Early next morning Mark Hughes hears a noise and goes outside to find a family outside his house, they explain they are leaving him some firewood. Mark is initially rude to them, but softens and caves in to their suggestion they call back later for a meal.

What then ensues is pretty predictable, the pushy Father, the timid - mentally challenged even - wife and the creepy son, try to find out about the loves of the Hughes. As the evening progresses tempers become frayed and the Hughes ask their guests to leave. Following that we're talking a straight home invasion movie. There is quite a bit of brutality, a pretty gross forced sex scene (because everyone is watching) and a couple of revelations.

It's very predictable, and you kind of wonder why the Hughes would even invite these awful people into their home. The Hughes' son is a drippy, teddy bear clutching nine year old who clearly has issues, whilst rhe son of the other family is quite possibly the oddest, creepiest bad actor ever.

I enjoyed it, probably wouldn't hurry to watch it again but it's a good movie. Selma Blair and James D'Arcy outact everyone else on the screen.

In Their Skin (formerly "Replicas") is Regimbal's directorial debut, but armed with a strong cast and a solid screenplay, he creates a web of worthwhile scenes that will stick with the viewer. Perhaps misguidedly toying with the horror genre early in the film, he chooses the focus on the drama, the characters and story and let you decide if you are endeared, amused, scared, uneasy, entertained or otherwise.

Regimbal stays with this beautiful ambiguity for most of the feature and gets fine-tuned performances from his story and character-driven cast that allows for the "replicas" to reveal themselves slowly, but surely. The suspense is high and the dark humour as well. A beautiful piece with a slow burn pace. We left the Montreal FantAsia screening and director Q&A with more questions than answers, but with deep satisfaction of exploring a compelling concept with complexity, dexterity and depth.

Funny Games. Cherry Tree Lane. Them. The Strangers. All part of this trend of 'home invasion' films where the 'nice' family is held hostage my nasty intruders in the comfort of their own home.

If you've seen any of those then you've basically seen 'In Their Shoes.' Here we have the 'nice' family who we are supposed to be able to relate to, being tortured in their holiday home by the 'nasty' family.

Even if you know nothing about this film, you'll guess what's coming. For most of us our 'Spidey senses' would be tingling when a family of over-friendly simpletons come delivering wood in the small hours of the night. However, the nice family are too nice for their own good and invite them in for tea. Big mistake.

The first half of the film is basically 'character building.' We - the audience - can see the other family are basically nut-jobs and know what's coming. You can pretty much skip the first 50 minutes before the violence starts. Then, when it comes, it's all what you'll expect from a home invasion film.

If you've never seen one of these types of movies before, then you might find it pretty intimidating and scary. However, I've seen all the movies I've mentioned, therefore I've basically seen this one. The whole 'home invasion' genre is currently a bit stagnant. No film-maker seems to be able to introduce anything new to it, therefore this is just more of the same.

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