The Hughes' cottage vacation is violently interrupted by a family on a murderous and identity-stealing journey, in search of the "perfect" life.The Hughes' cottage vacation is violently interrupted by a family on a murderous and identity-stealing journey, in search of the "perfect" life.The Hughes' cottage vacation is violently interrupted by a family on a murderous and identity-stealing journey, in search of the "perfect" life.
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(2012) In Their Skin
PSYCHOLOGICAL THRILLER
Starring Joshua Close who was also credited for writing the story along with the director Jeremy Power Regimbal. He plays Mark along with his wife (Selma Blair) and son settling down into a remote home somewhere along the highway. And suddenly get imposed upon by another family unexpectedly named Bobby (James D'Arcy) and his wife and kid, and then the next thing you know this dysfunctional family started terrorizing them for no apparent reason. Low budget and has been done before from such movies as "The Strangers", "The Last House On The Left" to "Funny Games". Do we really need to see a much lower budget variation of those movies.
Starring Joshua Close who was also credited for writing the story along with the director Jeremy Power Regimbal. He plays Mark along with his wife (Selma Blair) and son settling down into a remote home somewhere along the highway. And suddenly get imposed upon by another family unexpectedly named Bobby (James D'Arcy) and his wife and kid, and then the next thing you know this dysfunctional family started terrorizing them for no apparent reason. Low budget and has been done before from such movies as "The Strangers", "The Last House On The Left" to "Funny Games". Do we really need to see a much lower budget variation of those movies.
"In Their Skin" follows a fairly common premise among post-millennial horror films: a family vacationing in a remote summer home find themselves trapped and preyed upon by a group of killers. Here, the family is an unsuspecting wealthy couple who has just lost one of their two children; playing counterpart is another family who yearns to live as them.
While the central premise of the film is certainly straightforward and unoriginal (comparisons to "Funny Games" and "The Strangers" are inevitable), the spin here with the antagonists attempting to simulate lives of opulence and wealth is certainly different; the problem is that this central difference does not necessarily elevate the film's other shortcomings.
Things start out fairly standard, and suspense is built tenaciously over the first forty-five minutes to an hour quite impressively. The problem? It disappears once the antagonists take full hold. This could partly be a scripting issue that leaves the film feeling uneven, but it's also an issue of performances— as good as James D'Arcy is, I had trouble believing him in this role, especially as the film progressed; Joshua Close's performance was slightly more believable, but even still, both of the male leads seemed miscast. Selma Blair and Rachel Miner however both work really well in the film; Miner is especially phenomenal here. The film ends with the suggestion of a family restored, but the details of the horrendous events that precede it seem undercooked by the end.
Overall, "In Their Skin" is an unusual mashup of home invasion thriller conventions with vague social commentary and a problematic chemistry among the cast. The first half of the film is remarkable in building a sense of realistic suspense, but the film dovetails into mediocrity once the villains take charge. While not a bad film by any means, it still leaves a great deal to be desired in terms of scripting and casting. Worth a watch for the moody cinematography and applause-worthy buildup of tension no less. 5/10.
While the central premise of the film is certainly straightforward and unoriginal (comparisons to "Funny Games" and "The Strangers" are inevitable), the spin here with the antagonists attempting to simulate lives of opulence and wealth is certainly different; the problem is that this central difference does not necessarily elevate the film's other shortcomings.
Things start out fairly standard, and suspense is built tenaciously over the first forty-five minutes to an hour quite impressively. The problem? It disappears once the antagonists take full hold. This could partly be a scripting issue that leaves the film feeling uneven, but it's also an issue of performances— as good as James D'Arcy is, I had trouble believing him in this role, especially as the film progressed; Joshua Close's performance was slightly more believable, but even still, both of the male leads seemed miscast. Selma Blair and Rachel Miner however both work really well in the film; Miner is especially phenomenal here. The film ends with the suggestion of a family restored, but the details of the horrendous events that precede it seem undercooked by the end.
Overall, "In Their Skin" is an unusual mashup of home invasion thriller conventions with vague social commentary and a problematic chemistry among the cast. The first half of the film is remarkable in building a sense of realistic suspense, but the film dovetails into mediocrity once the villains take charge. While not a bad film by any means, it still leaves a great deal to be desired in terms of scripting and casting. Worth a watch for the moody cinematography and applause-worthy buildup of tension no less. 5/10.
OK! From the off I have to say I'm hardly the right person to take as gospel as regards a review for yet another home invasion movie. I have grown increasingly jaded with this sub-genre of horror, it seems that every year a handful of these type of movies get trundled out and suckers like me keep watching in the hope of finding a gem amongst the rough rocks.
In Their Skin isn't a gem, in fact it's not exactly a must see frightener, but it at least tries to add something to an already stagnated sub-genre of film. Namely an identity theft angle that veers away from the usual "oh they are just psychos or hoodies" line of thinking.
There is a raft of reviewers out there in internet land drawing comparisons to this being a Funny Games knock off. Now regardless of how I personally feel about Hanneke's work, is that what people are doing now? Fans of his film(s) expecting a Selma Blair, Joshua Close, Rachel Miner and James D'Arcy starring movie to take home invasion horror to a new level? When it's directed by an unknown? Really?
For an hour writer and directer Jeremy Power Regimbal favours the slow burn approach, and it works because the cast are very committed, and in the case of adult villains D'Arcy and Miner there's some bona fide creepiness about their respective mannerisms. It's only when things shift away from rumbling unease into psycho/sexual territory that the fledgling director loses control and sinks to formula conventions to get his shock and awe.
Not a must see, but in the context of boorish fodder like The Strangers, or higher budgeted fluff like The Purge, then this is well worth a look by those not expecting a whole new dimension of home invasion horror. It does have merits that doesn't waste your time, and beside which, James D'Arcy in this looks uncannily like Norman Bates, so that has to warrant a look! 6/10
In Their Skin isn't a gem, in fact it's not exactly a must see frightener, but it at least tries to add something to an already stagnated sub-genre of film. Namely an identity theft angle that veers away from the usual "oh they are just psychos or hoodies" line of thinking.
There is a raft of reviewers out there in internet land drawing comparisons to this being a Funny Games knock off. Now regardless of how I personally feel about Hanneke's work, is that what people are doing now? Fans of his film(s) expecting a Selma Blair, Joshua Close, Rachel Miner and James D'Arcy starring movie to take home invasion horror to a new level? When it's directed by an unknown? Really?
For an hour writer and directer Jeremy Power Regimbal favours the slow burn approach, and it works because the cast are very committed, and in the case of adult villains D'Arcy and Miner there's some bona fide creepiness about their respective mannerisms. It's only when things shift away from rumbling unease into psycho/sexual territory that the fledgling director loses control and sinks to formula conventions to get his shock and awe.
Not a must see, but in the context of boorish fodder like The Strangers, or higher budgeted fluff like The Purge, then this is well worth a look by those not expecting a whole new dimension of home invasion horror. It does have merits that doesn't waste your time, and beside which, James D'Arcy in this looks uncannily like Norman Bates, so that has to warrant a look! 6/10
The only difference between this movie and Funny Games is in this movie it is a psycho family, some nudity and sex scenes and a few more gunshots. Other than that I couldn't believe this movie script didn't get thrown out as a complete knock off of Funny Games.
Now if you have not seen Funny Games, then I suggest you pick your villain. If you want to see two psycho young men torture a normal wealthy family, go see Funny Games. If you want to see a psycho lower class family torture a normal wealthy family, see this movie.
Both movies have great casts and great acting but I would have to give this film a slight edge in that category. However, when it comes to the disturbingly psychopathic factor in the villains, I give that edge to Funny Games.
All in all, don't waste your time like I did with this movie if you have seen Funny Games. Definitely a good experience I imagine for those who haven't.
Now if you have not seen Funny Games, then I suggest you pick your villain. If you want to see two psycho young men torture a normal wealthy family, go see Funny Games. If you want to see a psycho lower class family torture a normal wealthy family, see this movie.
Both movies have great casts and great acting but I would have to give this film a slight edge in that category. However, when it comes to the disturbingly psychopathic factor in the villains, I give that edge to Funny Games.
All in all, don't waste your time like I did with this movie if you have seen Funny Games. Definitely a good experience I imagine for those who haven't.
Take one part of (ANY) home invasion flick.
Throw in a bit Tony Perkins, a-la 'Psycho'.
Get Ms. Blair, for the 'young' (a-hem!) horror-flick ...je ne c'est quoI ('I don't know)- quality.
Get someone who went to 'Acme Film School (found on a book of matches), and throw it in the 'film-o-matic'®, and you'll have a film, which is 'perfect'.
'Perfect' for what?
Perfect to convince people this (it had to be straight to video) cheese-ball is 'something they heard others' thought was good'.
Then, they'll watch it, and they'll swear it was one of a fist-full of different films.
But, it wasn't - any of them, though it has a bit from each, and by this point the maker's of this have your money.
If - I-F this film had been real life, it's hard to get over the fact that, yes; people in a situation like this would be scared, but, at the same time, every opportunity they had to either escape, or turn the tables on the 'baddies'. they literally just sat their. Like the proverbial 'sitting ducks'.
THe one interesting actor (James D'Arcy), is so busy chewing the scenery, I don't know if he thought it'd be better playing it over the top, or the director WANTED iit.
Everything in this makes one scratch their head, and say; "I SWEAR I saw', or, 'I SWEAR I know that actor...'
Yes - even the people in this 'seem to be', such as Joshua Close, who bears quite a resemblance to Ryan Gosling.
All-in-all, the actual films this 'Frankenstinian monster'-films, that this one steals from, are better - by far.
Throw in a bit Tony Perkins, a-la 'Psycho'.
Get Ms. Blair, for the 'young' (a-hem!) horror-flick ...je ne c'est quoI ('I don't know)- quality.
Get someone who went to 'Acme Film School (found on a book of matches), and throw it in the 'film-o-matic'®, and you'll have a film, which is 'perfect'.
'Perfect' for what?
Perfect to convince people this (it had to be straight to video) cheese-ball is 'something they heard others' thought was good'.
Then, they'll watch it, and they'll swear it was one of a fist-full of different films.
But, it wasn't - any of them, though it has a bit from each, and by this point the maker's of this have your money.
If - I-F this film had been real life, it's hard to get over the fact that, yes; people in a situation like this would be scared, but, at the same time, every opportunity they had to either escape, or turn the tables on the 'baddies'. they literally just sat their. Like the proverbial 'sitting ducks'.
THe one interesting actor (James D'Arcy), is so busy chewing the scenery, I don't know if he thought it'd be better playing it over the top, or the director WANTED iit.
Everything in this makes one scratch their head, and say; "I SWEAR I saw', or, 'I SWEAR I know that actor...'
Yes - even the people in this 'seem to be', such as Joshua Close, who bears quite a resemblance to Ryan Gosling.
All-in-all, the actual films this 'Frankenstinian monster'-films, that this one steals from, are better - by far.
Did you know
- TriviaSelma Blair was pregnant during filming.
- Crazy creditsIn the part of the end credits sequence before the comprehensive lists of cast and crew begins to scroll, the lines of text of the credits are ever so slightly tilted counter clockwise.
- ConnectionsFeatures Ghost Recon: Advanced Warfighter 2 (2007)
- How long is In Their Skin?Powered by Alexa
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- Budget
- $4,000,000 (estimated)
- Gross worldwide
- $106,919
- Runtime
- 1h 37m(97 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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