In 1970, drug-fueled Los Angeles private investigator Larry "Doc" Sportello investigates the disappearance of a former girlfriend.In 1970, drug-fueled Los Angeles private investigator Larry "Doc" Sportello investigates the disappearance of a former girlfriend.In 1970, drug-fueled Los Angeles private investigator Larry "Doc" Sportello investigates the disappearance of a former girlfriend.
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We can't criticize the incomprehensible nature of the movie because it was intentionally written that way to capture the tone of the novel. Eventhough I personally couldn't enjoy this movie, I completely understand why other people like it. I understand what they were going for but I couldn't connect with it personally. All the performances, especially by Phoenix and Brolin were top notch. Both those characters were written extremely well. There were some genuinely funny sequences too. However there are several instances where Doc relies on coincidences and conveniences to uncover the cases. This aspect felt like lazy writing.
I don't dislike this movie but I can't like it either. I have such a complicated opinion on this movie. PTA is one of the best directors working today. But I couldn't appreciate this movie like I did with his other movies like The Master, There will be blood etc.
I don't dislike this movie but I can't like it either. I have such a complicated opinion on this movie. PTA is one of the best directors working today. But I couldn't appreciate this movie like I did with his other movies like The Master, There will be blood etc.
In 1970, drug-fueled Los Angeles detective Larry "Doc" Sportello (Joaquin Phoenix) investigates the disappearance of a former girlfriend.
Whether or not Los Angeles was like this in 1970 does not matter. For the sake of the story, this is the world Doc Sportello lives in, and it is one crazy place: drug cartels, ouija boards, crooked cops and hippie cults.
The problem with this film, and what seems to turn most people off, is the very complex plot. Following in the same vein as "The Long Goodbye" or "The Big Lebowski", this is a world where many seemingly unrelated worlds intersect. And it is brilliant. Unfortunately, it is very hard to follow and that will ruin it for many people. Or, at best, it will make them want to watch it two or three times until it all starts to click.
Whether or not Los Angeles was like this in 1970 does not matter. For the sake of the story, this is the world Doc Sportello lives in, and it is one crazy place: drug cartels, ouija boards, crooked cops and hippie cults.
The problem with this film, and what seems to turn most people off, is the very complex plot. Following in the same vein as "The Long Goodbye" or "The Big Lebowski", this is a world where many seemingly unrelated worlds intersect. And it is brilliant. Unfortunately, it is very hard to follow and that will ruin it for many people. Or, at best, it will make them want to watch it two or three times until it all starts to click.
Great mood and cinematography, memorable characters, and bizarre situations. I know that the plot is purposely nonsensical and convoluted, but the trippy atmosphere was not enough to keep me interested until the end. Trimming some extra fat would help. The absolute highlight for me was Bigfoot's character and his relationship with Doc.
Glad not to be a professional film critic - I would not know what to say. Great casting. Fun costumes. Some scenes give you the feeling of other scenes you might have seen somewhere else. Kind of like an instant classic rehash. Do not make the mistake to follow the plot. There is a higher chaos beneath us all. Probably good material to test the effects of various psychoactive substances on people who make an effort of connecting dots when watching movies. You do not need substances though. There are dots all right but there is no coherent picture that is good for everybody. Any connection you draw is fine. Maybe that is the message.
I usually follow the guidance of amazon (I believe it to be the owner of this site) and try to give points between one and ten. Impossible here. I consider that the film's quality.
I usually follow the guidance of amazon (I believe it to be the owner of this site) and try to give points between one and ten. Impossible here. I consider that the film's quality.
Inherent Vice is certainly one of the most bizarre movies I've seen in a long, long time. Paul Thomas Anderson demonstrates his love of Thomas Pynchon by creating a movie that in every way feels Pynchon-esque. The film is a faithful adaption of Pynchon's late 00s novel but with a few minor sub-plots (such as the Las Vegas trip and the bets/claims) removed, not that they mattered really.
Joaquin Phoenix is one of my favourite actors and this movie - much like his previous one with PTA, The Master - is reason why. Phoenix plays a buffoonish caricature that sometimes makes us wonder if he was smoking actual pot during filming. Josh Brolin also provides a fine performance. There are a handful of women in the film but it's sad to say that they don't get enough attention in the film.
The dialogue is incoherent. You may not understand what's happening in the film at any certain time. You may ask: "what are they talking about?" "wait, what just happened?" Best reasoning I can provide is that this movie - much like its leading character - is high and rambles aimlessly here and there.
Joaquin Phoenix is one of my favourite actors and this movie - much like his previous one with PTA, The Master - is reason why. Phoenix plays a buffoonish caricature that sometimes makes us wonder if he was smoking actual pot during filming. Josh Brolin also provides a fine performance. There are a handful of women in the film but it's sad to say that they don't get enough attention in the film.
The dialogue is incoherent. You may not understand what's happening in the film at any certain time. You may ask: "what are they talking about?" "wait, what just happened?" Best reasoning I can provide is that this movie - much like its leading character - is high and rambles aimlessly here and there.
Paul Thomas Anderson's Films, Ranked
Paul Thomas Anderson's Films, Ranked
See how the films directed by Paul Thomas Anderson stack up, according to IMDb ratings.
Did you know
- TriviaAccording to writer and director Paul Thomas Anderson, Joaquin Phoenix and Reese Witherspoon "have their own language and short hand" with each other. While their natural rapport helped to show the chemistry between their characters, this led to Anderson having to constantly remind them to stop chatting so that they could film.
- GoofsWhen Doc goes to see Penny at her office she asks if he will let her depone him. While the use of the word "depone" might seem unusual compared to the more common "depose", this should not be regarded as a mistake. Penny's actual line from the source novel is this: "Would you be willing to depone for me?"
- Crazy creditsAfter the credits roll, the end caption is the opening inscription from Pynchon's novel, Inherent Vice: "Under the Paving-Stones, the Beach!" - Graffito, Paris, May 1968
- SoundtracksDreamin' On a Cloud
Written by Heinz Burt (as Burt Heinz)
Performed by The Tornadoes (as The Tornados)
Courtesy of Sanctuary Records Group, Ltd.
By arrangement with BMG Rights Management (US), LLC
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- Also known as
- Vicio propio
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Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $8,110,975
- Opening weekend US & Canada
- $328,184
- Dec 14, 2014
- Gross worldwide
- $14,810,975
- Runtime
- 2h 28m(148 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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