Aging rock group use a young fresh faced punk band to front new recordings to fool the music industry.Aging rock group use a young fresh faced punk band to front new recordings to fool the music industry.Aging rock group use a young fresh faced punk band to front new recordings to fool the music industry.
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Gareth Jones
- Radio DJ
- (voice)
Liam Manfredonia
- Will - Bass player
- (as Will Peters)
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- Writers
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Featured reviews
Sara Sugarman's music industry film "Vinyl" is built on a terrific premise, and the fact this dramedy originates from a true story makes it all the more ripe for this big screen telling.
Imagine: A long-in-the-tooth rock band is forced by the industry's relentless ageism to release music under the guise of being a much younger rock band. It happened in 2004, as Mike Peters of The Alarm put out music as The Poppy Seeds, along with a music video of lip-synching lads fronting the tune as if they were its proper creators. Sure enough, the tune got radio play. Gotcha!
In "Vinyl," Phil Daniels is the surly, aging frontman, and Jamie Blackley is the younger, fresher face aping the real band's music on camera. It allows for some great moments of both comedy and drama, and in equal measure. True, there is at times a sheeny, Austin Powers artifice to the film, which doesn't always accessorize with the music's scrappy emergence from the cast-off lot. But at its heart is a great story brought to a truthful life on screen, and with terrific competence. "Vinyl" is an underrated, understated success.
Imagine: A long-in-the-tooth rock band is forced by the industry's relentless ageism to release music under the guise of being a much younger rock band. It happened in 2004, as Mike Peters of The Alarm put out music as The Poppy Seeds, along with a music video of lip-synching lads fronting the tune as if they were its proper creators. Sure enough, the tune got radio play. Gotcha!
In "Vinyl," Phil Daniels is the surly, aging frontman, and Jamie Blackley is the younger, fresher face aping the real band's music on camera. It allows for some great moments of both comedy and drama, and in equal measure. True, there is at times a sheeny, Austin Powers artifice to the film, which doesn't always accessorize with the music's scrappy emergence from the cast-off lot. But at its heart is a great story brought to a truthful life on screen, and with terrific competence. "Vinyl" is an underrated, understated success.
Not sure what the last review was about, obviously saw a different film to me. I saw this at the Raindance Film Festival and loved it. A crowd pleaser that was great fun. Almost plays like a continuation of Quadrophenia, see Phil Daniels 30 years on. The young kid in it who plays Drainpipe is a face to watch out for. Considering this is obviously a low budget film the production is great. But it's the story that wins you over most of all. The humour reminded me of Full Monty. Nice to see the UK making films like this again. Want to watch it again and will buy the DVD when it comes out. Hope it gets released and does well so more like this get made.
Vinyl- Director Sara Sugarman/ Written Jim Cooper, Sara Sugarman
3/5
By Jonathan L Hermitt
Independent films are somewhat risky where they can either be a cinema gem or confusingly banal.
I took the plunge with an indie comedy and discovered that my precious time hadn't completely been drained, staring into my laptop screen.
In a peculiar genre emerges a small, low budgeted British off-comedy, Vinyl, lead by veteran actors such as Keith Allen (Minto) and Phil Daniels (Johnny Jones) and fresh, upcoming pretty boy Jamie Blackley (Drainpipe). Filmed in land of the Welsh, tells the true story of a 1980s band that ignites a media phenomenon by casting a group of young children to masquerade the hit single of the ageing eighties band. Raising awareness upon the issue of image, capitalising obsessed music labels and the ignorance of consumerism; projecting an almost satire objective.
A cheeky little tale that manages to maintain one's attention throughout; alongside relevant subplots that plays large contributions to the main plot. Occasionally forced the odd chuckle and included spots of crude humour (the best kind) to give it that British edge. A deeper character development wouldn't have hurt the film, although there wasn't much complexity in the characters unless we dug...dug deep.
The acting performances overall were mediocre, however Phil Daniels and Jamie Blackley did stand out from the rest of the group- this could be due to being scripted more speech, but the penultimate scene when both had to dig deep and find those tears was rather indicative of skill. The presence of tears weren't the indication but more the timing and control of the quantity were reflective of the characters and the respected reputation of Phil Daniels and potential of Blackley.
Could it better? Of course.
Regardless, sometimes that is the sacrifice of a low-budget film- needless to say, the film hasn't won the rights to boast although I wouldn't discard it completely.
3/5
By Jonathan L Hermitt
Independent films are somewhat risky where they can either be a cinema gem or confusingly banal.
I took the plunge with an indie comedy and discovered that my precious time hadn't completely been drained, staring into my laptop screen.
In a peculiar genre emerges a small, low budgeted British off-comedy, Vinyl, lead by veteran actors such as Keith Allen (Minto) and Phil Daniels (Johnny Jones) and fresh, upcoming pretty boy Jamie Blackley (Drainpipe). Filmed in land of the Welsh, tells the true story of a 1980s band that ignites a media phenomenon by casting a group of young children to masquerade the hit single of the ageing eighties band. Raising awareness upon the issue of image, capitalising obsessed music labels and the ignorance of consumerism; projecting an almost satire objective.
A cheeky little tale that manages to maintain one's attention throughout; alongside relevant subplots that plays large contributions to the main plot. Occasionally forced the odd chuckle and included spots of crude humour (the best kind) to give it that British edge. A deeper character development wouldn't have hurt the film, although there wasn't much complexity in the characters unless we dug...dug deep.
The acting performances overall were mediocre, however Phil Daniels and Jamie Blackley did stand out from the rest of the group- this could be due to being scripted more speech, but the penultimate scene when both had to dig deep and find those tears was rather indicative of skill. The presence of tears weren't the indication but more the timing and control of the quantity were reflective of the characters and the respected reputation of Phil Daniels and potential of Blackley.
Could it better? Of course.
Regardless, sometimes that is the sacrifice of a low-budget film- needless to say, the film hasn't won the rights to boast although I wouldn't discard it completely.
Whats not to like about this great film? The soundtrack? Phil Daniels? Perry Benson? Seeing the music biz being caught with their pants down? That last notion is worthy enough as a plot for a movie but watching the story unfold with Phil Daniels leading the charge, as only he can with his 100mph attack on life, makes this tidy little film truly worthy of your time watching it. The story will make you laugh, it may make you cry and it will definitely leave you feeling good and glad you watched it. It is a fun caper that never takes its self too seriously yet succeeds in showing all of us that rock n roll should always be 'by the people, for the people and of the people'. If you grew up in the 70s or 80s you will love it and many of its touch points. If you are still "growing up" watch and learn. FREE ROCK N ROLL
I managed to catch Vinyl at the Santa Barbara Film Festival. Wasn't expecting much from it as I'd not read anything about it and didn't recognize any of the cast. But I was so happy that I saw it. It was such a pleasant surprise. And it was based on a true story which made it feel even more charming. It follows an old British rock group trying to break back in to the music scene with no luck. So they audition and create a younger group who mime to their songs and become successful. The songs are great especially the main song, I guarantee you'll be singing it for days after you see it. A real crowd pleaser. Would love to see it again. Hope it comes out soon.
Did you know
- TriviaAlexa Davies's debut.
- SoundtracksFree Rock 'N Roll
(Vinyl Version)
Music by Mike Peters
Lyrics by Mike Peters & Phil Daniels
Recording under license from Twenty First Century Recording Company ©2011
Details
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 1.85 : 1
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