The German Doctor

more than a movie , it is an experience. a special puzzle from many historical details and a thriller who seduce at whole. because all is at perfect place - the acting, the script, the music. and the cold feeling about the evil essence. a remarkable film for the smart use of past shadows. and for the manner to explore each. Alex Brendemuhl does one of his great roles as one of post war legends. Natalia Oreira is far by soap opera classic circle. and the landscapes are ideal tool to suggest, to define the atmosphere. a movie for reflection. because its message remains universal. and it seems be more and more important. against forgetting. and as brilliant example of precise movie about past stains.

The true story of Dr Mengele, AKA The Angel Of Death, who, back in 1960, moves in with an Argentinian family, under a pseudonym. It quickly becomes apparent that he is not as clean as he makes out and starts doing experiments on the young daughter Lileth, very well played by Florencia Bado.

Àlex Brendemühl is superb as Mengele, really chilling and frightening and gives an insight into what a seriously deranged person Mengele really was. His desire for an Aryan race continuing long after the war, when he 'invests' some money into a doll factory, which makes doll's that all have to be identical.

There are also some great performances from Natalia Oreiro and Diego Peretti as the parents of Lileth. A fascinating movie, well worth a look.

A stranger, with a foreign accent, asks if he can follow a family on the road towards the South. The father agrees, though everyone look at him warily. Everyone but Lilith, the 12 year-old girl who looks 8, fascinated by this man fixing his gaze on her.

Lucia Puenzo is known for exploring difficult and unusual relationships, and this particular feature makes her movies quite appealing. Add to that, beautiful landscapes, solid directing and you've got one of the best thrillers of 2013.

Also interesting to see, the way South America coped with ex-NSDAP members and how they continued to live and work amidst general indifference.

Some things seem like never ending, and as such this movie truly acts like a spell.

Puenzo has managed to create an interesting story that revolves around Mengele's arrogant manipulation of an Argentinian family.

Its focus is initially on his relationship with the 12 year-old girl, Lileth, and his wish to help her with growth hormone treatment, however, it is never really made clear in the film as to whether this is merely Mengele seeing an opportunity to carry on his experiments or there is something darker about this relationship. Mengele manages throughout the film to manipulate the parents through promises of helping Lileth and easing the discomfort of the pregnant mother, and even offering to financially back the father in a potentially lucrative doll-making business.

Puenzo uses the doll-making as a metaphor for Mengele's obsession with perfection which is a little heavy-handed, and Mengele's relationship with Lileth is rather confused. Both of these point to the fact that Puenzo could really have opened up the story a bit more as there are hints at something far more sinister going on around the Claustrophobic confines of the family.

The German school Lileth is sent to has an underlying stench of Nazism still at play, yet this is something that Puenzo fails to explore. Also, the character of Nora, an archivist, photographer and Israeli agent, is underdeveloped. Puenzo merely hints at the work of Mossad and the how this is an important factor in the behaviour of both Mengele and Nora, also the group of Nazis working in a nearby country house isn't explained until Eva, the mother, gives birth and this necessitates Mengele requiring the help of the Nazi clinic.

So, for me, Puenzo should have explored many of the underlying themes evident in the story. This felt like a 90 minute movie that could have added another half an hours worth of expositional drama that would have created more of a sense of suspense. As such, Wakolda is an interestingly dark drama, yet one that lacks the depth of a bigger movie.

A simple Argentinian family makes a fresh start by reopening a hotel in the Pategonian mountains left behind by the mothers parents.

Their first guest is a well spoken foreign man, who seems as mysterious as he is intelligent. His interest in this family and his further activities in the nearby town make us wonder about the double agenda he is keeping.

As the family starts to doubt his motives, and other characters also start to show their true colors, we are presented with an intricate tale of mounting tension and international mystery. Of course we know who we are dealing with, and this type of story would work even better if that detail was unknown, but it still works so well as it remains, for the biggest part, fiction. So anything can happen. The fact that we are dealing with THIS monster just gives the whole film an extra layer of creepiness.

The film, to me, didn't come across as Argentinian at all, but I guess the mountainous (and snowy) surroundings and bilingual dialogue caused that. However this didn't matter as these surroundings where pretty spectacular and almost a character of their own.

Sollid acting, all around. Particularly the doctor and the girl, but really everyone involved. As said, beautiful surroundings and locations and always nice to watch a period based story (eventhough some details may not have been entirely right). And above all, great storytelling. Nicely built up tension, never too sensational and it thankfully steers clear of the expected clichés dealing with a character of such history.

Great, engaging, emotional, old fashioned, must see film 8/10