When 30-something Jesse returns to his alma mater for a professor's retirement party, he falls for Zibby, a college student, and is faced with a powerful attraction that springs up between t... Read allWhen 30-something Jesse returns to his alma mater for a professor's retirement party, he falls for Zibby, a college student, and is faced with a powerful attraction that springs up between them.When 30-something Jesse returns to his alma mater for a professor's retirement party, he falls for Zibby, a college student, and is faced with a powerful attraction that springs up between them.
- Awards
- 7 nominations total
Chelsea Chrostowski
- Smiling Passerby Woman
- (uncredited)
Richard Doone
- Man in Bookstore Line
- (uncredited)
Caroline Lindy
- Hostess
- (uncredited)
Shelby Mason
- Lunch Friend
- (uncredited)
Travis Alan McAfee
- Laundromat Thief
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I am going to start out by saying that I loved this film. I think that Josh Radnor did an excellent job writing, directing and starring in this film. The film conveyed that no matter how old you get, you still have more growing to do. The film also demonstrated the hustle and bustle of city life and the calm, serene climate of the country. It also took me back to my years in college and how intense that part of your life really is and the influence that it has on you. There is always one or two instructors that makes an impression on you in college and for Jesse (Josh Radnor) it was Professor Judith Fairfield (Allison Janney) and Professor Peter Hoberg (Richard Jenkins). Judith was feisty and deliberate and had a no-holds-barred kind of attitude, while Peter was struggling with his decision-making skills. (By the way, my favorite professor was Dr. Spradley who taught me all about technical writing). The relationship that develops between Zibby (Elizabeth Olsen) and Jesse is educational in the fact that they both have something to learn from the other. I think that the lessons that they learned maybe even educated the audience a little (I know that is how I felt). The relationship between Jesse and Dean (John Magaro) was a heart-tugging event. Dean kind of reminded me of Will in Good Will Hunting. There are people in this world that are naturally talented in certain things and that is the one thing that they want to do the least. The only character that seemed to have everything pretty much figured out was Nat (Zac Efron). Out of all the characters in this film, I liked him the most. He was quirky, funny and surprisingly insightful. I remember thinking that as strange as he was; I could see myself hanging out with him. Every time he would appear on screen you just knew that he was going to put a smile on your face. I still have a couple of films to see during this film festival, but I have to say that so far this one is my favorite. I hope that when this film comes out to the general public that it does really well. Josh should be very proud of himself for putting together such an engaging piece of work. Pure entertainment! I am giving this film and A+ and a glaring green light.
A very watchable independent rom-com that delves deeper than the usual Hollywood studio version. A film about maturity and growing up and the beauty of words and music.
I particularly liked the intelligence and wit of the script, the use of Classical music and what it can do to you and the highlighting of the difference in location from bustling grey New York to the beautiful quiet greenery of Ohio.
I did find that the main character, written, directed and portrayed by Josh Radnor was too perfect. He was intelligent, sensitive, funny, moralistic and empathetic all rolled up in this cute little package. However, if he had not written it for himself it may not have annoyed me as much. I also found Olsen as the wise beyond her years 19 year old to be rather annoying at certain points, but take out those slightly annoying characteristics, some predictable elements and a pretty awful sub-plot involving Zac Efron and the screenplays words and meaning are too enjoyable to let those things spoil it for you.
Oh and Allison Janney and Richard Jenkins steal every scene they are in.
"nobody thinks they're adult, it's the worlds darkest secret" or words to that affect...
I particularly liked the intelligence and wit of the script, the use of Classical music and what it can do to you and the highlighting of the difference in location from bustling grey New York to the beautiful quiet greenery of Ohio.
I did find that the main character, written, directed and portrayed by Josh Radnor was too perfect. He was intelligent, sensitive, funny, moralistic and empathetic all rolled up in this cute little package. However, if he had not written it for himself it may not have annoyed me as much. I also found Olsen as the wise beyond her years 19 year old to be rather annoying at certain points, but take out those slightly annoying characteristics, some predictable elements and a pretty awful sub-plot involving Zac Efron and the screenplays words and meaning are too enjoyable to let those things spoil it for you.
Oh and Allison Janney and Richard Jenkins steal every scene they are in.
"nobody thinks they're adult, it's the worlds darkest secret" or words to that affect...
I am not the type of guy who would watch this movie. In fact, I don't even really know why I did. It was just a tough day and I didn't want to watch a movie that was in the triple digit minutes, so I went with this one. Usually I watch action movies, or political dramas. I don't like to read books or romantic movies, even less I like Arts, hence there is nothing that would make me appreciate it, I thought. But I was wrong. This movie is surprisingly great. I caught myself laughing and thinking about life. It was just a beautiful piece of art. A piece of art even I appreciate. On top I never write reviews, but this was just extraordinary.
These days it is very rare to find a well rounded film with a good moral. While Josh Radnor is know for his raunchy sitcom "How I Met Your Mother," he has many hidden talents that the show does not utilize. As a writer, director, and actor he is superb, and he brings a refreshing change of pace to not only the drama industry, but the film industry in general. From the opening sequence to the credits the film is thoroughly entertaining, and intelligent. Elizabeth Olsen was enthusiastic and energetic, just as Zibby should have been portrayed. Zac Efron was surprisingly humorous, and his slightly off-key character adds a certain lightness to such a dramatic film. Every cast member was perfectly cast, the script is humor, entertaining, and charming. The most astonishing aspect of the film was the use of a classical soundtrack, a general push toward fine arts, great classic literature references, and the idea presented that love and music join us all together. No matter what your particular tastes in film in I urge you to take the time and watch 'Liberal Arts,' you will not be sorry.
I see this movie as a look at life through the perspectives of different generations. Aging may bring wisdom, (well, at least to some) but it also brings a whole new array of problems; problems that cannot be understood by those outside of a highly specific age range. There may be some communication between generations. We can learn from both those who have gone before us and those younger than us, but this learning is more at the intellectual than emotional level. Thirty-five-year-old Jesse (Josh Radnor) is introduced to classical music by 19-year-old Zibby (Elizabeth Olsen) but their perspectives on life challenge their chances to unite in a more personal way.
The film, in some ways, is like the Canterbury Tales (which is mentioned in the movie), only instead of traveling to a city while relating different tales, the characters are traveling through life with different perspectives. We have youthful optimism and idealism, age with its cynicism and bitterness, and middle-age with its realism. There are also perspectives from mysticism and despair. This is more of a psychological movie than an action movie. Although I never lost interest in the story, I am well-aware that this is not what most younger moviegoers are looking for and it is they who will be disappointed in this film. So be it. When today's hottest action films are replaced by those which have better special effects, films like Liberal Arts will endure because they will stand on their own merits, outside of time.
I found the acting good and the screenplay excellent. The interaction between the characters was believable. I cannot imagine anyone other than the writer, Josh Radnor, playing the main role. He plays the part of a man trapped by middle-aged angst to perfection. However, this is not simply a dry intellectual drama. There is a good deal of humor, some great lines, but it is humor that is witty more than physical.
As a classical music fan myself, I liked seeing Jesse discover this genre. I also liked the scene where Jesse tries to bridge the generation gap mathematically, but I can't say more about that here. In short, this is an enjoyable movie, but those looking for goofball comedies or bloody fight scenes should go onto something else. Don't worry. This film will still be around for you to discover when you are ready for it.
The film, in some ways, is like the Canterbury Tales (which is mentioned in the movie), only instead of traveling to a city while relating different tales, the characters are traveling through life with different perspectives. We have youthful optimism and idealism, age with its cynicism and bitterness, and middle-age with its realism. There are also perspectives from mysticism and despair. This is more of a psychological movie than an action movie. Although I never lost interest in the story, I am well-aware that this is not what most younger moviegoers are looking for and it is they who will be disappointed in this film. So be it. When today's hottest action films are replaced by those which have better special effects, films like Liberal Arts will endure because they will stand on their own merits, outside of time.
I found the acting good and the screenplay excellent. The interaction between the characters was believable. I cannot imagine anyone other than the writer, Josh Radnor, playing the main role. He plays the part of a man trapped by middle-aged angst to perfection. However, this is not simply a dry intellectual drama. There is a good deal of humor, some great lines, but it is humor that is witty more than physical.
As a classical music fan myself, I liked seeing Jesse discover this genre. I also liked the scene where Jesse tries to bridge the generation gap mathematically, but I can't say more about that here. In short, this is an enjoyable movie, but those looking for goofball comedies or bloody fight scenes should go onto something else. Don't worry. This film will still be around for you to discover when you are ready for it.
Did you know
- TriviaFilmed mostly at Josh Radnor's alma mater Kenyon College, a small liberal arts school located in Gambier, Ohio. Allison Janney was a student there.
- GoofsWhen Dean calls Jesse he identifies himself as the person who reads "Franzen," referring to the book he is always carrying, an author that both he and Jesse enjoy. But, in the hospital scene, the author of the same book is clearly Foster Wallace, that is not mentioned except to say that he killed himself. Franzen is alive and well.
- Quotes
Prof. Peter Hoberg: Any place you don't leave is a prison.
- ConnectionsReferenced in The Tonight Show with Jay Leno: Episode #19.203 (2011)
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $327,345
- Opening weekend US & Canada
- $27,435
- Sep 16, 2012
- Gross worldwide
- $1,150,681
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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