Not Another Happy Ending

Why do so many rom-coms rely on preposterous premises? When they work (rarely, such as in Sliding Doors) the overall feel of the film can overcome its shortcomings. In this case, without it's female lead it would be pretty much unwatchable. I liked the idea of Jane's protagonist, Darcie, dogging her during the writer's block, but this was too underplayed and could have provided a lot more comedy than it did. The male lead character lacks all credibility and Stanley Weber's performance is mind-numbing. Otherwise, the supporting characters are badly drawn and barely justify their screen time. In particular the male support to Weber, supposedly a secondary school teacher is laughable, in all the wrong ways (how did he manage to get hold of a taxi?), while Jane's sleazeball, mistaken love interest (Willie) is stereotyping at it's worst. Karen Gillan carries the film on her own, and it's worth watching just for her performance. In the end the overall feeling is that there was a much better film trying to get out. Continuity and editing weren't much good either, but nice locations. Curiosity point: interesting to see non-sexualized nudity actually justified by the plot.

I've seen this film twice now, first in Edinburgh at the film festival, then in Inverness. I enjoyed it both times.

You have to bear in mind the target audience for this. It's for people who want to watch something light-hearted and fun, and in this it certainly delivers.

It's quirky and fun and the cast give excellent performances. Karen is, as ever, beautiful and very camera friendly. She portrays the character well and her dialogue with the delightful Darsie is nicely done. Her dad is very believable and gritty. Willie is quietly loathsome and you really want him to be kicked to the kerb! Darsie and Roddy are excellent characters and acted very well indeed. The chemistry between Jane and Tom was a bit lacklustre, but it was still 'nice'.

There's enough footage of Glasgow to show it in a nice light without it looking like an ad for visitscotland. It's encouraging to see Glasgow in a movie where it's not all about violence, poverty or drugs. (or zombies, if you count World War Z!)

All in all, it's a nice movie. If you like this genre you should go see it. If you like Karen Gillan, you should DEFINITELY go see it!

I watched Not Another Happy Ending due to my love for Karen Gillan. And the film was a perfectly serviceable, if unremarkable rom-com. There was a nugget of a story for a dark comedy where a publisher encourages an author by making them miserable and there were some cute moments that got a chuckle out of me like Jane (Karen Gillan) throwing a phone in the fridge. Gillan did show her star-power and comic timing in this film.

Everyone has to admit that its originality makes this one of the best movies of all time. It will always be one of my favorites. Silly but fun, it is the story of what happens when a struggling publisher discovers his only successful author is blocked he knows he has to unblock her or he's finished. From an artistic standpoint, there were some plot elements and character developments I didn't think were totally needed. They do however drive the story, which seemed to be their purpose, so I can accept them. God bless this film. The acting is very effective. This is the kind of film that proves that a small story can be much more meaningful than a larger one.

I really can't understand cynics. Whilst this one will never be as revered as the Bill Forsyth classic "Gregory's Girl", it more than deserve's it's own place in Scottish cinema's finer moments. Beautiful cinematography shot in and around Glasgow in a way that's almost unrecognisable, with lead characters who command every scene they're in (The delicious Karen Gillan a real star in waiting) I can't understand why anyone could find anything negative to report on this movie, unless of course they turned up with something sharp stuck firmly between their rear cheeks. Of course when you're working with a small budget, you're restricted to a degree in a way that the Hollywood romcoms of the like they churn out regular, featuring this weeks Aniston or Rudd don't have to put up with. So to produce superior, fresh, well written entertainment (albeit, not too taxing on the brain) with the tools available, I can only commend. Anyone who sees it and says different, really should question why they went in the first place.