Juan of the Dead

In this terror/comedy picture there is action , tongue-in-cheek , irony , creepy atmosphere as well as gore , guts and blood . 50 years after the Cuban Revolution, a new Revolution is about to begin , then a bunch of slackers take on an army of zombies . Juan (Alexis Díaz de Villegas) is a botcher vagrant as well as womanizer attempting to reconnect with his daughter (Andrea Duro) , who schemes to rejoin her mummy in Miami . Meanwhile , Lazaro (Jorge Molina) , Juan's friend , is wishing to connect with his own son . They start to notice that citizens are "going crazy" , attacking locals and eating their flesh , and the recently deceased are going back to life . Juan tries to take of advantage of terror created by Zombies , as starts a business to profit off of killing the zombies . Juan forms a misfit squad , as they confront several Zombies starving of human meat and may soon find their own lives at risk .

Funny and refreshing Cuban/Spanish picture including lots of blood and gore . It's a fun and amusing Zombie movie filled with action , thrills , chills , humor and Zombie attacks . It results to be an outstanding horror/comedy movie , it's realized in fast moving and neither boring , nor tiring , but entertaining . From start to finish the action pace is nonstop , including a lot of fights , attacks and twisted situations . Spectacular frames when takes place a creepy head decapitating scene , it was not filmed in Revolution Square as filming there was impossible, so, the Square was digitally added after the sequence had been shot . There some brief critiques to Cuban government , as the media claim that the zombies are dissidents revolting against the government . It was submitted a certain censorship , as freedom of expression remains under siege in Cuba despite the reopening of diplomatic relations .

Juan De Los Muertos was made with the support of the Instituto Cubano del Arte e Industria Cinematográficas - Icaic, Canal Sur, Televisión Española and the collaboration of Junta de Andalucía, Ibermedia, Cinergia and Universidad De Guadalajara . Thrilling and atmospheric soundtrack by Julio De La Rosa , a notorious composer who has composed successes such as ¨Isla Minima¨ , ¨Primos¨ , ¨Grupo 7¨ , ¨Siete Virgenes¨ and ¨Carne De Neon . ¨Appropriate cinematography by Carlos Gusi -¨Torrente¨ , ¨Box 507¨ , ¨El Niño¨, ¨Take my eyes¨ , ¨Sexykiller¨ , ¨Cell 211¨ - who photographs splendidly the colorful exteriors from La Habana . The motion picture was compellingly directed by Alejandro Bruges and it achieved Goya Award to best Iberoamerican film . Alejandro is a writer and director, known for 2011 Fabula , 2006 Personal Belongings , 2005 Frutas en el café, 2005 Bailando Chachacha , 2004 Tres Veces Dos , 2000 Candela and he has been hired by Hollywood where directed The ABCs of Death 2 and is set to direct the third episode of season two of Robert Rodriguez's From Dusk Till Dawn : The Series .

It is rare that a film combines, satire, parody, thrills, scary zombies, and deadpan humor. Such is the film Juan of the Dead.

Plot is simple. Zombies try to take over Cuba. But the government says they are "dissidents" created by the Americans to undermine Cuba. In a very clever film, the director, Alejandro Bruques, takes us on a fantasy ride of zombie threats and humor with many political points along the way.

Several island residents form a motley crew of a trans gurl, a muscle bound dude, a hot babe and a guy named "California", is just the beginning of zombie mayhem.

They even open a business, "we kill your loved one" to earn a few extra bucks off the zombies...Cuban style.

The budget is not mentioned in the film overview, but I bet they really made a very low budge stretch quite a bit. From the beginning to end credits it is a delight. Every film student should see this movie to see what you can do with imagination and not the fancy cameras profiled in American media.

Their first kill has a harpoon go through a zombie to kill an old lady standing right behind the zombie. Ooops! A wooden oar weapon is so decrepit that we would never use it as an oar.

There is also the famous car/boat that many refuges use to flee Cuba used to escape the onslaught of zombies. In one scene, an attack by numerous zombies is thwarted by a single harpoon and a "rally around the flag pole". Heh, heh.

A slow motion arrow is an tick toward Matrix.

The film introduces a stereo type American and since the crew does not speak English, Juan introduces himself by saying "My name is Juan". Get it. It beginning Spanish class the first thing you learn is "Yo me llamo Juan". Very funny.

They spoof Bruce Lee with a freeze frame at the end. Ending credits are terrific. There are subtitles so get ready and just read them.

The ending credits are really inventive as is the entire film. I have never seen it in a bargain bin, so I will try and make my own copy from a TV showing. I recommend this highly as a very funny, highly inventive, well shot film about the zombie Apocalypse.

I didn't know anything about this film going in to see it, and was very impressed! I'll hold my hand up to being very unfamiliar with Cuban cinema, but horror and zombies especially are my thing. However, in general, me and comedy-horror have had a somewhat checkered past. This film, however, works very well and on a few different levels: Being a ZomCom, the comedy violence works well and isn't overplayed; the characters are parodies of what you'd expect, but again only taken as far as the tone of the film would allow; and as for tone, its where this film really comes into its own and makes it well worth seeing, elevating it above the status of most mid-budget horror. The political overtones are just that, and are meant to be taken as very obvious and tongue-in-cheek, and play well with the general idea that the characters know they are being lied to by the government and just play along, and for the audience it's made quite clear that any political subtext is not meant to override the point of the film as mostly a bit of a laugh. The scatological humour is not frequent but is there and can be taken or left depending on your personal tastes, but some of the jokes are genuinely funny and work well, and the interplay of the two male leads is very similar to Frost/Pegg in it's chummy familiarity and is something that hangs the whole films together nicely. The feel of the movie is very interesting, with a good mix of a Dawn of the Dead (remake) apocalyptic desolation, with Spaghetti Western styling, against a backdrop of 50s styling in both scenery (as you'd expect in Cuba), but also 40s and 50s farce in several places. Alexis Díaz de Villegas plays the everyman hero excellently, and with a style that reminds me of some of the world-weary yet streetwise heroes you might have previously seen in older cinema. Think Charlie Croaker in Italian Job (the original, of course). I wouldn't be surprised to see him crop up again in Western-released films before too long! All in all, it mixes to make a very original-feeling zombie movie and totally worth watching.

It probably helps to have a degree of familiarity with the troubled socio-political landscape of Cuba to fully appreciate certain aspects of zombie comedy Juan of the Dead, but even if, like me, you don't know your Castro from your Che Guevara, this neat little flick still packs enough decent laughs and scares to make it a fun time for fans of the living dead.

Juan of the Dead's strongest suit is its disparate cast of somewhat shady characters who still manage to be an extremely amiable bunch despite their dubious morality and, in some cases, a general lack of compassion for fellow human beings. The film also benefits greatly from lots of frenetic zombie killing (enhanced by impressive practical and CGI special effects), several outstandingly funny moments that thankfully require no knowledge of Cuba's complex history (the funniest being a 'touching' rooftop scene between Juan and and his 'dying' friend Lazaro), some cool visuals (an underwater shot of zombies on the seabed being my favourite) and a hot heroine in the form of Juan's sexy daughter Camila (Andrea Duro).

The plot might not be anything particularly memorable, offering up the usual gruesome encounters between the living and the flesh-eaters, with the survivors' number steadily dwindling as a result, but it is refreshing enough in its execution to definitely warrant a watch.

6.5 out of 10, rounded up to 7 for the awesome harpoon and cable mass zombie slaughter scene.

The movie tries to combine serious matters (of political nature and I'm guessing there are even more stabs at the current political situation hidden in the dialogue if you understand it), with some very silly antics (almost slapstick territory). The lead actor will not be to everyones taste and the obvious comparisons to Shaun (of the dead) might do the movie more harm than good. But this is still a very decent effort/stab at comedy zombie movie.

I liked the performances and quite a few of the bits (and pieces, if you'll excuse the pun) in the movie. One particular "dance" scene was quite nice. Also the very first encounter of Juan and ... the other "group" (as named in the title) is quite funny (at least I thought/felt so). It might be uneven at times, but it's a fun ride that you can enjoy