Juan of the Dead

The Cuban / Spanish production "Juan de los Muertos" is one of those pleasant surprises every day more difficult to find in the entertainment world. For those familiar with the Cuban regime and people, the movie is a very hard critic to both. In fact it seems the movie was only show on cinema festival but was never released in Cuba. For the rest, this is "SHAWN OF THE DEAD" style comedy / satire with some elaborated special effects and surprising production and technical values. Without any explanation Zombies appears in La Habana, Cuba and start eating people. Juan, a lazy fisherman; a "survivor" on his own words finds a way to make money, charging people to kill next of kin that became undead. With the help of his best friend and son, his daughter and a gay couple start a business called "JUAN DE LOS MUERTOS" or "JUAN OF THE DEAD". Obviously things get more complicated than them or the Cuban government expect. The language could be a limitation for not Spanish speakers; some puns are almost impossible to translate; even worse not knowing Cuban idiosyncrasy. In one of the most celebrated jokes, Juan is asked to kill a cow but he refuses because it is too dangerous. In Cuba killing a cow is worse crime than killing people. The other problem with the movie is that attempting to mock every dramatic cliché in movies (like daughter hating father, friend about to die, farewell , even MATRIX style fights) drags the pace down for some moments. Behind the comedy there is serious critic to the Cuban regime (the zombies are call "DISSIDENTS" , the news are always accusing USA of an attack and stating that everything is controlled even when nothing is being done). However the worst criticism goes to the Cuban society main defects; their selfishness (nobody helps anybody and less for free), their arrogance ("we are invincible" is stated many times), laziness and lack of interest in fighting (let's take a boat and move to Miami seems to be the only solution). In brief; if you are Cuban or with Latin roots; you must see it; if you are not, give it a try; will not be disappointed.

Burdened only by a cheesy name, Juan of the Dead is zombiepocalpyse gold. When zombies infest Cuba, Juan, Lazaro, and company see a business opportunity. To give you an idea, Juan answers the phone, "Juan of the dead, we kill your loved ones." For squeamish people like me, rest assured that the zombie violence is comically creative instead of gruesome. Two words: flatbed truck. If for no other reason, see the movie for that HILARIOUS scene. The legitimately funny, light social commentary of Cuban lifestyle is unexpected and makes this movie special. Zombie-run public transportation is "no different than usual," and there are constant cracks about rafting to Miami, but "only as a last resort." The lead actor Alexis Diaz de Villegas oozes charisma and charmed me in the first five minutes. If you're a fan of how Dawn of the Dead mixes zombies and politics, definitely check out this movie.

It is rare that a film combines, satire, parody, thrills, scary zombies, and deadpan humor. Such is the film Juan of the Dead.

Plot is simple. Zombies try to take over Cuba. But the government says they are "dissidents" created by the Americans to undermine Cuba. In a very clever film, the director, Alejandro Bruques, takes us on a fantasy ride of zombie threats and humor with many political points along the way.

Several island residents form a motley crew of a trans gurl, a muscle bound dude, a hot babe and a guy named "California", is just the beginning of zombie mayhem.

They even open a business, "we kill your loved one" to earn a few extra bucks off the zombies...Cuban style.

The budget is not mentioned in the film overview, but I bet they really made a very low budge stretch quite a bit. From the beginning to end credits it is a delight. Every film student should see this movie to see what you can do with imagination and not the fancy cameras profiled in American media.

Their first kill has a harpoon go through a zombie to kill an old lady standing right behind the zombie. Ooops! A wooden oar weapon is so decrepit that we would never use it as an oar.

There is also the famous car/boat that many refuges use to flee Cuba used to escape the onslaught of zombies. In one scene, an attack by numerous zombies is thwarted by a single harpoon and a "rally around the flag pole". Heh, heh.

A slow motion arrow is an tick toward Matrix.

The film introduces a stereo type American and since the crew does not speak English, Juan introduces himself by saying "My name is Juan". Get it. It beginning Spanish class the first thing you learn is "Yo me llamo Juan". Very funny.

They spoof Bruce Lee with a freeze frame at the end. Ending credits are terrific. There are subtitles so get ready and just read them.

The ending credits are really inventive as is the entire film. I have never seen it in a bargain bin, so I will try and make my own copy from a TV showing. I recommend this highly as a very funny, highly inventive, well shot film about the zombie Apocalypse.

It probably helps to have a degree of familiarity with the troubled socio-political landscape of Cuba to fully appreciate certain aspects of zombie comedy Juan of the Dead, but even if, like me, you don't know your Castro from your Che Guevara, this neat little flick still packs enough decent laughs and scares to make it a fun time for fans of the living dead.

Juan of the Dead's strongest suit is its disparate cast of somewhat shady characters who still manage to be an extremely amiable bunch despite their dubious morality and, in some cases, a general lack of compassion for fellow human beings. The film also benefits greatly from lots of frenetic zombie killing (enhanced by impressive practical and CGI special effects), several outstandingly funny moments that thankfully require no knowledge of Cuba's complex history (the funniest being a 'touching' rooftop scene between Juan and and his 'dying' friend Lazaro), some cool visuals (an underwater shot of zombies on the seabed being my favourite) and a hot heroine in the form of Juan's sexy daughter Camila (Andrea Duro).

The plot might not be anything particularly memorable, offering up the usual gruesome encounters between the living and the flesh-eaters, with the survivors' number steadily dwindling as a result, but it is refreshing enough in its execution to definitely warrant a watch.

6.5 out of 10, rounded up to 7 for the awesome harpoon and cable mass zombie slaughter scene.

I didn't know anything about this film going in to see it, and was very impressed! I'll hold my hand up to being very unfamiliar with Cuban cinema, but horror and zombies especially are my thing. However, in general, me and comedy-horror have had a somewhat checkered past. This film, however, works very well and on a few different levels: Being a ZomCom, the comedy violence works well and isn't overplayed; the characters are parodies of what you'd expect, but again only taken as far as the tone of the film would allow; and as for tone, its where this film really comes into its own and makes it well worth seeing, elevating it above the status of most mid-budget horror. The political overtones are just that, and are meant to be taken as very obvious and tongue-in-cheek, and play well with the general idea that the characters know they are being lied to by the government and just play along, and for the audience it's made quite clear that any political subtext is not meant to override the point of the film as mostly a bit of a laugh. The scatological humour is not frequent but is there and can be taken or left depending on your personal tastes, but some of the jokes are genuinely funny and work well, and the interplay of the two male leads is very similar to Frost/Pegg in it's chummy familiarity and is something that hangs the whole films together nicely. The feel of the movie is very interesting, with a good mix of a Dawn of the Dead (remake) apocalyptic desolation, with Spaghetti Western styling, against a backdrop of 50s styling in both scenery (as you'd expect in Cuba), but also 40s and 50s farce in several places. Alexis Díaz de Villegas plays the everyman hero excellently, and with a style that reminds me of some of the world-weary yet streetwise heroes you might have previously seen in older cinema. Think Charlie Croaker in Italian Job (the original, of course). I wouldn't be surprised to see him crop up again in Western-released films before too long! All in all, it mixes to make a very original-feeling zombie movie and totally worth watching.