Everly

As if I needed to convince you to see something that the legendary Salma Hayek is in. This woman is so hot, it's fire on the big screen.

The sexy MILF plays a whore who double crossed her pimp who's a Yakuza and sends everything he has after her in order to prevent her from seeing her daughter one last time and making sure she's safe.If you're a fan of Salma Hayek , you'll check it out.

For the two of you who do not like Salma Hayek (can't be more than that) The movie is satire on b-movie camp. It's very action packed and humorous, just filled with total amusement. A lot is happening in such a small space and the pace of the thrills continues throughout the whole movie.

I have to say, my only issue is, the type of genre this movie falls under forces me to think of such directors as Robert Rodriguez and his best mate Quentin Tarantino who's style would have brought something far better to the film. Sorry Joe Lynch, your directing style was OK, but I feel Salma should have made that call to her Desperado director buddy. It's the type of thing they do and your doing it on lesser terms.

Overall, the movie is a surprising action packed thrill ride that's fun to watched increased by the fabulous eye candy of Salma Hayek. worth wild movie going experience.

This is extremely gory and mindless. Not nearly as glorious as Kill Bill (of which one can't help but think).

This is just an excuse for lots of blood and shooting and cuts etc.

Can't figure out why the heroin doesn't just kill them all straight out (as she seems so good at it) instead of just waiting for the next team of useless violent jerks to turn up. Scenario-wise this is really poor. Do not expect any real twist, any intelligent decision, any verisimilitude.

For those of you who like stylised violence for the sake of it, you might spend the time, others just go straight to Kill Bill and don't waste any time on this unless you are really a Salma Hayek fan of course...

I've read all the reviews and I am not surprised by all the negativity. No frontal nudity, no talent blah blah blah. I watched this film because I wanted to look at Salma Hayek for 90 minutes. I wasn't expecting anything. Yes it was poorly written and some of the acting was cringe worthy but most of that came out funny, not unentertaining. I truly laughed out loud but not in a bad way. If not for the subject matter they could've called this a comedy and I would've been satisfied. The story line was one we could all be sympathetic to. If your a person who just wants to relax and see a movie then see this. I'll continue to be a Salma Hayek fan and I look forward to the time she is offered more meaningful roles. That time will come.

This is officially the most sadistic Christmas movie I've ever seen. ...So far. I mean, I haven't seen Black Christmas yet. So maybe that'll change once I see those movies.

My dad likes to ask me sometimes regarding action movies: "Is there a purpose to all this?" There IS no purpose. The whole movie is one big, fat excuse to slam a bunch of crazy action scenes at you. As an exercise in brutal violence, it succeeds. It's got style, and it's even got some genuinely funny moments of black humour to go along with it. The movie's premise is absolutely ridiculous and stupid, and laughably insane, but it plows through it with an almost completely straight face. In that respect, the movie is a deadpan masterpiece.

Anyway. Salma Hayek's acting, along with Joe Lynch's neat direction, are both too good for this type of movie. This is a modern-day exploitation film at its most blatant. This is Die Hard with Salma Hayek and the Yakuza. It's limited to one floor of an apartment building as a setting, and it's set during Christmas, and the main character is trapped in one room. Only unlike Die Hard, this movie has some truly cruel material to make you squirm in it. I mean wow.

Despite its flaws (and it has a lot of them) it was an entertaining movie. It's shallow, it's not all too smart, and for people with weak stomachs, it's pretty much unwatchable. Its low-budgetness isn't all that obvious unless you REALLY look for it, and most of its effects are refreshingly practical. It's nice to see blood squibs in action movies this day and age, instead of the regular old CGI clouds we're stuck with eighty (or ninety?) percent of the time. Salma Hayek hasn't been this good since Desperado, and that was freaking 1995.

I recommend any action fans to seek it out--unless, of course, you like some brains to go with your bullets, and/or you're not too keen on seeing the effects of swallowing battery acid. The rest of you should have a good time. Good times all around.

Since the start of the century or so, there seemingly exists an additional new sub-genre within the world of action/thriller cinema, which is best described as "Shoot 'em Up" films. "Shoot 'em Up", starring Clive Owen, itself is obviously a good example, but there's also "Crank", "Hardcore Henry", "Free Fire", "Taken" and this "Everly". You guessed it; - these are films with very thin plots and without any proper character development, but they primarily focus on non-stop violent action, excessively over-the-top gunfire action and a practically immeasurable body count. They are entertaining if you're in a completely undemanding mood, I reckon, but they are quite unmemorable as well. Moreover, despite all the action and bloodshed, these films are actually sort of boring, because they constantly repeat the same old "bang-bang-you-are-dead" routine.

The sole difference between "Everly" and the aforementioned titles is that the indestructible killing machine here is a woman; - and one of the sexiest specimens on the planet, I may add. In fact, one might even shallowly state that any film starring Salma Hayek in a tight and bloodied tank top is worth checking out, regardless of the quality. Hayek, pushing 50 but still looking as fit as a 28-year-old, depicts the private luxury prostitute of an Asian crime lord, locked up in a fancy apartment. One day, however, Everly decides she doesn't want to be Taiko's prisoner anymore. The film opens with a heavily injured Everly and a room full of dead Asian gangsters already. I feared the script would be another structural mess with flashbacks but, to my surprise, the plot simply continues from there onwards and Everly only takes on new and other opponents. She tries to reach her mother and estranged 4-year-old daughter, and she receives help from a slowly dying but remorseful Asian she refers to as "Dead Man". Apart from a few notable highlights, including the battle of the prostitutes and the sickening games of the aptly named The Sadist, "Everly" is mundane and passable. The violence is really graphic, but never shocking or even remotely upsetting because writer/director Joe Lynch ("Wrong Turn 2") couldn't decide if he wanted a serious or a light-headed film.