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5.7/10
7.2K
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Sarah begins to confront her shortcomings after she rejects her boyfriend's hasty proposal and soon finds herself in a rebound romance. Meanwhile, her sister Beth is immersed in the details ... Read allSarah begins to confront her shortcomings after she rejects her boyfriend's hasty proposal and soon finds herself in a rebound romance. Meanwhile, her sister Beth is immersed in the details of her wedding.Sarah begins to confront her shortcomings after she rejects her boyfriend's hasty proposal and soon finds herself in a rebound romance. Meanwhile, her sister Beth is immersed in the details of her wedding.
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Save the Date is a very enjoyable romantic comedy with a great cast and a fine script. No, it doesn't have any explosions or aliens from Mars – but neither does my life, so I could really identify with the characters in this little film. Lizzy Caplan is the shining light here, as the non- committal heroine, Sarah. She's joined by a number of actors with familiar faces, if not well- known names, ranging from Mark Webber as the new guy in her life, to her former "Freaks and Geeks" cast member, Martin Starr, who has graduated from playing Bill Haverchuck, perhaps the nerdiest character ever to hit television, to credible roles like this one, as Andrew, a rock drummer and future brother-in-law to Sarah. There's also some fine work by Geoffrey Arend, as Kevin, Sarah's fiancée at the story's start. The laughs are genuine and the characters are likable. As in the case of most rom-coms, you will not have to bust out your thinking cap to follow it or guess where it may lead, but then what's wrong with that? It's good clean fun all around.
You don't really have to Save the Date as it isn't really worth watching. Lizzy Caplan (Cloverfield, Bachelorette) stars as indecisive Sarah, who runs from her long-term relationship with a musician (Geoffrey Arend - 500 Days of Summer, Devil) when he decides to propose to her during the encore of one of his concerts. Sarah's sister Beth (Alison Brie - "Community", "Mad Men") is getting married and while she loves her sister they don't always get along (and Sarah NEVER takes her advice). We get an hour and a half of this as Sarah starts a new relationship with Jonathan (Mark Webber - For a Good Time Call, Scott Pilgrim vs the World) but then begins to question that too when he turns out to be "too good".
This is another tale of a thirtysomething struggling to figure things out ... and this could become a brand new sub-genre of drama. Save the Date doesn't really give an audience anything new to enjoy or appreciate cinematically ... we are just getting another version of this oft-told experience/story. As this one never rises above what we have already seen, it isn't anything to recommend (unless you really like Caplan of course ... whom I wish would get the perfect role someday -- and this isn't it!).
Thanks for asking us to Save the Date, but I will regrettably decline as there is surely something more interesting to watch.
This is another tale of a thirtysomething struggling to figure things out ... and this could become a brand new sub-genre of drama. Save the Date doesn't really give an audience anything new to enjoy or appreciate cinematically ... we are just getting another version of this oft-told experience/story. As this one never rises above what we have already seen, it isn't anything to recommend (unless you really like Caplan of course ... whom I wish would get the perfect role someday -- and this isn't it!).
Thanks for asking us to Save the Date, but I will regrettably decline as there is surely something more interesting to watch.
This look in on those Young Adult Singles with prolonged Teen attitudes with a free Spirit seems, Today, dated and worn out. These Angst Driven Counter Culture Movies and Comics were all the rage, back then. Ghost World (2001), was one of the best. But this is no Ghost World. It is a prefabricated and phony "insight" into the narcissistic World of self involved dullard's who pretend they have something to say, through Art.
The Truth is, these People and their Art are neither profound or engaging. The Band screams...Ba-Ba-Ba-Ba-Ba-Ba-Baaaaby(that's all the lyrics). That might have been Cool when the Virbrators did it in the late 70's. She of lead Character Status, is an "Artist". Her Drawings make most Underground Comics look simply sublime.
In fact, all the Characters in this shallow swill are unlikeable and for that matter barely seem real. They are not even interesting Caricatures. Things move along with the Romance part of this Rom-Com that isn't much more than at best voyeuristic-ally cringe worthy or just plain unattractive. The Com part of this Rom-Com comes, and don't hold your breath, through uncomfortable situations and ridiculous telegraphed set-ups (packing dirty dishes because Her new place has a dishwasher). How rebellious.
That's about as anti-establishment as this thing gets as it also takes swipes at conventional things like traditional relationships and Weddings, but it all seems so fake and forced that this turns into a by the numbers exercise purposely, predictably, and painfully going outside the lines.
The Truth is, these People and their Art are neither profound or engaging. The Band screams...Ba-Ba-Ba-Ba-Ba-Ba-Baaaaby(that's all the lyrics). That might have been Cool when the Virbrators did it in the late 70's. She of lead Character Status, is an "Artist". Her Drawings make most Underground Comics look simply sublime.
In fact, all the Characters in this shallow swill are unlikeable and for that matter barely seem real. They are not even interesting Caricatures. Things move along with the Romance part of this Rom-Com that isn't much more than at best voyeuristic-ally cringe worthy or just plain unattractive. The Com part of this Rom-Com comes, and don't hold your breath, through uncomfortable situations and ridiculous telegraphed set-ups (packing dirty dishes because Her new place has a dishwasher). How rebellious.
That's about as anti-establishment as this thing gets as it also takes swipes at conventional things like traditional relationships and Weddings, but it all seems so fake and forced that this turns into a by the numbers exercise purposely, predictably, and painfully going outside the lines.
SAVE THE DATE just doesn't quite work. I didn't actively dislike the movie, but when it was all over, it just sort of sat there without leaving any kind of impression to speak of.
The main character is played by Lizzy Caplan, and right there you know you'll have something interesting. While not the greatest actress of all time by a mile, she brings a certain energy and commitment to her performances that makes even a throwaway character (like the one in CLOVERFIELD) somehow the most interesting person in the film. She's a bookstore manager who is also seemingly on the cusp of breaking out as a visual artist (her first show is coming up). She dating the lead singer of a popular regional rock band, and they're moving in together. In the background, her sister (Alison Brie) is engaged to the guitarist in the same band (Martin Starr, giving a performance quite a long way off from his work in stuff like SILICON VALLEY...I mean that in a good way, he's showing some range here.) But Caplan doubts this is the relationship for her, and things unravel early on (and somewhat spectacularly too).
Caplan and her boyfriend are left somewhat adrift. The boyfriend pines, hopes for a reunion even though he's seething with anger, etc. Caplan professes to be happy, but it's clear she isn't. And her sister is oddly resentful of Caplan choosing this time to distract from her own upcoming nuptials. The relationship of the two is very much strained. They know each other better than anyone else knows them...and they love each other but don't always like what they see in the other.
Anyway, this makes it sound like SAVE THE DATE is a pretty heavy drama. It's not. But it's also not light-footed or light-hearted enough to be a full on "rom com." It falls in between and this is the most unfortunate thing. It's not funny enough to be a memorable comedy. It doesn't dig deep enough to be a really meaningful drama. And Caplan's character is difficult to like. She hems and haws and never REALLY seems to understand that her actions have consequences on the happiness or lack thereof of the people closest to her. Brie comes off as a bit shrewish and one-dimensional, and is thus also a little difficult to like.
Yes, real life is a bit messy and sloppy. We aren't always likeable and we often aren't our best selves. But for a movie, we should at least CARE about how things turn out for many of the characters. We're asked to invest in these folks for a couple of hours, and the best films make it easy. This film makes it hard. I rooted (to some extent) for Caplan, but mostly because of how much I liked her in, oh, MASTERS OF SEX or PARTY DOWN or even TRUE BLOOD or CASTLE ROCK. It's possible that Caplan fell short as an actor in this film, but I think the writing and direction were the true issues. The directing was uninspired, at best. It didn't even do a good job really establishing a sense of place (at the end, my wife asked me, "where did that movie take place?" and I had to really think about it.) The writing was ambitious, I would say, but is having a couple "meet cute" in a bookstore really something we can accept anymore? That felt so terribly lazy.
So, while I didn't feel I had truly wasted my time watching this, and while I was reasonably diverted...you can certainly find many better rom-coms or rom-dramas out there that will serve you even better.
The main character is played by Lizzy Caplan, and right there you know you'll have something interesting. While not the greatest actress of all time by a mile, she brings a certain energy and commitment to her performances that makes even a throwaway character (like the one in CLOVERFIELD) somehow the most interesting person in the film. She's a bookstore manager who is also seemingly on the cusp of breaking out as a visual artist (her first show is coming up). She dating the lead singer of a popular regional rock band, and they're moving in together. In the background, her sister (Alison Brie) is engaged to the guitarist in the same band (Martin Starr, giving a performance quite a long way off from his work in stuff like SILICON VALLEY...I mean that in a good way, he's showing some range here.) But Caplan doubts this is the relationship for her, and things unravel early on (and somewhat spectacularly too).
Caplan and her boyfriend are left somewhat adrift. The boyfriend pines, hopes for a reunion even though he's seething with anger, etc. Caplan professes to be happy, but it's clear she isn't. And her sister is oddly resentful of Caplan choosing this time to distract from her own upcoming nuptials. The relationship of the two is very much strained. They know each other better than anyone else knows them...and they love each other but don't always like what they see in the other.
Anyway, this makes it sound like SAVE THE DATE is a pretty heavy drama. It's not. But it's also not light-footed or light-hearted enough to be a full on "rom com." It falls in between and this is the most unfortunate thing. It's not funny enough to be a memorable comedy. It doesn't dig deep enough to be a really meaningful drama. And Caplan's character is difficult to like. She hems and haws and never REALLY seems to understand that her actions have consequences on the happiness or lack thereof of the people closest to her. Brie comes off as a bit shrewish and one-dimensional, and is thus also a little difficult to like.
Yes, real life is a bit messy and sloppy. We aren't always likeable and we often aren't our best selves. But for a movie, we should at least CARE about how things turn out for many of the characters. We're asked to invest in these folks for a couple of hours, and the best films make it easy. This film makes it hard. I rooted (to some extent) for Caplan, but mostly because of how much I liked her in, oh, MASTERS OF SEX or PARTY DOWN or even TRUE BLOOD or CASTLE ROCK. It's possible that Caplan fell short as an actor in this film, but I think the writing and direction were the true issues. The directing was uninspired, at best. It didn't even do a good job really establishing a sense of place (at the end, my wife asked me, "where did that movie take place?" and I had to really think about it.) The writing was ambitious, I would say, but is having a couple "meet cute" in a bookstore really something we can accept anymore? That felt so terribly lazy.
So, while I didn't feel I had truly wasted my time watching this, and while I was reasonably diverted...you can certainly find many better rom-coms or rom-dramas out there that will serve you even better.
Though I can't deny that the film's storyline is overly clichéd and hence predictable as the story goes, I still stand by the reassuring assumption that Save the Date is one of the year's most watchable independent romantic comedies. While the film tries too hard to be fresh – and ultimately fails – it promises a perfectly laughable and heartfelt experience, making a good use of the catchy soundtrack and its cast of many promising indie-regulars. After a short conversation with Michael Mahan (during the American Film Festival in Wroclaw), the director of this picture, I rest assured that Save the Date aspires to be mostly an enjoyable and entertaining comedy and that's its unquestionable strength.
Saying that the story exemplifies a real-life one would be perhaps an overstatement, but admitting that the viewers can identify with the characters and the issues that they need to cope with would definitely be all right.
There is romance, sex, marriage, and pregnancy; there are break ups, fights, rock concerts, dances, and parties. Ironically so, the film doesn't seem dull even though it is a mash-up of all those things.
What's more, as corny as it may sound, Save the Date illustrates everything that the word 'indie' brings to mind these days: indie music, indie actors, indie dialogues (words like 'like', 'awesome', 'cool', 'dude' – you know what I mean), indie vibe even.
Save the Date is definitely not a movie for everyone. It's more of an evening-on-the-couch type of thing than a real deal, but still I would recommend it to everyone who is in need of a light-hearted kind of entertainment. Also, admirers of Lizzie Caplan will observe how she – once again – shows her true potential, gradually turning into a rom-com favorite.
Saying that the story exemplifies a real-life one would be perhaps an overstatement, but admitting that the viewers can identify with the characters and the issues that they need to cope with would definitely be all right.
There is romance, sex, marriage, and pregnancy; there are break ups, fights, rock concerts, dances, and parties. Ironically so, the film doesn't seem dull even though it is a mash-up of all those things.
What's more, as corny as it may sound, Save the Date illustrates everything that the word 'indie' brings to mind these days: indie music, indie actors, indie dialogues (words like 'like', 'awesome', 'cool', 'dude' – you know what I mean), indie vibe even.
Save the Date is definitely not a movie for everyone. It's more of an evening-on-the-couch type of thing than a real deal, but still I would recommend it to everyone who is in need of a light-hearted kind of entertainment. Also, admirers of Lizzie Caplan will observe how she – once again – shows her true potential, gradually turning into a rom-com favorite.
Did you know
- TriviaMartin Starr and Lizzy Caplan were both in Freaks and Geeks tv show.
- SoundtracksHeavy Metal Drummer
Written by Jeff Tweedy
Performed by Wilco
Courtesy of Nonesuch Records
By Arrangement with Warner Music Group Film & TV Licensing
- How long is Save the Date?Powered by Alexa
Details
Box office
- Gross US & Canada
- $5,719
- Opening weekend US & Canada
- $3,755
- Dec 16, 2012
- Gross worldwide
- $5,719
- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 1.85 : 1
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