City of Tiny Lights

Riz Ahmed is the standout in this grimy yet stylish neo noir that is let down by some dodgy camerawork and an uninteresting story.

A contemporary hard boiled private detective neo noir thriller set in London.

The voiceover is provided by Tommy Akhtar (Riz Ahmed) looking after his cricket mad dad (Roshan Seth.) He is a hard drinking, chain smoking rather dinghy private eye in London.

A prostitute called Melody (Cush Jumbo) hires him to find fellow prostitute Natasha who has gone missing after going off with a new client. Tommy finds the client dead in a hotel room.

As Tommy delves deeper he comes across an old friend, who is now a wealthy property developer, trying to take the drug riddled estates, upmarket. The dead client was an associate of this developer. Tommy soon finds the security services sniffing around him. The dead man was also hanging around an imam who might be radicalising the youth, he certainly has a little gang who is chasing away drug dealers.

As the film goes on, Tommy recalls his past, 20 years ago when he fancied his best mate's girl Shelley (Billie Piper.) We gather his mate died but he sees Shelley again who is now a single mother and both rekindle their affections for each other.

There is nothing too original about City of Tiny Lights, we can sort of guess who will turn out to be the culprit. It all feels a little bleak and jagged. The movie needed more humour and should had been more offbeat. Albert Finney got it right in Stephen Frears 'Gumshoe' back in 1971.

Persevered with it till the end but it was a very thin plot and not very exciting.

Can't really blame the quite good cast and I agree with some other reviewers that sound quality was very poor.

Laughbly absure nonsense. Not long into this movie it was apparent the script was badly floundering. The acting is truly horrendous, and at any time someone was prone to just burst out into some PC speech totally out of context with what was previously happening. The personalities of the cast were wooden, and all attempts to boost the image of the lead as a private investigator fell flat. Completely unbleievable in the role, but he's a promising talent for sure. If you've never gotten tired of seeing someone smoke in a movie, you will after this. It's completely unnecessary. He smokes. We get it. We don't need to see it every frame of every scene. The cigarette should be mentioned in the credits, as it's the most consistent thing about this movie. The settings and scenes are appropriately dark and mysterious and add a sense of forboding menace, but it's not enough raise this sad effort beyond the level of cliche nothingness.

There appears to be something wrong with the sound mixing, perhaps a post production goof but this film is very hard to follow as the dialogue is lost in the background noise.

I might add that I am both British and used to London and regional brit accents, yet I still struggled, In the interests of full disclosure, I never made it to the end of the film due to said issues, so my low score reflects my dissatisfaction with the audio quality.

Learn to lip-read, or avoid