The Challenger

absolutely nothing original about this movie. its a knock off of rocky, or like a bunch of other boxing movies, but very poorly made. The build up is rushed, the boxing training is short, he goes from boxing in a local club to fighting for a title after 7 fights, lol, its almost embarrassing to watch. anyone who has watched real boxing, will find this ridiculous. The main character, the boxer, is sort of lame, he show no real hunger to either train or fight. it feels weird. the main fight of the movie, is poorly made, you don't see, not even half a round; you only get some silly glimpse of the rounds

And both take damage way beyond what they would ever be able to handle in reality, which makes it look even more ridiculous.

I urge you not to waste your time or money.

I decided to watch the Challenger right after seeing a great documentary about boxing. I was inspired by the struggle and the inner strength of men who only had their fists to get them out of poverty.

On the other hand, the challenger... is the most uninspirational movie you can ever watch about the beautiful science. It's lame, predictable, and absolute rubbish. The hero looks like a midget but fights for the heavyweight title held by a guy who looks more like a toothpaste ad. Everything starts when the "hero" decides one day to start boxing, having shown no interest before. He trains for what looks like 3 weeks and starts knocking out everyone. Somehow, he gets a title shot out of nowhere....and before you know it, I am asleep and do not care about how it ends. I can guess it. From miles away.

In fact miles away is how far you should stay from this movie. It stinks!

Why would you cast the champion to look like a bigger version of the skinny young boxer? They looked so much alike I didn't know who was who unless they were together and you saw the 2 foot difference in height

When Stallone did Rocky I, you would think from the hype at the time that he invented the boxing film.

No he did not. He re-invented it. Boxing films have been around forever and the first rule of a good boxing film is to connect with the audience by allowing them to "grow" with the protagonist, to improve from fight to fight.

And that was the first rule the producers broke.

Given the minimal amount of screen time alloted to the "early" fights for the protagonist/hero (in some cases just 2 seconds per fight) you may have thought that these were real cable fights where the producers did not have the rights to rebroadcast. But no this is a fiction film and they could have made those fights real. They did not.

Frankly, once you break that key rule, once you have no connection between star and viewer, there is no turning back.

But, almost out of perversity, the producers broke another rule and that amazes me. They cast two actors who look alike for both roles in the ring, hero and villain.

So, and I cannot emphasize the bizarreness of this enough, not only does the audience have no connection with the hero in the final fight, but sometimes you can't tell which actor is playing which role.

And the final rule? Good choreography in the fights. The audience should feel every punch. Here the audience only feels cheated.

A rarity. A boxing film that, like a bad boxer, starts out weak. And then just gets weaker.

Of course, the fact that the film is a "vanity" film -- the same guy is the writer director and star -- may be a factor. But what do I know -- I am just a reviewer.

Terrible film.

With the reluctant acquiescence of his adoptive mother -- S. Epatha Merkerson -- and the compassionate tutelage of his trainer -- Michael Clarke Duncan -- writer-director Kent Moran rises from obscure Bronx mechanic to a title fight.

It's an old and accepted story, probably going back to when Pierce Egan when he was writing his first book on the sweet science in 1813. So why do another? Well, there's always a market for a boxing movie, and here we have a few new things to say: a reality show based on Moran to push him up the rankings; the relationships, some of which are a bit corny; the final fight, which is brutal; and the editing by Anthony Muzzati and director Kent Moran, which is excellent. The acting is pretty good. And if the visuals clearly are, ahem, inspired by Rocky, well, they worked before and they work here.