An anthology series centering on famous feuds, including Bette Davis and Joan Crawford, and Truman Capote and the New York elite.An anthology series centering on famous feuds, including Bette Davis and Joan Crawford, and Truman Capote and the New York elite.An anthology series centering on famous feuds, including Bette Davis and Joan Crawford, and Truman Capote and the New York elite.
- Won 3 Primetime Emmys
- 12 wins & 130 nominations total
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The whole series so far is a rewarding surprise. No camp caricature here but a serious, incisive portrayal of two iconic characters. Jessica Lange and Susan Sarandon create her characters based on Joan Crawford and Bette Davis with such virtuosity that every new episode allow us to go deeper without ever turning into parody. Their reality is parody enough. But what touches me is that Lange and Sarandon, taking our preconceptions into account, inspire us to look at this two women as human beings. My admiration also to Alfred Molina - Robert Aldrich? Wow! Absolute perfection. On the latest episode "And The Winner Is..." Two extraordinary moments: Geraldine Page (A superb Sarah Paulson) taking Crawford's call and surrendering to her request because "She needs it" or Anne Bancroft (a wonderful Serinda Swan) receiving Crawford in her dressing room. Bancroft and Page understand Crawford's agony even from a distance. Compassion at last. I'm enjoying Feud with all my senses. Thank you Ryan Murphy and everyone involved.
It's amazing that someone so self-destructive and backstabbing has had so many movies and shows based on their fairly unremarkable life, but then that seems to be what warrants longevity. I'm not sure if Ryan Murphy is a Capote fan or is taking the daring step to show a dark underside of the gay community, because it's certainly not all rainbows. I'm a gay man and have never clicked with the community, for nearly 40 years since I came out at age 16. The prominent hypocrisy is the demand for equality, yet many have proven to be the most judgmental of anything that doesn't fall into the stereotype. You must support any publicly gay entertainer or politician without question, listen to certain music and act certain ways. Theater and Musicals are a requirement if you want to hold onto your membership card. The worst is pitying the extremely few of us out there who choose monogamy. If your self-worth is determined by how many partners you have, I find that tragic. I was always my own person and have been persecuted by the community for 'not fitting in'. I'm fine with who I am, are you?
Negative stereotypes exist for a reason, they're not just fabricated. Capote fits so many of these stereotypes that I can attest are in fact true, back in the 80's and today. Whether it's the fun side with snarky humor that can easily cross the line, or the self-loathing/self-destructive nature that results in destroyed relationships and any variety of chemical dependencies. There's a big lack of self-awareness. Not to mention the overt sexuality that seems to work for Capote, such as making advances to his 'straight' plumber who then becomes one of his part-time tricks. He's a tortured soul who goes out of his way to sabotage anything of benefit to him, and apparently has zero control over it. I can only assume publishing private details of his closest friends were an attempt at the ultimate self-sabotage, and it worked. It's hard to feel sympathetic towards someone who was given such a wealth of positives and achievements only to systematically ruin each one. On one hand, it's clear he is a very unhappy person who seeks the occasional distraction with friends and flirtations, but to go on TV incoherent and doing things that are in nobody's best interest seem to be the real person inside.
This season is meticulously produced with obvious attention to detail. While I've seen remarks about the acting being over the top, I expect that was the goal. They're presenting rich people with an obvious superiority complex because, once again, stereotypes often exist for a reason. The story would meander from time to time but it wouldn't be long until Capote was drunk again or there was another social lunch with lots and lots of smoking. I'm basing my rating on the overall storytelling and production, not necessarily the story itself.
Negative stereotypes exist for a reason, they're not just fabricated. Capote fits so many of these stereotypes that I can attest are in fact true, back in the 80's and today. Whether it's the fun side with snarky humor that can easily cross the line, or the self-loathing/self-destructive nature that results in destroyed relationships and any variety of chemical dependencies. There's a big lack of self-awareness. Not to mention the overt sexuality that seems to work for Capote, such as making advances to his 'straight' plumber who then becomes one of his part-time tricks. He's a tortured soul who goes out of his way to sabotage anything of benefit to him, and apparently has zero control over it. I can only assume publishing private details of his closest friends were an attempt at the ultimate self-sabotage, and it worked. It's hard to feel sympathetic towards someone who was given such a wealth of positives and achievements only to systematically ruin each one. On one hand, it's clear he is a very unhappy person who seeks the occasional distraction with friends and flirtations, but to go on TV incoherent and doing things that are in nobody's best interest seem to be the real person inside.
This season is meticulously produced with obvious attention to detail. While I've seen remarks about the acting being over the top, I expect that was the goal. They're presenting rich people with an obvious superiority complex because, once again, stereotypes often exist for a reason. The story would meander from time to time but it wouldn't be long until Capote was drunk again or there was another social lunch with lots and lots of smoking. I'm basing my rating on the overall storytelling and production, not necessarily the story itself.
Now already on episode 3 I can say without a doubt. "Feud" is totally addictive. The writing, the direction, costumes and production design, it all works beautifully, satisfying those who knew nothing about the story and those of us who knew a great deal. The biggest surprise, however is the Jessica Lange and Susan Sarandon's performances that puts everything into a level way above, camp and/or caricature. Their performances are serious, profound, all consuming. Two modern stars throw themselves into the emotional investigation of two stars from the past and the results are, let me say it, extraordinary. I'm looking at Joan Crawford through an entirely new perspective. Jessica Lange has humanized her without embellishing her and Susan Sarandon plays with Bette Davis's contradictions making them crystal clear even finding a sort of justification for them. I saw the 3rd episode "Mommie Dearest" twice in a row. That's how riveted I was and still am. Let me also mention Alfred Molina as Robert Aldrich. Sensational.
Why was I thinking that it couldn't work? Maybe because it never does. But "Bette and Joan" present us with that always welcome exception. The introduction of this two icons has sharpness and shine. Both walking a very tight rope. Joan with desperation, Bette with defiance. It is a terrific treat to see Jessica Lange and Susan Sarandon going for the real centers rather than the caricature. Alfred Molina is priceless as Robert Aldrich and Stanley Tucci reinvents Jack Warner to a delightful perfection. The late entrance of Joan/Jessica at the theater where Bette/Susan is playing in The Night Of The Iguana is one of my favorite film moments of the young 2017 season. Now, needles to say, I can't wait for the next chapter.
Superb. The dream, the wish, the thought. Sitting at a table face to face to say, I'm sorry. Thank you to Ryan Murphy and everyone concerned. Jessica Lange gives a performance that will live for ever, so does Susan Sarandon, in the last episode, her Bette Davis is there, totally, absolutely, chillingly there. What a thrill! Jessica Lange has five or six moments that I think will remain as "acting" landmarks. Alfred Molina's Robert Aldrich, devastating, brilliant! And Jack Warner's Stanley Tucci, a repellent delight. Fabulous eight episodes, eight! Enough to keep us wishing for more.
Did you know
- TriviaRyan Murphy interviewed Bette Davis months before her death in 1989. The agreed-upon 20-minute interview lasted four hours, and inspired his characterization of Davis. When he asked her about Joan Crawford, she would talk about how much she hated her, before saying "She was a professional. And I admired that."
- Crazy creditsJessica Lange and Susan Sarandon alternated top billing in the opening credits on alternate episodes.
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- Feud: Bette and Joan
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- See more company credits at IMDbPro
- Runtime
- 1h(60 min)
- Color
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