The Born-Again Identity

Supernatural is starting to stall as a show! The script writers are starting to run out of ideas. The Born-Again Identity recycles an old character, and uses the same idea of spiritual weapons. I will not ruin the episode by giving too much away. The episode has Sam relapsing with the Devil tormenting him again. This episode's plot has more of the same plot devices. The Born-Again Identity is a bridge episode for a new storyline which, I think, will be like last season. I think the series could have a repeating storyline all season. Nothing special with viewing this episode. I give this segment a six out of ten viewing stars. However, the show is still well acted and directed.

Much of this episode is quite good. Cas coming back and taking on Sam's hellscars is a needed plot development. The plotting is a bit stiff on this point. Likewise, Sam slowly losing his mind because of hallucifer is also good. But the episode tacks on a pointless ghost story to pad out the run time. Overall this is a weaker episode that had too much going in it.

Whoever thought of making Lucifer a simpering wise-cracker certainly found the perfect way to get on my nerves. Mark Pellegrino's acting cannot be faulted--I totally hate(d) Lucifer. But why do his wise-cracks, such as using film titles or characters as verbs, sound like the figures of speech used by most other characters? After a couple trips through the 15 seasons, I've learned the value of a mute button. Lucifer do your worst. The return of Castiel made this episode partially endurable for me.

"The Born-Again Identity," the seventeenth episode of "Supernatural's" seventh season, directed by Robert Singer and written by Sera Gamble, delves into the psychological torment of Sam Winchester (Jared Padalecki) as he grapples with hallucinations of Lucifer (Mark Pellegrino). The episode opens with Sam's insomnia-induced breakdown, culminating in his institutionalization after a car accident. Dean Winchester (Jensen Ackles), desperate to save his brother, embarks on a quest for a healer, leading him to "Emmanuel," a man bearing an uncanny resemblance to their presumed-dead ally, Castiel (Misha Collins).

The narrative intricately weaves Sam's internal struggle with Dean's external pursuit of salvation. Sam's interactions within the psychiatric facility, particularly with fellow patient Marin, who is haunted by her brother's ghost, mirror his own battles with Lucifer's relentless torment. These parallels underscore the pervasive theme of confronting one's inner demons. Dean's journey introduces Meg (Rachel Miner), a demon with her own agenda, adding layers of complexity to the unfolding events.

Misha Collins delivers a nuanced performance as "Emmanuel," portraying a man devoid of his angelic memories yet inherently drawn to healing. His gradual realization of his true identity, catalyzed by encounters with demons and revelations from Dean and Meg, is portrayed with subtlety and depth. The scene where Castiel regains his memories, interspersed with flashbacks and underscored by The Yardbirds' "Turn Into Earth," stands out as a poignant moment, effectively capturing the weight of his past actions.

Jared Padalecki's depiction of Sam's deteriorating mental state is compelling, capturing the character's vulnerability and resilience. Mark Pellegrino's portrayal of Lucifer adds a sinister levity, with scenes like his rendition of "Wake Up Little Susie" and his sardonic commentary providing a chilling contrast to Sam's anguish. Jensen Ackles embodies Dean's desperation and conflicted emotions, particularly in his interactions with "Emmanuel," where past betrayals and lingering hope collide.

Director Robert Singer balances the episode's psychological intensity with moments of action and revelation. The cinematography effectively contrasts the sterile confines of the psychiatric hospital with the ominous encounters on the road, mirroring the characters' tumultuous journeys. However, the pacing falters towards the conclusion, with Castiel's sacrificial act of transferring Sam's torment onto himself and his subsequent institutionalization feeling somewhat rushed, leaving certain emotional beats underexplored.

Thematically, the episode explores redemption, guilt, and the lengths one will go to save loved ones. Castiel's decision to bear Sam's burden serves as atonement for his past transgressions, highlighting the series' recurring motif of sacrifice. The introduction of Meg as a complex antagonist blurs the lines between ally and enemy, reflecting the show's nuanced portrayal of morality.

While "The Born-Again Identity" succeeds in delivering emotionally charged performances and advancing character arcs, it also exposes narrative inconsistencies. The abrupt reappearance of Castiel, without a thorough explanation of his survival and amnesia, strains credulity. Additionally, the swift resolution of Sam's psychological torment, a storyline simmering throughout the season, may leave some viewers yearning for a more gradual and in-depth exploration.

In the broader context of "Supernatural," this episode marks a pivotal turning point, reintroducing a beloved character and reshaping the dynamics among the central figures. It underscores the series' ability to intertwine personal struggles with supernatural elements, creating a narrative that resonates on both emotional and fantastical levels.

"The Born-Again Identity" offers a compelling exploration of redemption and the enduring bonds between characters, bolstered by strong performances and thoughtful direction. Despite some narrative shortcomings, the episode enriches the tapestry of "Supernatural," inviting viewers to reflect on the complexities of forgiveness and the sacrifices inherent in the pursuit of salvation.

So sick of the Lucifer angle Sam Lucifer the whole storyline just sucks. I'm only watching cause my husband had hope. I lost mine in season 6! How can 5 seasons be so good and then down the crapper. Writers?! It's no Grimm which was good to the very end.