Miss Bala

This is a dramatic, creepy, draggingly real and touching good watch. Technically this movie impresses, with solid acting and location shooting, in a fresh way to make you feel a part of the struggles.

This Latin America film is low-key, being removed from Hollywood formulas like modern foreign cinematography, being unusual, distinct and intense. It's independence makes it, with memorable ground-shots and a patience requiring build up to the horror expected.

Miss Bala, tells the mostly believable tale of a beauty queen who survives an event shoot-out and thus has to evade the criminals, as she is the lobe eye-witness. Yanked into a world of crime, Stephanie Sigman survives, with little fight back, playing a usual male role in a drug war thriller.

I enjoyed the film but critics have diluted it's good points with negative criticism over the acting and premise of a modern world cinema piece.

One of the most exciting young talents around, the Mexican director Gerardo Naranjo approaches the hot-button topic of drug violence through the perspective of an unlikely, unwitting heroine: a Tijuana beauty pageant contestant (Stephanie Sigman) who stumbles into the path of ruthless cartel operatives and corrupt officials. Although inspired by a true story, Miss Bala avoids docudrama clichés and tabloid sensationalism, and instead evokes the pervasive climate of fear and confusion that has enveloped daily life in some increasingly lawless pockets of northern Mexico. Using long takes and fluid, precise camera work, Naranjo fashions a highly original thriller: an anguished and harrowing mood piece with an undertow of bleakly absurdist humor and moments of heart-stopping action. A Fox International Productions release.

This is the story of a 23 year old girl from Tijuana named Laura who happens to be in the wrong place at the wrong time and gets involved involuntarily with a drug lord who forces her to take part in his criminal activities for the following days.

There are two things that really surprised me while watching this film. The first is the directing style, quite unusual but with a purpose I must say: a lot of panning, traveling and sequence shots, to give a certain sense of a documentary type of film. In many scenes, the director lets the camera still with the main character while we only "hear" what's going on around her and also a slow paced direction to allow the viewer get a more personal approach to the main character and what she is going through (I believe). The second one is how realistic it all seems, the language, the characters, the locations and especially a shooting scene between cops and narcos that is just breathtaking.

Of course this wouldn't work so well if the acting wasn't first class, and it is indeed, Stephanie Sigman what a fantastic job, really makes us care for the character.

Like "El Infierno", it reflects a sad reality of what Mexico is currently going through with the fight against drug trafficking, and it isn't pretty at all. However I consider this little gem an essential viewing for movie fans and even film students. Highly recommended.

The story of a young woman (Stephanie Sigman) clinging on to her dream to become a beauty contest queen in a Mexico dominated by organized crime.

Living in Wisconsin, I know precious little about the Mexican border. But I have written articles on foreign policy and how America's decisions have affected the gangs of Mexico. This film showcases some of that, focusing on the darkest possible angle.

Actress Stephanie Sigman is incredible, having to be a very visual actress in this film: we see her silently cringing or running from gunfire more than she speaks. But I think that this may be harder than just delivering dialogue: her character is kidnapped by gangsters, forced to commit criminal acts, constantly being faced with the possibility of death.

While the gangsters here are ruthless, and rightfully so, there was a political point being made that did not escape me: the presence of DEA agents in Mexico. Whether or not you support the war on drugs, there is good reason to question how American police can patrol the streets of Mexico. Do Mexican federales drive around El Paso? I think not. Their presence does not justify the violence from the gangs, but it does raise the question of why a foreign power is facing a domestic problem.

Beware of those viewers who really just want to see another Femme Nikita or something similar with non-stop unrealistic action led by a pretty babe.

Miss Bala isn't like that. (Dumb title though. Why not just keep Miss Baja? Are they afraid we gringos can't handle that name?) This film is about the way innocent Mexicans are caught up in the narco wars when they're just trying to live their own dreams.

In addition to the strong theme, the movie works because the story does more than carry thematic resonance -- there's suspense (which requires patience that the video-gaming generation may not be able to muster) and a very sympathetic central character. No, she's not always active, but she is reactive; she isn't just passively passing through this story. We care about her because she has a dream that has been sullied, because she cares about others (her friend Zuzu and her brother), and because, even after she's been abused, she's willing to take a risk at the end to prevent a murder.

Add all this to a well-shot movie with an unusual but effective mise-en-scenes in many of the beats and very scary bad guys, and, well, the sum of it all is a very strong movie.

By the way, there are no continuity lapses in the story and the finale makes sense -- but again, it's going to take some thinking. This movie is not an American action pic -- there's more thought behind it, and more thought needed to digest it.