Open Road

This movie feels (at best) like a 1980's after-school special, with lower production values and dialog that would embarrass a 1940's comic book writer. When it feels like it breaks the after-school special mode, it is merely because it slips into feeling like an old VHS tape shared by all the local xian churches.

Juliette Lewis was the selling point for me and she failed to deliver, I can blame her on some levels but the writing was just so atrocious that I am shocked she took the part. Andy Garcia must have been bored, and the lead actress basically derps from scene to scene without actually acting.

The Brazilian painter Angie (Camilla Belle) left her mother Glória (Christiane Torloni) and her sister Sônia (Carol Castro) to seek out her father, who left her family when she was a child, in the United States of America. Angie wanders and camps in a tent and works as waitress in diners to raise some money. She befriends the homeless Chuck (Andy Garcia) that protects her while she is camping. When she decides to move to another place, she stops at the roadside to sleep. She is awaken by the highway police officer David (Colin Egglesfield) and she finds that her engine has an expensive problem. David offers a job to Angie with his cousin Jill (Julliete Lewis) and to lodges her in his trailer. Soon they have a love affair but Angie does not want a commitment with David. She leaves him but soon she makes discoveries that will change her feelings.

"Road Movie" is a road movie with a terrible screenplay since there is no development of the lead character. The viewer does not know who Angie is looking for and how is she tracking this person. However she is an interesting character in the beginning, living in a tent, painting and befriending a homeless that is her best friend. However, when she meets David, their relationship is shallow and poor. But the corny conclusion is ridiculous with the family reunion. My question is, how could Angie be looking for someone that she does not know? Last but not the least, the beautiful Camilla Belle never convinces as Angie. My vote is five.

Title (Brazil): "Angie"

Okay, first of all, it's not a bad little movie, very much like Francis Coppola's 2nd movie The Rain People, acting is fine, Juliette Lewis is as good as always, at least for what she's got to do with. Script is lean and it ponders along but with nice touches. It's very 60's in some way so I guess it brings back some memories being a boomer. Definitely not for everyone, much more for those who have a whimsical bent to their personalities, just a little drive in the country, so to speak. I don't know what the negative reviews go on about, it's clearly not for them so they should go watch Juno a few more times. Performances are fine for everyone here, not an earth-shaker but a nice bit of time spent. I give it a 7 not for my best-of films, but for this particular genre of what one might call drift movies.

...could have been really good. The acting seemed a little stiff and almost like the actors were a bit bored. I have seen all the main actors in other movies and in those, they were great. This movie brought up some good ideas but they were either never developed further (so, why raise them in the first place) or they were not resolved. And, there were a few instances where I was a bit confused as to how that situation came about, although, I figured it out fairly quickly. There are much worse movies showing on "mainstream" circuit. It was also pleasant to watch a movie with no violence, gore, swearing etc. With a bit more story development and more convincing acting, wow, what a wonderful movie this could have been. So, overall, not bad.

The beginning of OPEN ROAD is highly suggestive, with director Marco Garcia depicting different moments in Angie's (Camilla Belle's) life, as she works as a server, travels along a lonely road, and tries to communicate with her mother back in Brazil. It's clear she's got something to hide, but we have no idea what; all we know is that she is a talented artist, who translates all her emotional pain into her paintings. So far so good; but then the film experiences a failure of nerve and transforms itself into a familiar tale of self-discovery. Angie meets nice boyfriend (Colin Egglesfield), and his skeptical cousin (Juliette Lewis), leaves her boyfriend in the lurch as she goes off on the road, and discovers at the end of the film that her friend Chuck (Andy Garcia) - whom she encountered at her lowest point during her journey - has a dark secret directly relating to her own life. At times the script veers towards the banal, and although the film is well photographed, with several aerial shots of the rolling landscape with Angie's car just a speck on the horizon, one cannot help but feel that director Garcia could have done far more with the material.