IMDb RATING
5.3/10
7.9K
YOUR RATING
When the owner of a major elephant camp is murdered, Kham finds himself the number one suspect and on the run from both the police and the deceased's vengeful twin nieces. But luck is on Kha... Read allWhen the owner of a major elephant camp is murdered, Kham finds himself the number one suspect and on the run from both the police and the deceased's vengeful twin nieces. But luck is on Kham's side when he runs into an Interpol agent sent to Thailand on a secret mission.When the owner of a major elephant camp is murdered, Kham finds himself the number one suspect and on the run from both the police and the deceased's vengeful twin nieces. But luck is on Kham's side when he runs into an Interpol agent sent to Thailand on a secret mission.
- Awards
- 4 wins total
JeeJa Yanin
- Ping Ping
- (as Jija Yanin)
Yayaying Rhatha Phongam
- No. 20
- (as Rhatha Phongam)
Jawed Berni
- No. 85
- (as Jawed Al Berni)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
mediocre
Story: Ridiculous, boring, tons of plot holes - but who cares, it's got Tony Jaa AND JeeJa Yanin in it, right?
Martial arts choreography: Tony Jaa, half of the time, is running away from something and not fighting back. They could have shown off his great athletic skills but compared to the chase scene in Ong Back it's a joke what they do here. Also the variety of moves is rather small and unimaginative and the only thing that sets it apart from other martial arts movies is that it's Muay Thai. Enter JeeJa Yanin who has shown in her previous movies that she is a force to be reckoned with. In this movie I felt like they didn't really know what to do with her and she has to be saved by Tony's character quite often. They didn't really give her enough room to shine. Here and there you see a hint of what she's capable of but it stays more of a hint. And what's up with all the jumping against walls? I've never seen any other movie where they do kicks and jumps pushing of a wall as often as in this one. a) It gets boring after a while. b) Half the time the person doing it gets thrown or kicked (so you could call it a fail).
As a fan of martial arts I gave it a 5/10 which in my case means it's OK, I didn't fall asleep. I didn't watch it for the story. If you like a movie to also have somewhat interesting story that makes some sense it's more of a 4/10.
Martial arts choreography: Tony Jaa, half of the time, is running away from something and not fighting back. They could have shown off his great athletic skills but compared to the chase scene in Ong Back it's a joke what they do here. Also the variety of moves is rather small and unimaginative and the only thing that sets it apart from other martial arts movies is that it's Muay Thai. Enter JeeJa Yanin who has shown in her previous movies that she is a force to be reckoned with. In this movie I felt like they didn't really know what to do with her and she has to be saved by Tony's character quite often. They didn't really give her enough room to shine. Here and there you see a hint of what she's capable of but it stays more of a hint. And what's up with all the jumping against walls? I've never seen any other movie where they do kicks and jumps pushing of a wall as often as in this one. a) It gets boring after a while. b) Half the time the person doing it gets thrown or kicked (so you could call it a fail).
As a fan of martial arts I gave it a 5/10 which in my case means it's OK, I didn't fall asleep. I didn't watch it for the story. If you like a movie to also have somewhat interesting story that makes some sense it's more of a 4/10.
What were they thinking?
What has happened to Tony Jaa? I guess Ong Bak and The Protector were lightning in a bottle type moments because his movies are getting worse. This movie is the opposite of what made him popular in the first place. It was him with no wires or CGI, doing amazing stunts and hard-hitting martial arts. This movie not only uses wires, but horrible looking CGI and scenes obviously shot in front of a green screen. Not only does the CGI look bad in this movie but Jaa's fighting abilities seem to have taken a hit too. He looks slower and even a little sloppy at times. JeeJa Yanin is completely wasted in this movie too. Why even put her in the movie just to get beat up most of the time? And the RZA? He took an already bad movie and plunged it to the bottom of the barrel. He's a terrible actor and shouldn't be anywhere near a fight scene. I keep waiting for the magic of Jaa's first two movies to reappear but sadly I don't think that day will ever come.
Fun flick, nothing more... also, horrible 3D conversion.
First off, your eyes will BLEED if you watch this in 3D, and man, I know I am good with 3D. I've been through The Hobbit, Gravity, The Wolverine, and other 3D movies, and I'm fine with all of them and enjoyed them more with 3D.
For the record, I'm a Thai, so I have a chance to see it in cinema in Thailand(of course in 3D). At the time I'm writing, it's the opening week and it's doing great.
Now to the movie.
It's a fun movie that has good action, whatever script, occasionally confusing storyline(but who cares, you come for the action), good acting, and excellent stunts. The action scenes are great for what they're worth, and are fun if you plug out the logic processor in your head.
The only problem I have with it(other than the 3D) is when the story took itself too seriously and the plot starts to get complicated. At one point an action is going on, and the plot is in the same time complicating itself, and I'm like "what the heck is this". My point is, the plot is confusing and complicated when it shouldn't be and might pull you out.
Overall, good action way too much plot.
Rating: 7/10
For the record, I'm a Thai, so I have a chance to see it in cinema in Thailand(of course in 3D). At the time I'm writing, it's the opening week and it's doing great.
Now to the movie.
It's a fun movie that has good action, whatever script, occasionally confusing storyline(but who cares, you come for the action), good acting, and excellent stunts. The action scenes are great for what they're worth, and are fun if you plug out the logic processor in your head.
The only problem I have with it(other than the 3D) is when the story took itself too seriously and the plot starts to get complicated. At one point an action is going on, and the plot is in the same time complicating itself, and I'm like "what the heck is this". My point is, the plot is confusing and complicated when it shouldn't be and might pull you out.
Overall, good action way too much plot.
Rating: 7/10
Wirework ,CGI and some bias plays a spoilsport
Finally saw TYG 2. I have to say this is the worst tony Jaa film so far.Not one bit because of Jaa but entirely due to its director Prachya Pinkaew. Cant believe he blew such a great opportunity after giving us Ong Bak and Tom Yum Goong.The basic plot is more or less the same as TYG 1 so no point in wasting time in talking about it.Lets get straight to the action.I don't understand this need to go on broad canvas and ruin the kind of films that you stood for.(Raid 2 looks to be going the same route from the last 2 promos).
There are several scenes were there was such a huge opportunity to choreograph a great fight scene but the director simply ruined it by his sudden obsession with wire work and poor CGI.
The biggest irritation for me was to see the director desperately trying to pass off Mareese Crump as this newest greatest martial artist on the block. Watch him just for 2 minutes and you realise its all a farce. Crump is not 1/10th as good as Prachya thinks he is.All his fight scenes with Jaa are poorly choreographed in an attempt to make Crump look good. You can clearly see Jaa has been asked to go half -speed and cut down on his moves to make it look like an even contest and it is all the more disbelieving that someone as novice in Capoeira as Crump can match upto Jaa when we have already seen how convincingly he took on the much superior Capoeira fighter Lateef Crowder in TYG1.The only scenes choreographed well are the ones that do not involve Crump , most definitely the one in the hotel room where an unarmed Jaa fights several armed men. Its a pretty short scene but expertly choreographed and such 1-2 scenes give glimpses of the Tony Jaa we know.Sadly the director had other ideas.
Jeeja Yanin is wasted and most of her stunts have wire work. Less said about RZA the better.This one needed a villain who could match up to the level of Jaa , someone like Scott Adkins perhaps.Tony Jaa has admittedly slowed down and looks a bit overweight than his usual lean self. age is catching up.I know Fast and furious is a crap series but i am hoping to b surprised by Jaa's outing in it. Hope they utilize his potential.
There are several scenes were there was such a huge opportunity to choreograph a great fight scene but the director simply ruined it by his sudden obsession with wire work and poor CGI.
The biggest irritation for me was to see the director desperately trying to pass off Mareese Crump as this newest greatest martial artist on the block. Watch him just for 2 minutes and you realise its all a farce. Crump is not 1/10th as good as Prachya thinks he is.All his fight scenes with Jaa are poorly choreographed in an attempt to make Crump look good. You can clearly see Jaa has been asked to go half -speed and cut down on his moves to make it look like an even contest and it is all the more disbelieving that someone as novice in Capoeira as Crump can match upto Jaa when we have already seen how convincingly he took on the much superior Capoeira fighter Lateef Crowder in TYG1.The only scenes choreographed well are the ones that do not involve Crump , most definitely the one in the hotel room where an unarmed Jaa fights several armed men. Its a pretty short scene but expertly choreographed and such 1-2 scenes give glimpses of the Tony Jaa we know.Sadly the director had other ideas.
Jeeja Yanin is wasted and most of her stunts have wire work. Less said about RZA the better.This one needed a villain who could match up to the level of Jaa , someone like Scott Adkins perhaps.Tony Jaa has admittedly slowed down and looks a bit overweight than his usual lean self. age is catching up.I know Fast and furious is a crap series but i am hoping to b surprised by Jaa's outing in it. Hope they utilize his potential.
HK Auteur film review - Tom Yum Goong 2
Tom Yum Goong 2 marks Tony Jaa's return since his announced retirement after the failed Ong Bak 3 and living life as a Buddhist monk. The sequel to 2005's Tom Yum Goong has Kham's elephant Khon is kidnapped once again by an evil organization that plans to blackmail Kham into assassinating the President of Katana to kick start a coup. As flimsy as that plot sounds, it is the least of its problems.
By incorporating special effects and stereoscopic 3D into the film's action scenes, Pinkaew forgets its major visual effect, namely Tony Jaa himself. The action is haphazardly cut with an embarrassingly huge amount of spatial jumps and tight close-ups that do not match, as if there was not enough usable footage. Many times the viewer enters the action after the first hit has been made. Apparently there were five editors on the project, what happened?
Tony Jaa is at not in his peak physical form, and the film seems to be hiding it from the audience. He is not as fast or hard-hitting as he once was. Jaa's choreography is restrained, for most of the group fights he just seems to be dispatching people aside as quickly as possible. And the whole time, I was waiting for Jaa to show off. Every time Ja whips out the elephant boxing style, a style that he and fight choreographer Panna invented for the previous film, are some of the film's most exciting moments. Sadly, there is very little of it.
Jeeja Yanin from Chocolate is unfortunately sidelined, she occasionally shows up to help Tony Jaa and vice versa, but otherwise there is little interaction between them. Clumsy cop comic sidekick Petchtai Wongkamlao gets some nice lines in but as seen in the first Ong Bak his strengths seem to lie in physical comedy, which he does not get to do here. The stunning Rhatha Phongam from Only God Forgives also makes a decent femme fatale, but the overabundance of supporting characters and a political assassination plot weighs everything down as the film takes on more than it can handle. Why does it have to be so complicated? Man loses elephant. Man goes and retrieves it, end of story!
RZA, together with his film The Man with the Iron Fist and self-proclaimed love of martial arts films, is forging a reputation to being a kung fu film staple. His casting as the villain is cashing in on that particular geek sheik. Atrocious acting aside, watching RZA sharing an on screen fight with Tony Jaa had me rolling my eyes. RZA movie fights just fine, but does anyone buy him gaining the upper hand on Ja?
Speaking of which, Marresse Crump, who plays the lead henchman, is a great on screen fighter who can go toe-to-toe with Tony Jaa. The first fight between Crump and Jaa had me pumped, and their last fight on a train track was the type of creative set piece I was expecting to see. Both fighters are capable of more complicated choreography but the choreographers held back with their fight. The fights always seem to be over before the audience can properly enjoy them. The first Tom Yum Goong had a video game boss level-like approach with its action sequences that kept topping each other in terms of scale and insanity, which was made it entertaining and hilarious. There is nothing to that equivalent here.
The best Prachya Pinkaew film is still Chocolate, as it had a neat creative angle and managed to incorporate its action in telling an emotional story coherently. Tom Yum Goong 2 just seems oddly distracted and unconfident about what it wants to be.
By incorporating special effects and stereoscopic 3D into the film's action scenes, Pinkaew forgets its major visual effect, namely Tony Jaa himself. The action is haphazardly cut with an embarrassingly huge amount of spatial jumps and tight close-ups that do not match, as if there was not enough usable footage. Many times the viewer enters the action after the first hit has been made. Apparently there were five editors on the project, what happened?
Tony Jaa is at not in his peak physical form, and the film seems to be hiding it from the audience. He is not as fast or hard-hitting as he once was. Jaa's choreography is restrained, for most of the group fights he just seems to be dispatching people aside as quickly as possible. And the whole time, I was waiting for Jaa to show off. Every time Ja whips out the elephant boxing style, a style that he and fight choreographer Panna invented for the previous film, are some of the film's most exciting moments. Sadly, there is very little of it.
Jeeja Yanin from Chocolate is unfortunately sidelined, she occasionally shows up to help Tony Jaa and vice versa, but otherwise there is little interaction between them. Clumsy cop comic sidekick Petchtai Wongkamlao gets some nice lines in but as seen in the first Ong Bak his strengths seem to lie in physical comedy, which he does not get to do here. The stunning Rhatha Phongam from Only God Forgives also makes a decent femme fatale, but the overabundance of supporting characters and a political assassination plot weighs everything down as the film takes on more than it can handle. Why does it have to be so complicated? Man loses elephant. Man goes and retrieves it, end of story!
RZA, together with his film The Man with the Iron Fist and self-proclaimed love of martial arts films, is forging a reputation to being a kung fu film staple. His casting as the villain is cashing in on that particular geek sheik. Atrocious acting aside, watching RZA sharing an on screen fight with Tony Jaa had me rolling my eyes. RZA movie fights just fine, but does anyone buy him gaining the upper hand on Ja?
Speaking of which, Marresse Crump, who plays the lead henchman, is a great on screen fighter who can go toe-to-toe with Tony Jaa. The first fight between Crump and Jaa had me pumped, and their last fight on a train track was the type of creative set piece I was expecting to see. Both fighters are capable of more complicated choreography but the choreographers held back with their fight. The fights always seem to be over before the audience can properly enjoy them. The first Tom Yum Goong had a video game boss level-like approach with its action sequences that kept topping each other in terms of scale and insanity, which was made it entertaining and hilarious. There is nothing to that equivalent here.
The best Prachya Pinkaew film is still Chocolate, as it had a neat creative angle and managed to incorporate its action in telling an emotional story coherently. Tom Yum Goong 2 just seems oddly distracted and unconfident about what it wants to be.
Did you know
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Details
Box office
- Gross US & Canada
- $2,463
- Opening weekend US & Canada
- $270
- May 4, 2014
- Gross worldwide
- $3,399,790
- Runtime
- 1h 44m(104 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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