Lines of Wellington

Had everything to work...good cast, beautiful landscapes, and a very good story... Unfortunately, there's no movie director in this god forsaken country, that knows what "action"means...to do a movie like this, without any battle scenes, in absurd, at least... So, don't bother... it's very very boring...

If you think about the French Invasions of the 19th Century, you think about a time of war, tragedy, heroism, violence and excesses. It is the perfect plot for an epic movie. Unfortunately, in the case of "Linhas de Wellington", the movie is Portuguese. Don't get me wrong, I am Portuguese too. What I mean is that we, as a nation, have a very hard time dealing with our own heritage and heroes. I don't know, perhaps deep inside each of us knows how short we fell of living up to our forefathers extraordinary legacy. Anyway, regardless of the reason why, the fact is that we do not give enough praise to the best among us, and that reflects on our modern art in general and in this movie in particular. That being said, instead of all the drama, heroism and war, this movie shows the story of simple people, ordinary anonymous folks, leaving their land as the French Army advances. Unfortunately, there are too many characters, not shown long enough for the viewer too actually identify himself with any of them. That turns the movie into a tale about people you don't really care for. As for the Duque of Wellington, the way he is portrayed is nothing short of revolting... As you would expect from a Portuguese movie because of all I said above. As a conclusion, "Linhas de Wellington" is a big disappointment. It is watchable, but nothing more than that.

I watched this film, all 150 minutes of it, from a DVD I received from FilmMovement. Apparently this film, a European production, is hardly known in North American.

At 150 minutes this is one long film, and if you expect to see epic battle scenes you will be disappointed. The story centres around the English and Portuguese armies retreating, with many civilians, from the advent of the Napoleonic army. There are many characters involved in several sub-plots, and three languages (English, French and Portuguese) are used in the dialogues. One can get confused easily.

Despite its flaws, I find the film watchable for the settings, for the costume, and for certain portions of the human dramas depicted. And forget about the presence of the two big-name French actresses referenced in the credit. Both Isabelle Hupert and Catherine Deneuve appeared in an inconsequential scene for less than two minutes.

A superb piece of Portugal cinema. Somewhat slow, however, if you love history you will be enthralled.

In 1810 Napoleon sent Marshal Massena (who was famous then and called "the dear son of the victories" I think that by Napoleon himself) to invade Portugal for the third time (French army had been defeated there twice before). The Franch army now entered the center of the country and marched to the south with relative facility despite having been beaten at Buçaco by the Anglo-Portuguese troops who began to withdraw to the south till they reached the Lines of Torres Vedras a huge mass of fortifications built in secret by Wellington in the previous one and half year behind which they entrenched themselves always under Wellington command. The French army after being before the Lines for some time realized they were unconquerable and retreated for good. This movie is about that but who is hoping to see a historical movie may be somewhat disappointed because though the story develops itself having that war as a background it is much more about the personal adventures and misadventures of its characters not only the main ones but some minor ones too. It is very good from the technical standpoint I mean the scenes, camera movements, sequences, angles of view, framings and visual details are very good indeed. The acting is also excellent with a luxury cast with such actors like John Malkovich (as Wellington)and the Portuguese Nuno Lopes. The reproduction of the epoch atmosphere in sceneries and costumes is also excellent. The main flaw that can be appointed to this movie is that the story somehow lacks a thread, losing itself among scattered and diverse episodes although very well shown and developed. And in terms of social usages (certain love scenes for instance) and language employed there is some inadequacy to early 19th century seeming much more as belonging to our contemporary meanings and values.