Computer Chess

I thought it was real for an embarrassingly long time. Which made it that much greater. If you go watch this with your friends, I recommend you tell them it's a documentary.

The filming, the conversation, the characters are all very life like for that day and age. The realism is also one of its shortfalls, because at times it's a bit boring.

I've never seen a film quite like Computer Chess. As one might expect from director Andrew Bujalski, the spoken dialogue and performances from the actors all feel incredibly real. Actor Myles Paige in particular delivers Mike Papageorge's cocky, self-aggrandizing dialogue with a naturalistic vocal cadence you don't often find in the standard summer fare of film. The cinematography, too, is appropriately raw. Shot on video with a 4:3 aspect ratio, it's hard not to watch a scene and feel like you're looking at someone's home movie. While it will no doubt be jarring for some, I found the aesthetic endearing and immersive, as if I really was in the 80s with the characters.

When not focusing on the computer chess competition, the film pries into the lives of its attendees. Here the characters are the film's primary focus. Even though "Chess" has no proper protagonist, it's hard not getting attached to these people. Peter Bishop, a younger computer programmer, comes the closest we get to a main character, and exhibits a reserved, shy personality that I personality think exists in us all. Bishop finds himself floundering from one uncomfortable situation to the next, unable to express his discomfort or anxieties. Other attendees often wax philosophical about the nature of programming, dropping gems like "Is real artificial intelligence different from artificial real intelligence?"

Interestingly enough, Bujalski has no qualms about belying the real-world aesthetic he's effortlessly created. Throughout the film he peppers in several surreal flourishes. Often times scenes will have jump cuts, audio will go out of sync with the video, the film features an almost out of place color scene, and there's even a trippy dream sequence where the programmers take on the role of chess pieces.

Ultimately, Computer Chess features something for everyone. From likable characters to a refreshing visual style, it's hard not to leave the film feeling wholly satisfied.

I had absolutely no clue what I was letting myself into. Just that a friend of mine was telling me I had to see it. It played at the International Film Festival in Berlin and I can only say my friend was right. If there is just a slight geeky/nerdy side in you, you will like this movie too. The fact, they had me guessing for a second, if that was actually made back when this is supposed to play is just great.

Of course, even if you don't know if this is a real documentary or not (it's not), you will get this very early on. But the jokes are really funny and even when it seems to be dragging a bit, it will pick up speed again and deliver on its funny premise. The acting is great and the film does look as old as it is supposed to look. Jokes work nicely and the overall feeling is just great. Check-mate

Computer Chess may have an unconventional and experimental style, but its story is simple. It's very much like a Christopher Guest competition mockumentary setup with a similar satirical sense of humour and fortunately its exposition is welcome and well-handled. Its video and black and white cinematography feels more than a gimmick and places the film convincingly in the 80s. At least it makes better use of it than last year's disappointing No. Although it's intended as a character-based film, peering into the lives of the contestants rather than concerned with the competition itself, it's the area it struggles with most. It's difficult to keep track of characters and many feels like cartoons. But its themes still work. It makes you think about the progression of technology and its integration with society as well as what you should live for. It's more of a directors movie with hints of surrealism and meta scenes where the gimmick breaks the mold which results in making Computer Chess interesting, thoughtful and entertaining film but wildly inconsistent with the places where it doesn't know what it's doing.

7/10

I don't want to reveal too much here. No spoilers. I did not know anything at all about Computer Chess before I sat down at the local rep house to view it, maybe you shouldn't either. It seemed like it was an old documentary about an early (1979) contest to design a computer program that could beat a human being at chess. I thought, as I was watching it, that eventually the documentary would jump to the present day, and interview the participants in that contest, and provide revelations about the the development of artificial intelligence, and perhaps about the evolution of the participants in that early competition. But, at some point, maybe 10 or 15 minutes into the film, I realized that what I thought the movie was about was not at all what the movie was about. And I thought to myself, Wow! Incredibly the movie manages to merge a story about a bunch of extreme tech nerds with a story about a bizarre cult of seekers of sexual and spiritual awakening. My movie-going companion and I were both entranced all during the film, and couldn't stop talking about it afterwards.

This movie is the real deal: it's what we used to go to the movies for. Complexity, surprise, enthrallment, humor, enigmas, revelations. Ambiguity. Somehow a bunch of people down in Austin, Texas made the perfect movie.