Starlet

STARLET (dir. Sean Baker) When 21 year old Jane discovers $10,000 in cash stuffed in a thermos that she bought at an old woman's yard sale, she tries to do the right thing and return the money. However, the old woman didn't know about the money (her long dead husband might have hidden the cash), so Jane befriends elderly Sadie in order to pay off the karmic debt. Because Jane's unusual occupation is not revealed until the film is almost half over, her illicit employment does not affect the natural relationship that grows between the two woman. A fine Independent film, and Dree Hemingway (Jane) and Besedka Johnson (Sadie) deliver exception performances. It must be mentioned that Jane's pet Chihuahua in the film is powerfully cute! Worth A Look.

Sean Baker is one of the great filmmakers of our time, and I have immense respect for his work. I first discovered him through "Red Rocket," which captivated me and led me to explore his entire filmography. His unique storytelling style and authentic portrayals of complex characters drew me in, and "Starlet" is no exception.

"Starlet" is a beautifully crafted film that delves into the lives of its characters with depth and sensitivity. The storyline, while seemingly simple, is rich with emotional undertones and explores themes of connection and vulnerability. Baker has an incredible ability to showcase the overlooked aspects of people's lives-those moments that are often ignored by mainstream cinema.

The film follows the unlikely friendship between a young adult film star and an elderly woman, revealing layers of their personalities and their struggles. The chemistry between the actors is genuine, and their performances are both heartfelt and compelling. Baker's direction allows them to shine, creating a space where their characters can be real and relatable.

What I appreciate most about Baker's work is his commitment to authenticity. He gives voice to characters that society often marginalizes, presenting them in a way that is both respectful and thought-provoking. The cinematography beautifully captures the essence of their lives, enhancing the storytelling without overshadowing it.

"Starlet" is more than just a film; it's an exploration of human connection in its many forms. It invites viewers to reflect on their own relationships and the complexities that come with them. This film is a testament to Baker's skill as a storyteller and his ability to illuminate the human experience.

If you haven't seen "Starlet" yet, do yourself a favor and watch it. It's a film that stays with you, encouraging you to think deeply about the stories that often go untold. Sean Baker continues to impress, and "Starlet" solidifies his place as a master of modern cinema.

"Starlet" is an absolutely lovely, unique film which I recommend without reservation. Masterfully directed by Sean ("Greg the Bunny") Baker, it stars Dee Hemingway, the daughter of Mariel, who plays Jane, a rather aimless but very sweet, very young, very pretty Angeleno who drifts through her life with two somewhat repellent roommates and a cute male Chihuahua named Starlet.

Things change when Jane buys an old thermos bottle at a yard sale and discovers ten grand hidden inside. The rest of the movie has to do with her relationship with Sadie, the old woman who held the yard sale (played by octogenarian Besedka Johnson, making her film debut!), and Jane pursuing her part-time job.

I won't say more, because the journey is worth taking. Hemingway and Johnson are a fantastic team. Jane and Sadie are an odd couple as odd, unexpected, and ultimately moving as any I've ever seen. The film is unpredictable and eye-opening and funny and poignant. I loved it.

When I attended a screening of this indie at the 2013 Glasgow Film Festival there were only four other people in the auditorium! But we happy few saw a real gem: Dree Hemingway plays a young porn star who buys a flask from an old woman (Besedka Johnson), only to discover the flask contains several thousand dollars. When Johnson, thinking she's after a refund, refuses to discuss the flask, Hemingway resolves to do the older woman good turns instead, and gradually a relationship develops between the two.

In a way it's a shame there's so much swearing and sexual content (including a scene of unsimulated sex) in the film, as the central soapy portrayal of the friendship between the two women means it would fit nicely in the inoffensive Sunday afternoon slot on BBC2, if it were more family-friendly. It's not perfect: Hemingway's Valley girl drawl is wearing at times, and some of the dialogue has the smell of "workshopped-dialogue-don't-know-how-to-bring-this-scene-to-a-close" about it, but minor gripes aside this is a nice character piece and I'd happily watch it again, even if it means breaking my 'no performing animals' rule (thankfully the dog - the 'Starlet' of the title - isn't asked to do anything dogs don't normally do).

Starlet is a character study very much in the spirit of films from the 70s. I think the director was influenced by the likes of Hal Ashby and Paul Mazursky.

A young, slightly aimless woman who has just moved San Fernando Valley, buys a vintage thermos flask at a yard sale from a cranky old lady and discovers $10.000 inside. After making a half-hearted attempt to give it back, she keeps the money, but then feels guilty and tries to befriend the old woman, who remains guarded to the point of hostility at the prospect of having her life disrupted.

The film doesn't ever resort to cosy indie movie clichés about the old passing on their wisdom the the young and life lessons being learned. It also doesn't exploit the young woman's line of business for cheap melodrama, as lesser films would. Both lead performances are wonderful and a cute dog always helps.

The film looks and sounds gorgeous and the director has a knack for what to show us and what to leave out. It's another good case for digital film-making. Talented independent film makers can now make great looking films for peanuts, which is just as well considering Hollywood has almost completely given up on making films for adults.

BTW. the trailer makes this look like another anodyne "heart warming" indie, full of laughter and whimsy, when really it's a much more melancholy, ambivalent and subtle film.