A pianist with stage fright endures a performance under the eyes of a mysterious sniper, who will shoot and kill him if a wrong note is played.A pianist with stage fright endures a performance under the eyes of a mysterious sniper, who will shoot and kill him if a wrong note is played.A pianist with stage fright endures a performance under the eyes of a mysterious sniper, who will shoot and kill him if a wrong note is played.
- Awards
- 5 wins & 12 nominations total
Beth Rollan
- Emma's Publicist
- (as Beth Trollan)
Richard Newby
- Executive
- (as Richard A. Newby)
Eric Goode
- Tom's Chauffeur
- (as Eric L. Goode)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Elijah Wood has become a surprisingly versatile actor in the last few years!! From his major role as Frodo in the Lord of the Rings and now Hobbit films (admittedly this is more a cameo role) to his frightening portrayal of Frank Zito in last years Maniac remake, this role in the Spanish thriller Grand Piano sees him go down a different sort of character entirely.
The below synopsis is taken from IMDb: Moments before his comeback performance, a concert pianist who suffers from stage fright discovers a note written on his music sheet.
I like this film a lot even though the writer and director push the realms of believability to pretty much bursting point!! Wood plays Tom Selznick, a formidably talented yet twitchy pianist who 5 years ago got the worst case of stage fright attempting to complete his master's most complex composition, only to flee the stage during a sold out performance. He is now talked into returning to the stage by his incredibly successful wife played by Kerry Bishe, Wood's nerves are stretched to breaking point when an unseen (for the most part), but voiced (by way of an earpiece), sniper, played by John Cusack, threatens his life and that of his wife if he makes a mistake during the performance. The assassins motives remain a mystery for most of the film and when they finally arrive they feel a bit unnecessarily convoluted, overall this film brings a style of thriller that cinema hasn't seen in a while.
Grand Piano reeks of the sort of film making that Brian De Palma would crank out back in the 70's and 80's. It is certainly more than just a tip of the cap to the 70+ year old director that's for sure. But the huge and beautiful cinematography of the auditorium, the vibrant colours and wonderful symphonic score of this film is something truly to behold. The acting isn't of the highest standard but I do enjoy Wood's performance and I also loved seeing Cusack take on the role of the bad guy.
Yes it's all a bit twee at the end and yes the overall plot is a bit of nonsense, however I found Grand Piano to be a lot of fun and kinda nostalgic. It's not a heavy recommend from me but if you get the opportunity then there are worse things to watch on a Saturday night.
RocknReelReviews.com
The below synopsis is taken from IMDb: Moments before his comeback performance, a concert pianist who suffers from stage fright discovers a note written on his music sheet.
I like this film a lot even though the writer and director push the realms of believability to pretty much bursting point!! Wood plays Tom Selznick, a formidably talented yet twitchy pianist who 5 years ago got the worst case of stage fright attempting to complete his master's most complex composition, only to flee the stage during a sold out performance. He is now talked into returning to the stage by his incredibly successful wife played by Kerry Bishe, Wood's nerves are stretched to breaking point when an unseen (for the most part), but voiced (by way of an earpiece), sniper, played by John Cusack, threatens his life and that of his wife if he makes a mistake during the performance. The assassins motives remain a mystery for most of the film and when they finally arrive they feel a bit unnecessarily convoluted, overall this film brings a style of thriller that cinema hasn't seen in a while.
Grand Piano reeks of the sort of film making that Brian De Palma would crank out back in the 70's and 80's. It is certainly more than just a tip of the cap to the 70+ year old director that's for sure. But the huge and beautiful cinematography of the auditorium, the vibrant colours and wonderful symphonic score of this film is something truly to behold. The acting isn't of the highest standard but I do enjoy Wood's performance and I also loved seeing Cusack take on the role of the bad guy.
Yes it's all a bit twee at the end and yes the overall plot is a bit of nonsense, however I found Grand Piano to be a lot of fun and kinda nostalgic. It's not a heavy recommend from me but if you get the opportunity then there are worse things to watch on a Saturday night.
RocknReelReviews.com
When pitched the idea might have seemed novel if hardly riveting, (a concert pianist about to perform finds a note on his sheet music telling him that if he plays a wrong note he and/or his wife will be killed), but this thriller, penned by current Hot Young Thing Damien Chazelle and directed by Eugenio Mira, is surprisingly suspenseful. Indeed this is the kind of conceit that Hitchcock might have toyed with, (something similar was seen some years back when Colin Farrell found himself trapped in a phone-box with a sniper's rifle trained on him). Of course, that movie, "Phone Booth" had the streets of the city to play with; the problem facing Mira is how to keep us glued to a limited set, (in this case a concert hall), and a fixed time span, not to mention 'inflicting', on perhaps a less than enthusiastic audience, a lot of semi-classical music. That he, and lead actor Elijah Woods, as well as the off-screen voice of potential killer John Cusack, pull it off is a credit to them all. Also, for something so seemingly insular, Mira makes excellent use of the widescreen. Perhaps more destined for cult status than mass consumption but certainly worth seeing.
Here's a director who knows how to shoot a film and he directed the hell out of this silly script, but you can throw the fanciest camera tricks at a dog of a script -- but good looking nonsense is still nonsense. This is one of those high concept screenplays that seems churned out by an automated software writing program, not a human who actually sat down to write this. Elijah Wood gives a one note (pun!) performance and he's either miscast or just downright boring as our lead - though his hands do a convincing job. An off screen for most of the film John Cusack is our villain who will shoot Mr. Wood and his pretty little wife if he plays a wrong note. Cusack's expository dialogue over the last act of the film, explaining his motives are eye rolling and the remaining 15 minutes seem like the automated writing software malfunctioned when character motivation and narrative collided. A dumb, harmless film.
The amount of inconsistencies and wildly implausible things in this film, not even related to the story but related to the art of piano playing, really shouldn't be addressed. The film doesn't take itself seriously and clearly seems to know how preposterous it is, and it doesn't care. It has a hell of a lot of fun in what its doing, and by that I mean I did. There's a vibrant energy to this that really makes it pop and work like music in the best scenes, those scenes involving the tense plot work along with the concertos being played. It's really interesting and doesn't feel half-baked like so many thrillers do. Very fun film, definitely recommended.
"I play piano, this is just another gig. Nothing else." Tom Selznick (Wood) is one of the most famous concert pianists in the world but 5 years ago he had a breakdown on stage and disappeared. Finally ready to come back to the art form he loves he stages a comeback appearance. He is as nervous as he as ever been when he starts to play, then he sees a note written on his music that makes him forget about his stage fright. The only problem is that his next note may be his last. As you know by now I watch as many movies as I can without watching the trailer first. Going in I was thinking...a movie about a piano concert with Frodo, sounds exciting (sarcasm). From the beginning I was intrigued and then it hit me. This movie is nothing like what I expected at all. A movie I expected to be about love of classical music ended up being more like Speed or Phonebooth. It was tense and exciting the entire time and I really liked it more then expected. Overall, keeps you on the edge of your seat the entire time. Very fast paced and exciting. I recommend this. I give this a high B+.
Did you know
- TriviaWood had worked with a teacher three weeks prior to going to Barcelona and found it stressful having to play the piano and speak at the same time saying, "It was incredibly technical [...] lots of moments where it was jumping from where I'd play, listen to a click, listen to music, have to be in the right place and the right time and hear dialogue and repeat dialogue".
- GoofsThe opening drive into Chicago begins southbound on Lake Shore Drive, then northbound on LaSalle (recognizable from the Batman films), then south on Wabash, then suddenly across the river, coming east on Washington, where the car finally stops at the Lyric Opera building. The interiors were shot elsewhere, so nothing looks like the actual hall.
- Crazy credits"The Impossible Piece" plays as the end credits roll.
- ConnectionsFeatured in Dont' Miss a Note: The Making of 'Grand Piano' (2014)
- SoundtracksTen Happy Fingers
Written by Dr. Seuss (as Theodore Geisel) and Friedrich Hollaender (as Frederick Hollander)
from The 5,000 Fingers of Dr. T. (1953) (uncredited)
Used by permission of Shapiro Bernstein Spain Mood Music Division
Courtesy of Columbia Pictures Industries,Inc.
Under license from Sony Pictures Music group
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- 關鍵琴聲
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $22,555
- Opening weekend US & Canada
- $2,964
- Mar 9, 2014
- Gross worldwide
- $1,618,085
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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