A dying real estate mogul transfers his consciousness into a healthy young body, but soon finds that neither the procedure nor the company that performed it are quite what they seem.A dying real estate mogul transfers his consciousness into a healthy young body, but soon finds that neither the procedure nor the company that performed it are quite what they seem.A dying real estate mogul transfers his consciousness into a healthy young body, but soon finds that neither the procedure nor the company that performed it are quite what they seem.
Sandra Ellis Lafferty
- Phyllis Jensen
- (as Sandra Laugherty)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Well I definitely had fun watching Self/less. I was just expecting a mystery thriller but it is more science fiction then mystery. The movie is different from the usual stuff we see. A nice innovative script about what almost everybody would want, immortality. Of course it's only available for the super rich. If it would ever happen in real life that's how it would turn out also. Only the super rich can afford everlasting youth. The movie is very entertaining. You never get bored for one second. A lot of action, a couple twists, and good acting from the whole cast. Ben Kingsley doesn't play a large role at all, it's Ryan Reynolds that has the major role and he does it very well. Self/less deserves a higher rating then it actually has on IMDb. Give it a shot if you like something refreshing.
This IMDb synopsis is accurate and a good starting point: Billionaire Damian Hale has terminal cancer. He turns to a radical medical procedure called "shedding," in which his consciousness is transferred to a healthy body. After the procedure, Damian, now called Edward, starts a new life in New Orleans but is plagued by disturbing images. When he delves into Edward's mysterious origin, he learns that some will kill to keep it secret.
My buddy and I, both long time film buffs of multi-genres yearn for decent sci-fi thrillers that are well written and directed, leave us guessing here and there via plot twists and turns, includes necessary action, murder and mayhem and a credible Mr. Evil. This film delivers 116 minutes of story, acting, production value and pure cinema sci-fi thrilling FUN.
We were both thumbs-up entertained by one of Ryan Reynolds best efforts plus a fine supporting cast including Mr. Evil (Albright). Our usual post film discussion of plot holes was minimal given the original, well crafted screenplay. That is not to say we did not suspend belief as is the case with many of our best action/Sci-Fi films. A major section of the film, with some of its best action sequences, reminded me of my favorite scenes in Bourne Legacy.
With all the above said there was yet room for disturbed, romantic relationships and one cute kid spitting out all her needed lines.
Production value gives us some fun shots of New Orleans, area mansions and a finale 'home' in a spectacular locale.
There have been so many mind invasion/transfer films that our expectations for something original with thrills, excitement and pathos were low. We left the theater smiling for the simple reason that we were both thoroughly entertained.
My buddy and I, both long time film buffs of multi-genres yearn for decent sci-fi thrillers that are well written and directed, leave us guessing here and there via plot twists and turns, includes necessary action, murder and mayhem and a credible Mr. Evil. This film delivers 116 minutes of story, acting, production value and pure cinema sci-fi thrilling FUN.
We were both thumbs-up entertained by one of Ryan Reynolds best efforts plus a fine supporting cast including Mr. Evil (Albright). Our usual post film discussion of plot holes was minimal given the original, well crafted screenplay. That is not to say we did not suspend belief as is the case with many of our best action/Sci-Fi films. A major section of the film, with some of its best action sequences, reminded me of my favorite scenes in Bourne Legacy.
With all the above said there was yet room for disturbed, romantic relationships and one cute kid spitting out all her needed lines.
Production value gives us some fun shots of New Orleans, area mansions and a finale 'home' in a spectacular locale.
There have been so many mind invasion/transfer films that our expectations for something original with thrills, excitement and pathos were low. We left the theater smiling for the simple reason that we were both thoroughly entertained.
Damian(Ben Kingsley) a self made billionaire discovers he is dying, and does have much longer to live, discovers a secret facility that can transfer his soul into a younger body(Ryan Reynolds), when the transfer is a success, Damian really begins to enjoy his new life in his new body, but soon realizes that his new life will have a price to pay.
I'm surprised that I liked this, I went expecting this to be bad, but I was amazed on how intriguing it kept me. It shows on we deal with dying and immortality, and things we must learn to face in life. Ben Kingsley was good, and Ryan Reynolds really surprised me. Matthew Goode was incredible. It does have some good action scenes, and great sci-fi element. Everybody gives a good performance here, and it does what sci-fi should do, kept you intrigue.
I'm surprised that I liked this, I went expecting this to be bad, but I was amazed on how intriguing it kept me. It shows on we deal with dying and immortality, and things we must learn to face in life. Ben Kingsley was good, and Ryan Reynolds really surprised me. Matthew Goode was incredible. It does have some good action scenes, and great sci-fi element. Everybody gives a good performance here, and it does what sci-fi should do, kept you intrigue.
There are certain things that men (or women for that case) should not mess with. As in what nature is giving or taking away from us. The movie might make a case of that, if you want to look at it that way. It's Science Fiction alright, but it does have a moral core in it, that you'll either like or dismiss.
Whatever the case, I'm sure many like the general idea of the movie, and because it is a "secret", this could actually be going on right now. But whatever you believe (or not), this will challenge some of your views, for better or worse. It might be very easy to see where this is going, but it's still a ride worth taking (especially if you're fond of the genre)
Whatever the case, I'm sure many like the general idea of the movie, and because it is a "secret", this could actually be going on right now. But whatever you believe (or not), this will challenge some of your views, for better or worse. It might be very easy to see where this is going, but it's still a ride worth taking (especially if you're fond of the genre)
Like the previous year, the 2015 was also considered the year of sci-fi in the film world. Plenty of large and small scale flicks came out and among them I was eagerly waiting for this one. If the story is what you always prefer with a fine production quality, then this film won't disappoint you. The performances were also well supported. Then what was this film's issue?
The last time widely accepted movie by Tarsem Singh was when he engaged in the screenplay development. After that he did not see much success where all his directed ones were written by others. My perception is that he must do those both department where he's good at it. Take this film as an example, an awesome story and had a good cast, but the writing was let down according to many who saw it.
Even in the short period of appearance, Ben Kingsley's role's legacy carried out till the end, because the concept was designed like that way. Being one of the top actors, Ryan Reylands films are not that celebratable. Though he's doing a decent flicks often and those were failing to recognise in the higher level, which did not spare this one as well.
People are comparing it to 'Face/off', but to me it looked more like coming together of 'The Island' and 'Skeleton Key'. Whatever it is I had a good time. Not a fresh concept of an idea, but narrated differently and it needed a bit depth in showcasing everything in the film.
My formula/secret for watching a movie successfully even it considered as an average or worse is, I won't bother for all the departments come together to become a well crafted product like the critics expect, because I'm a movie fanatic and love watching them almost most of the time than arguing about its flawed contents. If I find anything solely interesting like acting, music, story, visuals, I respect the efforts. So do I to this one and believe me it is much better than what the critics say so.
7/10
The last time widely accepted movie by Tarsem Singh was when he engaged in the screenplay development. After that he did not see much success where all his directed ones were written by others. My perception is that he must do those both department where he's good at it. Take this film as an example, an awesome story and had a good cast, but the writing was let down according to many who saw it.
Even in the short period of appearance, Ben Kingsley's role's legacy carried out till the end, because the concept was designed like that way. Being one of the top actors, Ryan Reylands films are not that celebratable. Though he's doing a decent flicks often and those were failing to recognise in the higher level, which did not spare this one as well.
People are comparing it to 'Face/off', but to me it looked more like coming together of 'The Island' and 'Skeleton Key'. Whatever it is I had a good time. Not a fresh concept of an idea, but narrated differently and it needed a bit depth in showcasing everything in the film.
My formula/secret for watching a movie successfully even it considered as an average or worse is, I won't bother for all the departments come together to become a well crafted product like the critics expect, because I'm a movie fanatic and love watching them almost most of the time than arguing about its flawed contents. If I find anything solely interesting like acting, music, story, visuals, I respect the efforts. So do I to this one and believe me it is much better than what the critics say so.
7/10
Did you know
- TriviaThe New Orleans house was used as the house in Interview with the Vampire (1994). It also once was owned by Nicolas Cage and the foyer chandelier hangs in the house.
- Goofs(at around 1h 25 mins) When Damian crashes Martin's SUV into the car in front, the airbags of the SUV (as seen from a long distance shot) clearly inflate. On the next shot from inside the car, Damian is still driving with no airbags inflated.
- ConnectionsFeatured in MsMojo: Top 10 Greatest Body Swap Movies (2023)
- SoundtracksBig 1
Performed by Young Fellaz Brass Band
- How long is Self/less?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- In/mortal
- Filming locations
- Ballast Key, Florida, USA(final scene on the island)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $26,000,000 (estimated)
- Gross US & Canada
- $12,279,691
- Opening weekend US & Canada
- $5,403,460
- Jul 12, 2015
- Gross worldwide
- $31,807,156
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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